The Pond: Interactive Multimedia Installation. - Sean Follmer; Chris Warren; Adnan Marquez-Borbon (NIME, 2008)

Style and Constraint in Electronic Musical Instruments. - Michael Gurevich; Paul Stapleton; Adnan Marquez-Borbon (NIME, 2010)

Designing Digital Musical Interactions in Experimental Contexts. - Adnan Marquez-Borbon; Michael Gurevich; A. Cavan Fyans; Paul Stapleton (NIME, 2011)

Ecological considerations for participatory design of DMIs. - A. Cavan Fyans; Adnan Marquez-Borbon; Paul Stapleton; Michael Gurevich (NIME, 2012)

Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument. - Michael Gurevich; Adnan Marquez-Borbon; Paul Stapleton (Comput. Music. J., 2012)

But does it float? reflections on a sound art ecological intervention. - Adnan Marquez-Borbon (NIME, 2015)

Fourteen years of nime: the value and meaning of 'community' in interactive music research. - Adnan Marquez-Borbon; Paul Stapleton (NIME, 2015)

The Problem of DMI Adoption and Longevity: Envisioning a NIME Performance Pedagogy. - Adnan Marquez-Borbon; Juan Pablo Martinez-Avila (NIME, 2018)

Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. - Lauren Hayes; Adnan Marquez-Borbon (NIME, 2020)

Collaborative Learning with Interactive Music Systems. - Adnan Marquez-Borbon (NIME, 2020)

Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies. - Lauren Hayes; Adnan Marquez-Borbon (Comput. Music. J., 2021)

Being (A)part of NIME: Embracing Latin American Perspectives. - Juan Pablo Martinez-Avila; João Tragtenberg; Filipe Calegario; Ximena Alarcón; Laddy Patricia Cadavid Hinojosa; Isabela Corintha Almeida; Teodoro Dannemann; Javier Jaimovich; Adnan Marquez-Borbon; Martin Matus Lerner; Miguel Angel Ortiz Pérez; Juan Mariano Ramos; et al. (NIME, 2022)