Bowed String Sequence Estimation of a Violin Based on Adaptive Audio Signal Classification and Context-Dependent Error Correction. - Akira Maezawa; Katsutoshi Itoyama; Toru Takahashi 001; Tetsuya Ogata; Hiroshi G. Okuno (ISM, 2009)

Violin Fingering Estimation Based on Violin Pedagogical Fingering Model Constrained by Bowed Sequence Estimation from Audio Input. - Akira Maezawa; Katsutoshi Itoyama; Toru Takahashi 001; Kazunori Komatani; Tetsuya Ogata; Hiroshi G. Okuno (IEA/AIE (3), 2010)

Query-by-conducting: An Interface to Retrieve Classical-music Interpretations by Real-time Tempo Input. - Akira Maezawa; Masataka Goto; Hiroshi G. Okuno (ISMIR, 2010)

Polyphonic audio-to-score alignment based on Bayesian Latent Harmonic Allocation Hidden Markov Model. - Akira Maezawa; Hiroshi G. Okuno; Tetsuya Ogata; Masataka Goto (ICASSP, 2011)

Automated Violin Fingering Transcription Through Analysis of an Audio Recording. - Akira Maezawa; Katsutoshi Itoyama; Kazunori Komatani; Tetsuya Ogata; Hiroshi G. Okuno (Comput. Music. J., 2012)

Audio part mixture alignment based on hierarchical nonparametric Bayesian model of musical audio sequence collection. - Akira Maezawa; Hiroshi G. Okuno (ICASSP, 2014)

Bayesian Audio Alignment based on a Unified Model of Music Composition and Performance. - Akira Maezawa; Katsutoshi Itoyama; Kazuyoshi Yoshii; Hiroshi G. Okuno (ISMIR, 2014)

Nonparametric Bayesian dereverberation of power spectrograms based on infinite-order autoregressive processes. - Akira Maezawa; Katsutoshi Itoyama; Kazuyoshi Yoshii; Hiroshi G. Okuno (IEEE ACM Trans. Audio Speech Lang. Process., 2014)

Unified inter- and intra-recording duration model for multiple music audio alignment. - Akira Maezawa; Katsutoshi Itoyama; Kazuyoshi Yoshii; Hiroshi G. Okuno (WASPAA, 2015)

Bayesian Audio-to-Score Alignment Based on Joint Inference of Timbre, Volume, Tempo, and Note Onset Timings. - Akira Maezawa; Hiroshi G. Okuno (Comput. Music. J., 2015)

Bayesian Music Alignment. - Akira Maezawa (2015)

MuEns: A Multimodal Human-Machine Music Ensemble for Live Concert Performance. - Akira Maezawa; Kazuhiko Yamamoto (CHI, 2017)

Probabilistic transcription of sung melody using a pitch dynamic model. - Luwei Yang; Akira Maezawa; Jordan B. L. Smith; Elaine Chew (ICASSP, 2017)

Fast and Accurate: Improving a Simple Beat Tracker with a Selectively-Applied Deep Beat Identification. - Akira Maezawa (ISMIR, 2017)

Skeleton Plays Piano: Online Generation of Pianist Body Movements from MIDI Performance. - Bochen Li; Akira Maezawa; Zhiyao Duan (ISMIR, 2018)

Music Boundary Detection Based on a Hybrid Deep Model of Novelty, Homogeneity, Repetition and Duration. - Akira Maezawa (ICASSP, 2019)

Rendering Music Performance With Interpretation Variations Using Conditional Variational RNN. - Akira Maezawa; Kazuhiko Yamamoto; Takuya Fujishima (ISMIR, 2019)

Sounds Out of Pläce? Score-Independent Detection of Conspicuous Mistakes in Piano Performances. - Alia Morsi; Kana Tatsumi; Akira Maezawa; Takuya Fujishima; Xavier Serra (ISMIR, 2023)

Loop Copilot: Conducting AI Ensembles for Music Generation and Iterative Editing. - Yixiao Zhang 002; Akira Maezawa; Gus Xia; Kazuhiko Yamamoto; Simon Dixon (CoRR, 2023)

Studio MAESTRO (16kHz mono mix). - Drew Edwards; Akira Maezawa; Simon Dixon (Zenodo, 2023)

Mobile-AMT: Real-Time Polyphonic Piano Transcription for In-the-Wild Recordings. - Yuta Kusaka; Akira Maezawa (EUSIPCO, 2024)

A Data-Driven Analysis of Robust Automatic Piano Transcription. - Drew Edwards; Simon Dixon; Emmanouil Benetos; Akira Maezawa; Yuta Kusaka (IEEE Signal Process. Lett., 2024)

Improvised Performance Following in Real Time for Automatic Accompaniment. - Junyan Jiang; Akira Maezawa; Gus Xia (ICASSP, 2025)

RenderBox: Expressive Performance Rendering with Text Control. - Huan Zhang; Akira Maezawa; Simon Dixon (CoRR, 2025)

CMI-Bench: A Comprehensive Benchmark for Evaluating Music Instruction Following. - Yinghao Ma; Siyou Li; Juntao Yu; Emmanouil Benetos; Akira Maezawa (CoRR, 2025)