Composing interactive virtual operas. - Alain Bonardi; Francis Rousseaux (Creativity & Cognition, 1999)

Towards Digital "Musical Actions". - Alain Bonardi; Francis Rousseaux (ICMC, 1999)

IR for Contemporary Music: What the Musicologist Needs. - Alain Bonardi (ISMIR, 2000)

Creating "Hypermusic Spaces". - Alain Bonardi; Francis Rousseaux (RIAO, 2000)

Towards Interactive Operas: the Virtualis Project. - Alain Bonardi; Francis Rousseaux (ICHIM (1), 2001)

Similarity in Computational Music: A Musicologist's Approach. - Jérôme Barthélemy; Alain Bonardi (WEDELMUSIC, 2001)

Knowledge Discovery as Applied to Music: Will Music Web Retrieval Revolutionize Musicology? - Francis Rousseaux; Alain Bonardi (Discovery Science, 2002)

New tools and practices for electronic music distribution. - Francis Rousseaux; Alain Bonardi (ISICT, 2003)

A Style of Theater Production Inspired by Interactive Content Data Mining. - Francis Rousseaux; Alain Bonardi (AAAI Technical Report (7), 2004)

Reconcile Art and Culture on the Web. - Francis Rousseaux; Alain Bonardi (WSPI, 2004)

Similarité en intension versus similarité en extension. A la croisée de l'informatique et du thzâtre. - Alain Bonardi; Francis Rousseaux (Rev. d'Intelligence Artif., 2005)

Towards a Virtual Assistant for Performers and Stage Directors. - Alain Bonardi; Isis Truck; Herman Akdag (NIME, 2006)

Digital Preservation of Interactive Multimedia performances. - Kia Ng; Tran Vu Pham; Bee Ong; Jérôme Barthélemy; Alain Bonardi; David Giaretta (ICMC, 2007)

Human Actors and Virtual Agents Playing Together to Transform Stage Direction Practices. - Alain Bonardi; Christine Zeppenfeld (IVA, 2007)

Taking Lessons from Cognitive Psychologists to Design our Content Browsing Tools? - Francis Rousseaux; Alain Bonardi; Alexis Lemaire (RCIS, 2007)

Vers des environnements homme-machine pour ressaisir les intentions dans la création scénique. (Towards human to computer environments to re-grasp the intentions in creative performing arts). - Alain Bonardi (2008)

Our Research for lost Route to Root. - Jérôme Barthélemy; Alain Bonardi; Guillaume Boutard; Raffaele Ciavarella (ICMC, 2008)

Ontology Management for Preservation of Interactive Multimedia performances. - Kia Ng; Alexander Mikroyannidis; Bee Ong; Alain Bonardi; Jérôme Barthélemy; Raffaele Ciavarella (ICMC, 2008)

Digital Music Collections: a Place of Knowledge Emergence? - Francis Rousseaux; Alain Bonardi; Benjamin Roadley (ICMC, 2008)

ReCollection: a Disposal/Formal Requirement-Based Tool to Support Sustainable Collection Making. - Francis Rousseaux; Alain Bonardi; Benjamin Roadley (WSPI, 2008)

Préservation de processus temps réel. Vers un document numérique. - Alain Bonardi; Jérôme Barthélemy; Guillaume Boutard; Raffaele Ciavarella (Document Numérique, 2008)

The preservation, emulation, migration, and virtualization of live electronics for performing arts: An overview of musical and technical issues. - Alain Bonardi; Jérôme Barthélemy (ACM Journal on Computing and Cultural Heritage, 2008)

Similarité en intension vs en extension : à la croisée de l'informatique et du théâtre - Alain Bonardi; Francis Rousseaux (CoRR, 2009)

How Do Interactive Virtual Operas Shift Relationships between Music, Text and Image? - Alain Bonardi; Francis Rousseaux (CoRR, 2009)

Music-ripping: des pratiques qui provoquent la musicologie - Francis Rousseaux; Alain Bonardi (CoRR, 2009)

Interagir avec un contenu opératique : le projet d'opéra virtuel interactif Virtualis - Alain Bonardi; Francis Rousseaux (CoRR, 2009)

Considering Stage Direction as Building Informed Virtual Environments. - Alain Bonardi; Francis Rousseaux (J. Virtual Real. Broadcast., 2009)

Toward An Organology Of Virtual Instruments In Computer Music. - Jérôme Barthélemy; Yann Orlarey; Alain Bonardi; Serge Lemouton; Raffaele Ciavarella; Karim Barkati (ICMC, 2010)

Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts. - Alain Bonardi; Isis Truck (ICMC, 2010)

Interactions médiatisées sur scène. - Alain Bonardi; Francis Rousseaux (Tech. Sci. Informatiques, 2010)

Modéliser les processus de création de la musique avec dispositif numérique : représenter pour rejouer et préserver les oeuvres contemporaines. - Antoine Vincent; Bruno Bachimont; Alain Bonardi (IC, 2012)

Prescrire une modélisation par les patrons : exemple des patrons de création pour la représentation des processus de production sonore. - Antoine Vincent; Bruno Bachimont; Alain Bonardi (IC, 2013)

Copier/coller, ou recopier ? La transmission entre artistes des œuvres musicales avec dispositif numérique. - Alain Bonardi (Tech. Sci. Informatiques, 2013)

L'intérêt des patrons dans la gestion des connaissances liées à la création sonore. - Antoine Vincent; Bruno Bachimont; Alain Bonardi (IC, 2014)

Electronic Music Documentations, Practices and Models. - Serge Lemouton; Alain Bonardi; Laurent Pottier; Jacques Warnier (ICMC, 2018)

On the Documentation of Electronic Music. - Serge Lemouton; Alain Bonardi; Laurent Pottier; Jacques Warnier (Comput. Music. J., 2018)

FAUST Multiplatform toolbox for Body Brain Digital Musical Instruments. - David Fierro; Alain Bonardi; Atau Tanaka (NIME, 2023)