Time in Conflucences: Dealing with Delays for Consistency-Checking. - Amílcar Cardoso; Ernesto Costa (EPIA, 1991)

Consistency checking along time. - Amílcar Cardoso; Ernesto Costa (Appl. Artif. Intell., 1992)

Plans as Structured Networks of Hierarchically and Temporally Related Case Pieces. - Luís Macedo; Francisco C. Pereira; Carlos Grilo; Amílcar Cardoso (EWCBR, 1996)

Experimental Study of a Similarity Metric for Retrieving Pieces from Structured Plan Cases: Its Role in the Originality of Plan Case Solutions. - Luís Macedo; Francisco C. Pereira; Carlos Grilo; Amílcar Cardoso (ICCBR, 1997)

A Structured Framework for Representing Time in a Generative Composition System. - Francisco C. Pereira; Carlos Grilo; Luís Macedo; Amílcar Cardoso (TIME, 1997)

Nested Graph-Structured Representations for Cases. - Luís Macedo; Amílcar Cardoso (EWCBR, 1998)

Scheduling to Reduce Uncertainty in Syntactical Music Structures. - Miguel Ferrand; Amílcar Cardoso (SBIA, 1998)

Computing Aethetics. - Penousal Machado; Amílcar Cardoso (SBIA, 1998)

Darwinci: Creating Bridges to Creativity. - Francisco C. Pereira; Penousal Machado; Amílcar Cardoso (SBIA, 1998)

Hypotethical Reasoning: an application to Optical Music Recognition. - Miguel Ferrand; João Alexandre Leite; Amílcar Cardoso (APPIA-GULP-PRODE, 1999)

Improving Optical Music Recognition by Means of Abductive Constraint Logic Programming. - Miguel Ferrand; João Alexandre Leite; Amílcar Cardoso (EPIA, 1999)

Busy Beaver - The Influence of Representation. - Penousal Machado; Francisco Baptista Pereira; Amílcar Cardoso; Ernesto Costa (EuroGP, 1999)

Too busy to learn [individual learning interaction with evolutionary algorithm in Busy Beaver problem]. - Francisco Baptista Pereira; Penousal Machado; Ernesto Costa; Amílcar Cardoso; Alberto Ochoa-Rodríguez; Roberto Santana 001; Marta Soto (CEC, 2000)

Clouds: A Module for Automatic Learning of Concept Maps. - Francisco C. Pereira; Amílcar Cardoso (Diagrams, 2000)

Probabilistic Evolution and the Busy Beaver Problem. - Roberto Santana 001; Alberto Ochoa-Rodríguez; Marta Soto; Francisco Baptista Pereira; Penousal Machado; Ernesto Costa; Amílcar Cardoso (GECCO, 2000)

An Architecture for Hybrid Creative Reasoning. - Amílcar Cardoso; Ernesto Costa; Penousal Machado; Francisco C. Pereira; Paulo Gomes (Soft Computing in Case Based Reasoning, 2001)

All the Truth About NEvAr. - Penousal Machado; Amílcar Cardoso (Appl. Intell., 2002)

Musical Pattern Extraction Using Genetic Algorithms. - Carlos Grilo; Amílcar Cardoso (CMMR, 2003)

Computational Creativity. - Amílcar Cardoso; Penousal Machado (EPIA, 2003)

On the Development of Critics in Evolutionary Computation Artists. - Juan Romero; Penousal Machado; Antonino Santos; Amílcar Cardoso (EvoWorkshops, 2003)

A Model for Creativity in Creature Generation. - Paulo Ribeiro; Francisco C. Pereira; Bruno F. Marques; Bruno Leitão; Amílcar Cardoso (GAME-ON, 2003)

Exploration of Unknown Environments with Motivational Agents. - Luís Macedo; Amílcar Cardoso (AAMAS, 2004)

An Auditory Model Based Approach for Melody Detection in Polyphonic Musical Recordings. - Rui Pedro Paiva; Teresa Mendes; Amílcar Cardoso (CMMR, 2004)

On the Evolution of Evolutionary Algorithms. - Jorge Tavares; Penousal Machado; Amílcar Cardoso; Francisco Baptista Pereira; Ernesto Costa (EuroGP, 2004)

Adaptive Critics for Evolutionary Artists. - Penousal Machado; Juan Romero; María Luisa Santos; Amílcar Cardoso; Bill Z. Manaris (EvoWorkshops, 2004)

Case-Based, Decision-Theoretic, HTN Planning. - Luís Macedo; Amílcar Cardoso (ECCBR, 2004)

Using CBR in the Exploration of Unknown Environments with an Autonomous Agent. - Luís Macedo; Amílcar Cardoso (ECCBR, 2004)

Studying Creativity in AI. - Carlos Bento 001; Amílcar Cardoso (Künstliche Intell., 2004)

Introduction. - Carlos Bento 001; Amílcar Cardoso; Gaël Dias (EPIA, 2005)

Segmentation of pitch tracks for melody detection in polyphonic audio. - Rui Pedro Paiva; Teresa Mendes; Amílcar Cardoso (EUSIPCO, 2005)

Exploiting Melodic smoothness for Melody Detection in Polyphonic audio. - Rui Pedro Paiva; Teresa Mendes; Amílcar Cardoso (ICMC, 2005)

Partially Interactive Evolutionary Artists. - Penousal Machado; Juan Romero; Amílcar Cardoso; Antonino Santos (New Gener. Comput., 2005)

Melody Detection in Polyphonic Musical Signals: Exploiting Perceptual Rules, Note Salience, and Melodic Smoothness. - Rui Pedro Paiva; Teresa Mendes; Amílcar Cardoso (Comput. Music. J., 2006)

Creative Systems. - Carlos Bento 001; Amílcar Cardoso (Knowl. Based Syst., 2006)

Experiments with free concept generation in Divago. - Francisco C. Pereira; Amílcar Cardoso (Knowl. Based Syst., 2006)

A Text Generation System that Uses Simple Rhetorical Figures. - Raquel Hervás; Francisco C. Pereira; Pablo Gervás; Amílcar Cardoso (Proces. del Leng. Natural, 2006)

Towards Affective-Psychophysiological Foundations for Music Production. - António Pedro Oliveira; Amílcar Cardoso (ACII, 2007)

On the development of evolutionary artificial artists. - Penousal Machado; Juan Romero; Antonino Santos; Amílcar Cardoso; Alejandro Pazos (Comput. Graph., 2007)

Towards bi-Dimensional Classification of Symbolic Music by Affective Content. - António Pedro Oliveira; Amílcar Cardoso (ICMC, 2008)

Converging on the Divergent: The History (and Future) of the International Joint Workshops in Computational Creativity. - Amílcar Cardoso; Tony Veale; Geraint A. Wiggins (AI Mag., 2009)

Computational Creativity - Progress and Prospects. - Amílcar Cardoso (ICAART (1), 2010)

Real-Time Emotion-Driven Music Engine. - Alex Rodríguez López; António Pedro Oliveira; Amílcar Cardoso (ICCC, 2010)

A musical system for emotional expression. - António Pedro Oliveira; Amílcar Cardoso (Knowl. Based Syst., 2010)

Building Spatiotemporal Emotional Maps for Social Systems. - Pedro Catré; Luís Cardoso; Luís Macedo; Amílcar Cardoso (EPIA, 2011)

Uncertainty and Novelty-Based Selective Attention in the Collaborative Exploration of Unknown Environments. - Luís Macedo; Miguel Tavares; Pedro Gaspar; Amílcar Cardoso (EPIA, 2011)

Increasing student commitment in introductory programming learning. - António José Mendes; Luís Paquete; Amílcar Cardoso; Anabela Gomes (FIE, 2012)

The exploration of unknown environments populated with entities by a surprise-curiosity-based agent. - Luís Macedo; Amílcar Cardoso (Cogn. Syst. Res., 2012)

LO-C(L)A(S)P: a Model for Supporting the Development of Learning Objects with Sound Manipulation and Social Resources for Music Education. - Fernando Pinhati; Sean W. M. Siqueira; António José Mendes; Amílcar Cardoso (AMCIS, 2013)

Recommending POIs Based on the User's Context and Intentions. - Hernani Pereira Costa; Bárbara Furtado; Durval Pires; Luís Macedo; Amílcar Cardoso (PAAMS (Workshops), 2013)

Overcoming information overload with artificial selective agents. - Luís Macedo; Hernani Pereira Costa; Amílcar Cardoso (AAMAS, 2014)

Sound Visualization Through a Swarm of Fireflies. - Ana Rodrigues 001; Penousal Machado; Pedro Martins 003; Amílcar Cardoso (EPIA, 2015)

Conceptual Blending in Case Adaptation. - Amílcar Cardoso; Pedro Martins 003 (ICCBR (Workshops), 2015)

Generation of Concept-Representative Symbols. - João Miguel Cunha; Pedro Martins 003; Amílcar Cardoso; Penousal Machado (ICCBR (Workshops), 2015)

Seeking Divisions of Domains on Semantic Networks by Evolutionary Bridging. - João Gonçalves; Pedro Martins 003; António Cruz; Amílcar Cardoso (ICCBR (Workshops), 2015)

Automated Blend Naming Based on Human Creativity Examples. - Senja Pollak; Pedro Martins 003; Amílcar Cardoso; Tanja Urbancic (ICCBR (Workshops), 2015)

The Good, the Bad, and the AHA! Blends. - Pedro Martins 003; Tanja Urbancic; Senja Pollak; Nada Lavrac; Amílcar Cardoso (ICCC, 2015)

A Distributed Approach to Computational Creativity. - Amílcar Cardoso; Pedro Martins 003; Filipe Assunção; João Correia 001; Penousal Machado (IDC, 2015)

Evolving L-Systems with Musical Notes. - Ana Rodrigues 001; Ernesto Costa; Amílcar Cardoso; Penousal Machado; Tiago Cruz 001 (EvoMUSART, 2016)

Optimality Principles in Computational Approaches to Conceptual Blending: Do We Need Them (at) All? - Pedro Martins 003; Senja Pollak; Tanja Urbancic; Amílcar Cardoso (ICCC, 2016)

Computational Creativity Infrastructure for Online Software Composition: A Conceptual Blending Use Case. - Martin Znidarsic; Amílcar Cardoso; Pablo Gervás; Pedro Martins 003; Raquel Hervás; Ana Oliveira Alves; Hugo Gonçalo Oliveira; Ping Xiao; Simo Linkola; Hannu Toivonen; Janez Kranjc; Nada Lavrac (ICCC, 2016)

Autonomous Composition as Search in a Conceptual Space: A Computational Creativity View. - F. Amílcar Cardoso (CMMR, 2017)

Sonifying Twitter's Emotions Through Music. - Mariana Seiça; Rui (Buga) Lopes; Pedro Martins 003; F. Amílcar Cardoso (CMMR, 2017)

A Pig, an Angel and a Cactus Walk Into a Blender: A Descriptive Approach to Visual Blending. - João Miguel Cunha; João Gonçalves; Pedro Martins 003; Penousal Machado; Amílcar Cardoso (ICCC, 2017)

Blend City, BlendVille. - João Gonçalves; Pedro Martins 003; Amílcar Cardoso (ICCC, 2017)

Drilling Knowledge Bases for Hidden Frames. - João Gonçalves; Pedro Martins 003; Amílcar Cardoso (TriCoLore (C3GI/ISD/SCORE), 2018)

A Fast Mapper as a Foundation for Forthcoming Conceptual Blending Experiments. - João Gonçalves; Pedro Martins 003; Amílcar Cardoso (ICCBR, 2018)

Generation of Aesthetic Emotions guided by Perceptual Features. - Amílcar Cardoso; Ana Rodrigues 001; Penousal Machado (ICCC, 2018)

Perceiving Abstract Concepts Via Evolving Computational Cognitive Modeling. - Rahul Sharma 008; Bernardete Ribeiro; Alexandre Miguel Pinto; F. Amílcar Cardoso (IJCNN, 2018)

User-Guided System to Generate Spanish Popular Music. - María Navarro-Cáceres; Matilde Olarte-Martínez; F. Amílcar Cardoso; Pedro Martins 003 (ISAmI, 2018)

The Nuts and Bolts of Conceptual Blending: Multidomain Concept Creation with Divago. - Pedro Martins 003; Francisco C. Pereira; F. Amílcar Cardoso (Computational Creativity, 2019)

Breaking the Mould An Evolutionary Quest for Innovation Through Style Change. - João Correia 001; Penousal Machado; Juan Romero; Pedro Martins 003; F. Amílcar Cardoso (Computational Creativity, 2019)

Systematizing Creativity: A Computational View. - Tony Veale; F. Amílcar Cardoso; Rafael Pérez y Pérez (Computational Creativity, 2019)

Going into Greater Depth in the Quest for Hidden Frames. - João Gonçalves; Aaron Bembenek; Pedro Martins 003; Amílcar Cardoso (ICCC, 2019)

A Dynamic Approach for the Generation of Perceptual Associations. - Ana Rodrigues 001; Amílcar Cardoso; Penousal Machado (ICCC, 2019)

Conceptual Representations for Computational Concept Creation. - Ping Xiao; Hannu Toivonen; Oskar Gross; Amílcar Cardoso; João Correia 001; Penousal Machado; Pedro Martins 003; Hugo Gonçalo Oliveira; Rahul Sharma 008; Alexandre Miguel Pinto; Alberto Díaz 001; Virginia Francisco; et al. (ACM Comput. Surv., 2019)

Computational creativity infrastructure for online software composition: A conceptual blending use case. - Pedro Martins 003; Hugo Gonçalo Oliveira; João Gonçalves; António Cruz; Amílcar Cardoso; Martin Znidarsic; Nada Lavrac; Simo Linkola; Hannu Toivonen; Raquel Hervás; Gonzalo Méndez 001; Pablo Gervás (IBM J. Res. Dev., 2019)

A Contrast-Based Computational Model of Surprise and Its Applications. - Luís Macedo; Amílcar Cardoso (Top. Cogn. Sci., 2019)

Contrasts and similarities between two audio research communities in evaluating auditory artefacts. - Mariana Seiça; Licínio Roque; Pedro Martins 003; F. Amílcar Cardoso (Audio Mostly Conference, 2020)

Reconstructing Abstract Concepts and their Blends Via Computational Cognitive Modeling. - Rahul Sharma 008; Bernardete Ribeiro; Alexandre Miguel Pinto; F. Amílcar Cardoso (IJCNN, 2020)

Learning non-convex abstract concepts with regulated activation networks. - Rahul Sharma 008; Bernardete Ribeiro; Alexandre Miguel Pinto; F. Amílcar Cardoso (Ann. Math. Artif. Intell., 2020)

Integration of a music generator and a song lyrics generator to create Spanish popular songs. - María Navarro-Cáceres; Hugo Gonçalo Oliveira; Pedro Martins 003; Amílcar Cardoso (J. Ambient Intell. Humaniz. Comput., 2020)

A Large-Scale Computational Model of Conceptual Blending Using Multiple Objective Optimisation. - João Gonçalves; Pedro Martins 003; F. Amílcar Cardoso (ICCC, 2021)

An Illustrative Design Case of Systemic Sonification. - Mariana Seiça; Licínio Roque; Pedro Martins 003; F. Amílcar Cardoso (Audio Mostly Conference, 2022)

Playing With Sound Beings: A Sonic Playfield. - Mariana Seiça; Licínio Roque; Pedro Martins 003; F. Amílcar Cardoso (CHI PLAY, 2022)

"Found in Translation": An Evolutionary Framework for Auditory-Visual Relationships. - Ana Rodrigues 001; Bruna Sousa; Amílcar Cardoso; Penousal Machado (Entropy, 2022)

An interdisciplinary journey towards an aesthetics of sonification experience. - Mariana Seiça; Licínio Roque; Pedro Martins 003; F. Amílcar Cardoso (J. Multimodal User Interfaces, 2023)

Towards a Formal Creativity Theory: Preliminary results in Novelty and Transformativeness. - Luís Espírito Santo; Geraint A. Wiggins; Amílcar Cardoso (CoRR, 2024)