Analysis by synthesis of the expressive intentions in musical performance. - Sergio Canazza; Giovanni De Poli; Antonio Rodà; Alvise Vidolin (ICMC, 1997)

Expressive Processing of Audio and MIDI Performances in Real Time. - Sergio Canazza; Giovanni De Poli; Riccardo Di Federico; Carlo Drioli; Antonio Rodà (ICMC, 1999)

A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis. - Sergio Canazza; Antonio Rodà; Nicola Orio (ICMC, 1999)

Adding Expressiveness to Musical Messages. - Sergio Canazza; Giovanni De Poli; Antonio Rodà; Alvise Vidolin (ICMCS, Vol. 2, 1999)

Adding Expressiveness in Musical Performance in Real Time. - Antonio Rodà; Sergio Canazza (ICMCS, Vol. 2, 1999)

Real-Time Morphing Among Different Expressive Intentions in Audio Playback. - Sergio Canazza; Giovanni De Poli; Carlo Drioli; Antonio Rodà; Federico Zamperini (ICMC, 2000)

Audio Morphing Different Expressive Intentions for Multimedia Systems. - Sergio Canazza; Giovanni De Poli; Carlo Drioli; Antonio Rodà; Alvise Vidolin (IEEE Multim., 2000)

Expressive Morphing for Interactive Performance of Musical Scores. - Sergio Canazza; Alvise Vidolin; Giovanni De Poli; Carlo Drioli; Antonio Rodà (WEDELMUSIC, 2001)

Real Time Analysis of Expressive Contents in Piano Performances. - Sergio Canazza; Giovanni De Poli; Antonio Rodà; Giulio Soleni; Patrick Zanon (ICMC, 2002)

Modeling and control of expressiveness in music performance. - Sergio Canazza; Giovanni De Poli; Carlo Drioli; Antonio Rodà; Alvise Vidolin (Proc. IEEE, 2004)

A Measure of Melodic Similarity based on a Graph Representation of the Music Structure. - Nicola Orio; Antonio Rodà (ISMIR, 2009)

Toward an automatically generated soundtrack from low-level cross-modal correlations for automotive scenarios. - Marco Cristani; Anna Pesarin; Carlo Drioli; Vittorio Murino; Antonio Rodà; Michele Grapulin; Nicu Sebe (ACM Multimedia, 2010)

Perceptual tests and feature extraction: Toward a novel methodology for the assessment of the digitization of old ethnic music records. - Antonio Rodà (Signal Process., 2010)

Tracking sound sources by means of HMM. - Antonio Rodà; Christian Micheloni (AVSS, 2011)

Multiple acoustic sources localization using incident Signal Power comparison. - Daniele Salvati; Antonio Rodà; Sergio Canazza; Gian Luca Foresti (AVSS, 2011)

Audio-Video Analysis of Musical Expressive Intentions. - Ingrid Visentini; Antonio Rodà; Sergio Canazza; Lauro Snidaro (ICIAP (2), 2011)

Teaching by Means of a Technologically Augmented Environment: The Stanza Logo-Motoria. - Serena Zanolla; Antonio Rodà; Filippo Romano; Francesco Scattolin; Gian Luca Foresti; Sergio Canazza; Corrado Canepa; Paolo Coletta; Gualtiero Volpe (INTETAIN, 2011)

Interactive Multimedia Installations: Towards a Model for Preservation. - Federica Bressan; Sergio Canazza; Antonio Rodà (ArtsIT, 2013)

The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control - The Case of the Sound Archive of the Arena di Verona. - Federica Bressan; Antonio Rodà; Sergio Canazza; Federico Fontana; Roberta Bertani (Adv. Multim., 2013)

On the Role of Auditory Feedback in Robot-Assisted Movement Training after Stroke: Review of the Literature. - Giulio Rosati; Antonio Rodà; Federico Avanzini; Stefano Masiero (Comput. Intell. Neurosci., 2013)

Entertaining listening by means of the Stanza Logo-Motoria: an Interactive Multimodal Environment. - Serena Zanolla; Sergio Canazza; Antonio Rodà; Antonio Camurri; Gualtiero Volpe (Entertain. Comput., 2013)

The "Harmonic Walk": an Interactive Educational Environment to Discover Musical Chords. - Marcella Mandanici; Antonio Rodà; Sergio Canazza (ICMC, 2014)

How blue is Mozart? Non verbal sensory scales for describing music qualities. - Maddalena Murari; Antonio Rodà; Osvaldo Da Pos; Sergio Canazza; Giovanni De Poli; Marta Sandri (ICMC, 2014)

Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? - Emery Schubert; Giovanni De Poli; Antonio Rodà; Sergio Canazza (ICMC, 2014)

Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane. - Antonio Rodà; Sergio Canazza; Giovanni De Poli (IEEE Trans. Affect. Comput., 2014)

The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts. - Giovanni De Poli; Sergio Canazza; Antonio Rodà; Emery Schubert (ACM Trans. Appl. Percept., 2014)

A conceptual framework for motion based music applications. - Marcella Mandanici; Antonio Rodà; Sergio Canazza (SIVE@VR, 2015)

CaRo 2.0: An Interactive System for Expressive Music Rendering. - Sergio Canazza; Giovanni De Poli; Antonio Rodà (Adv. Hum. Comput. Interact., 2015)

The Harmonic Walk: An Interactive Physical Environment to Learn Tonal Melody Accompaniment. - Marcella Mandanici; Antonio Rodà; Sergio Canazza (Adv. Multim., 2016)

A Dialogue-based Software Architecture for Gamified Discrimination Tests. - Antonio Origlia; Piero Cosi; Antonio Rodà; Claudio Zmarich (GHITALY@CHItaly, 2017)

Following the Cuckoo Sound: A Responsive Floor to Train Blind Children to Avoid Veering. - Marcella Mandanici; Antonio Rodà; Sergio Canazza; Giulia Cavagnoli (GOODTECHS, 2017)

Emotion Rendering in Auditory Simulations of Imagined Walking Styles. - Luca Turchet; Antonio Rodà (IEEE Trans. Affect. Comput., 2017)

Emotion Rendering in Plantar Vibro-Tactile Simulations of Imagined Walking Styles. - Luca Turchet; Damiano Zanotto; Simone Minto; Antonio Rodà; Sunil K. Agrawal (IEEE Trans. Affect. Comput., 2017)

Symbolic Music Similarity through a Graph-Based Representation. - Federico Simonetta; Filippo Carnovalini; Nicola Orio; Antonio Rodà (Audio Mostly Conference, 2018)

Evaluating a multi-avatar game for speech therapy applications. - Antonio Origlia; Federico Altieri; Giorgia Buscato; Alice Morotti; Claudio Zmarich; Antonio Rodà; Piero Cosi (GOODTECHS, 2018)

Inclusive sound and music serious games in a large-scale responsive environment. - Marcella Mandanici; Federico Altieri; Antonio Rodà; Sergio Canazza (Br. J. Educ. Technol., 2018)

The Task of Walking Straight as an Interactive Serious Game for Blind Children. - Marcella Mandanici; Antonio Rodà; Marco Ricca (EAI Endorsed Trans. Serious Games, 2018)

A Real-Time Tempo and Meter Tracking System for Rhythmic Improvisation. - Filippo Carnovalini; Antonio Rodà (Audio Mostly Conference, 2019)

A Musical Serious Game for Social Interaction through Augmented Rhythmic Improvisation. - Filippo Carnovalini; Antonio Rodà; Paolo Caneva (GOODTECHS, 2019)

Listen By Looking: a mobile application for augmented fruition of live music and interactive learning. - Giulio Pitteri; Edoardo Micheloni; Antonio Rodà; Carlo Fantozzi; Nicola Orio (GOODTECHS, 2019)

Playing to play: a piano-based user interface for music education video-games. - Edoardo Micheloni; Marco Tramarin; Antonio Rodà; Federico Chiaravalli (Multim. Tools Appl., 2019)

FANTASIA: a framework for advanced natural tools and applications in social, interactive approaches. - Antonio Origlia; Francesco Cutugno; Antonio Rodà; Piero Cosi; Claudio Zmarich (Multim. Tools Appl., 2019)

3D Virtual Reconstruction and Sound Simulation of an Ancient Roman Brass Musical Instrument. - Zezhou Sun; Antonio Rodà; Emily Whiting; Emanuela Faresin; Giuseppe Salemi (HCI (35), 2020)

Acoustic Experiences for Cultural Heritage Sites: A Pilot Experiment on Spontaneous Visitors' Interest. - Vincenzo Norman Vitale; Marco Olivieri; Antonio Origlia; Niccolò Pretto; Antonio Rodà; Francesco Cutugno (HCI (35), 2020)

Computational Creativity and Music Generation Systems: An Introduction to the State of the Art. - Filippo Carnovalini; Antonio Rodà (Frontiers Artif. Intell., 2020)

Defining an open source CAD workflow for experimental music and media arts. - Nicolo Merendino; Antonio Rodà (ARTECH, 2021)

A New Corpus for Computational Music Research andA Novel Method for Musical Structure Analysis. - Filippo Carnovalini; Antonio Rodà; Nicholas Harley; Steven T. Homer; Geraint A. Wiggins (Audio Mostly Conference, 2021)

A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes. - Niccolò Pretto; Nadir Dalla Pozza; Alberto Padoan; Anthony Chmiel; Kurt James Werner; Alessandra Micalizzi; Emery Schubert; Antonio Rodà; Simone Milani; Sergio Canazza (Audio Mostly Conference, 2021)

Musical Structure Analysis and Generation Through Abstraction Trees. - Filippo Carnovalini; Nicholas Harley; Steven T. Homer; Antonio Rodà; Geraint A. Wiggins (CMMR, 2021)

Co-designed mini-games for children with severe visual impairment. - Antonio Rodà; Riccardo Luise; Nadir Dalla Pozza; Alberto Padoan; Andrea Cucinotta; Gaia Turra; Silvia Trentin (GoodIT, 2021)

Meta-Evaluating Quantitative Internal Evaluation: A Practical Approach for Developers. - Filippo Carnovalini; Nicholas Harley; Steven T. Homer; Antonio Rodà; Geraint A. Wiggins (ICCC, 2021)

Gender Knowledge and Artificial Intelligence (short paper). - Silvana Badaloni; Antonio Rodà (BEWARE@AI*IA, 2022)

A Real-Time Tempo and Meter Tracking System for Rhythmic Improvis. - Filippo Carnovalini; Antonio Rodà (CoRR, 2022)

A New Corpus for Computational Music Research and A Novel Method for Musical Structure Analysis. - Filippo Carnovalini; Antonio Rodà; Nicholas Harley; Steven T. Homer; Geraint A. Wiggins (CoRR, 2022)

Harmonization and Evaluation; Tweaking the Parameters on Human Listeners. - Filippo Carnovalini; Alessandro Pelizzo; Antonio Rodà; Sergio Canazza (CoRR, 2022)

An Italian Dataset for the Analysis of Gender Stereotypes in Textual Documents. - Silvana Badaloni; Antonio Rodà; Martino Scagnet (BEWARE@AI*IA, 2023)

Poster - Noiseboard Project: Using Sensors and Long-Range Wireless Communication For Musical Augmentation of Skateboarding. - Nicolo Merendino; Giovanni Dinello; Alessandro Rizzo; Antonio Rodà; Raul Masu (CHItaly, 2023)

Interactive Generation of Musical Corpora for Piano Education: Opportunities and Open Challenges. - Filippo Carnovalini; Antonio Rodà; Geraint A. Wiggins (CSEDU (1), 2023)

Play to Learn: from Serious Games to just Games. - Andrea Franceschini; Antonio Rodà (GoodIT, 2023)

Redesigning the Chowndolo: a Reflection-on-action Analysis to Identify Sustainable Strategies for NIMEs Design. - Nicolo Merendino; Giacomo Lepri; Antonio Rodà; Raul Masu (NIME, 2023)

A rhythm-aware serious game for social interaction. - Filippo Carnovalini; Antonio Rodà; Paolo Caneva (Multim. Tools Appl., 2023)

Co-designed mini-games for children with visual impairment: a pilot study on their usability. - Tiziana Battistin; Nadir Dalla Pozza; Silvia Trentin; Giovanni Volpin; Andrea Franceschini; Antonio Rodà (Multim. Tools Appl., 2023)

Research in Computational Expressive Music Performance and Popular Music Production: A Potential Field of Application? - Pierluigi Bontempi; Sergio Canazza; Filippo Carnovalini; Antonio Rodà (Multimodal Technol. Interact., 2023)

Virtual recreation of an interactive multimedia art installation from 1977. - Alessandro Russo 008; Andrea Franceschini; Antonio Rodà; Sergio Canazza (AVICH@AVI, 2024)

Gender Biases in Robots for Education. - Laura Cesaro; Andrea Franceschini; Silvana Badaloni; Emanuele Menegatti; Antonio Rodà (BEWARE@AI*IA, 2024)

Learn to Play: Lessons Learned Developing Video Games for Entertainment and Education. - Andrea Franceschini; Antonio Rodà (CoG, 2024)

Prototyping a Sustainable GUI for an IoMusT Project: A Reflection on Adopting Sustainable Practices. - Elisa Silene Panozzo; Mela Bettega; Antonio Rodà; Nicolo Merendino (IS2, 2024)

Sustainable Internet of Musical Things: Strategies to Account for Environmental and Social Sustainability in Network-Based Interactive Music Systems. - Raul Masu; Nicolo Merendino; Antonio Rodà; Luca Turchet (IEEE Access, 2024)

"Below 58 BPM," involving real-time monitoring and self-medication practices in music performance through IoT technology. - Nicolo Merendino; Antonio Rodà; Raul Masu (Frontiers Comput. Sci., 2024)

The COMPAS Case: An Educational Journey for Explaining Fairness in AI-based Applications. - Antonio Rodà (AIMMES, 2025)

A Multimodal Symphony: Integrating Taste and Sound through Generative AI. - Matteo Spanio; Massimiliano Zampini; Antonio Rodà; Franco Pierucci (CoRR, 2025)

TorchFX: A modern approach to Audio DSP with PyTorch and GPU acceleration. - Matteo Spanio; Antonio Rodà (CoRR, 2025)