Between the Sacred and the Profane in the S. João d'Arga's Festivities: A Digital Art Installation. - Mário Dominguez; Fernando Faria Paulino; Bruno Mendes da Silva (Int. J. Creative Interfaces Comput. Graph., 2014)

The Forking Paths: An Interactive Cinema Experience. - Bruno Mendes da Silva (Int. J. Creative Interfaces Comput. Graph., 2014)

Interactivity, Cinema, and Experimentation: The Forking Paths. - Bruno Mendes da Silva; Mirian Nogueira Tavares; Vítor Reia-Baptista (Int. J. Creative Interfaces Comput. Graph., 2016)

Experimenting on Film: Technology Meets Arts. - Rui António; Bruno Mendes da Silva; João M. F. Rodrigues; Mirian Nogueira Tavares (Int. J. Creative Interfaces Comput. Graph., 2017)

The Lives of Others: An Interactive Installation. - Rui António; Bruno Mendes da Silva; João M. F. Rodrigues; Mirian Nogueira Tavares (Int. J. Creative Interfaces Comput. Graph., 2018)

Cadavre Exquis: A Motion-Controlled Interactive Film. - Bruno Mendes da Silva; António Bandeira Araújo; Mirian Nogueira Tavares (ARTECH, 2019)

The Sopro Artefact: A Quasi-Medium. - Pedro Correia; Bruno Mendes da Silva; Mirian Nogueira Tavares (Int. J. Creative Interfaces Comput. Graph., 2020)

"Rejeitorio": An interactive video installation focusing on human impact on the São Francisco River: Rejeitorio: Uma videoinstalação interativa enfocando o impacto humano sobre o rio São Francisco. - Inês Regina Barbosa de Argôlo; Bruno Mendes da Silva; Gabriela Borges (ARTECH, 2021)

Video games and gamification against online hate speech? - Susana Costa; Bruno Mendes da Silva; Mirian Nogueira Tavares (ARTECH, 2021)

Tackling Online Hate Speech? - Play Your Role! - Susana Costa; Bruno Mendes da Silva; Mirian Nogueira Tavares (ArtsIT, 2021)

IN[The Hate Booth]: a Gamified Installation to Counteract Hate Speech. - Susana Costa; Mirian Nogueira Tavares; José Bidarra; Bruno Mendes da Silva (ArtsIT, 2022)

The Video Installation Rejeitorio: Inspirations, Work, Exhibitions, and Public Reception. - Inês Regina Barbosa de Argôlo; Bruno Mendes da Silva; Gabriela Borges (Int. J. Art Cult. Des. Technol., 2022)

"Rejeitorio": The battle of man against a river: Contextualization and creative process of the second version of the artifact. - Inês Regina Barbosa de Argôlo; Bruno Mendes da Silva; Gabriela Borges (ARTECH, 2023)

Âmago II: The Creative Process of an Underwater Vietnamese Self-Portrait. - Susana Costa; Bruno Mendes da Silva (ARTECH, 2023)

Insights from a digital diary: Exploring the Creative Process of the game-installation In[The Hate Booth]. - Susana Costa; Mirian Nogueira Tavares; Bruno Mendes da Silva; José Bidarra (ARTECH, 2023)

Live Cinema: Composing Linear Narratives through Untouchable Interfaces and the Performers' Body Movements. - Ana De Jesus Perfeito; Bruno Mendes da Silva (ARTECH, 2023)

The Weight of Water: Digital Artefact to blow the whistle on mental health issues in swimming athletes. - Patrick Dos Santos; Bruno Mendes da Silva (ARTECH, 2023)

The Faro Museum poster collection: Demo of a prototype for a digital exhibit. - Rui d'Orey; Jorge Carrega; Bruno Mendes da Silva; Alexandre Martins (ARTECH, 2023)

Dematerializing materials: description of the first stages to digitize a museum exhibition with 3D technologies. - Rui d'Orey; Alexandre Martins; Jorge Carrega; Bruno Mendes da Silva (KUI, 2023)