Biostomp: a biocontrol system for embodied performance using mechanomyography. - Çagri Erdem; Anil Çamci; Angus G. Forbes (NIME, 2017)

INTIMAL: Walking to Find Place, Breathing to Feel Presence. - Ximena Alarcón-Díaz; Victor Evaristo González Sánchez; Çagri Erdem (NIME, 2019)

Vrengt: A Shared Body-Machine Instrument for Music-Dance Performance. - Çagri Erdem; Katja Henriksen Schia; Alexander Refsum Jensenius (NIME, 2019)

RAW: Exploring Control Structures for Muscle-based Interaction in Collective Improvisation. - Çagri Erdem; Alexander Refsum Jensenius (NIME, 2020)

CAVI: A Coadaptive Audiovisual Instrument-Composition. - Çagri Erdem; Benedikte Wallace; Alexander Refsum Jensenius (NIME, 2022)

Tool or Actor? Expert Improvisers' Evaluation of a Musical AI "Toddler". - Çagri Erdem; Benedikte Wallace; Kyrre Glette; Alexander Refsum Jensenius (Comput. Music. J., 2022)

What Makes Interactive Art Engaging? - Michael Krzyzaniak; Çagri Erdem; Kyrre Glette (Frontiers Comput. Sci., 2022)

Experiencing Rotation and Curvature Gain for Redirected Walking in Virtual Reality. - Emil Magnar Kjenstad; Halvor Kristian Ringsby; Rahel Jamal Gaeb; Çagri Erdem; Konstantinos Kousias; Ozgu Alay; Carsten Griwodz (MMVE@MMSys, 2023)

The Feedback Mop Cello: An Instrument for Interacting with Acoustic Feedback Loops. - Hugh A. von Arnim; Stefano Fasciani; Çagri Erdem (NIME, 2023)

Towards Sound Innovation Engines Using Pattern-Producing Networks and Audio Graphs. - Björn Þór Jónsson 002; Çagri Erdem; Stefano Fasciani; Kyrre Glette (EvoMUSART, 2024)

Cultivating Open-Earedness with Sound Objects discovered by Open-Ended Evolutionary Systems. - Björn Þór Jónsson 002; Çagri Erdem; Stefano Fasciani; Kyrre Glette (ICCC, 2024)

How do Users Experience Asynchrony between Visual and Haptic Information? - Skye Zoltanski; Çagri Erdem; Konstantinos Kousias; Özgü Alay; Carsten Griwodz (MMSys, 2024)

Human-Like Trajectories Generation via Receding Horizon Tracking Applied to the TickTacking Interface. - Daniele Masti; Stefano Menchetti; Çagri Erdem; Giorgio Gnecco; Davide Rocchesso (CoRR, 2025)