Kant: a Critique of Pure Quantification. - Carlos Agón; Gérard Assayag; Joshua Fineberg; Camilo Rueda (ICMC, 1994)

OpenMusic Architecture. - Gérard Assayag; Carlos Agón (ICMC, 1996)

An Object Oriented Visual Environment For Musical Composition. - Gérard Assayag; Carlos Agón; Joshua Fineberg; Peter Hanappe (ICMC, 1997)

Objects, Time and Constraints in OpenMusic. - Carlos Agón; Gérard Assayag; Olivier Delerue; Camilo Rueda (ICMC, 1998)

Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic. - Gérard Assayag; Camilo Rueda; Mikael Laurson; Carlos Agón; Olivier Delerue (Comput. Music. J., 1999)

High Level Musical Control of Sound Synthesis in OpenMusic. - Carlos Agón; Marco Stroppa; Gérard Assayag (ICMC, 2000)

Recherche adaptative et contraintes musicales. - Charlotte Truchet; Carlos Agón; Gérard Assayag (JFPLC, 2001)

Tiling problems in music composition: Theory and Implementation. - Moreno Andreatta; Carlos Agón; Emmanuel Amiot (ICMC, 2002)

Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur. - Carlos Agón; Gérard Assayag (IHM, 2002)

Representation and Rendering of Rhythm Structures. - Carlos Agón; Karim Haddad; Gérard Assayag (WEDELMUSIC, 2002)

Implementing algebraic methods in OpenMusic. - Moreno Andreatta; Carlos Agón (ICMC, 2003)

SDIF sound description data representation and manipulation in computer assisted composition. - Jean Bresson; Carlos Agón (ICMC, 2004)

On some theoretical and computational aspects of Anatol Vieru's periodic sequences. - Moreno Andreatta; D. T. Vuza; Carlos Agón (Soft Comput., 2004)

Tiling the (Musical) Line with polynomials: some Theoretical and implementational Aspects. - Emmanuel Amiot; Moreno Andreatta; Carlos Agón (ICMC, 2005)

Symbolic control of sound synthesis in Computer Assisted Composition. - Jean Bresson; Marco Stroppa; Carlos Agón (ICMC, 2005)

Fourier Oracles for Computer-Aided Improvisation. - Emmanuel Amiot; Thomas Noll 002; Moreno Andreatta; Carlos Agón (ICMC, 2006)

OpenMusic: Design and Implementation Aspects of a Visual Programming Language. - Carlos Agón; Jean Bresson; Gérard Assayag (ELS, 2008)

Scores, Programs, and Time Representation: The Sheet Object in OpenMusic. - Jean Bresson; Carlos Agón (Comput. Music. J., 2008)

Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction. - Mauricio Toro-Bermúdez; Camilo Rueda; Carlos Agón; Gérard Assayag (ICMC, 2009)

Visual Lisp/CLOS programming in OpenMusic. - Jean Bresson; Carlos Agón; Gérard Assayag (High. Order Symb. Comput., 2009)

Dynamic Musical Orchestration Using Genetic Algorithms and a Spectro-Temporal Description of Musical Instruments. - Philippe Esling; Grégoire Carpentier; Carlos Agón (EvoApplications (2), 2010)

Processing Sound And Music Description Data Using Openmusic. - Jean Bresson; Carlos Agón (ICMC, 2010)

Composition Of Sound Mixtures With Spectral Maquettes. - Philippe Esling; Carlos Agón (ICMC, 2010)

OpenMusic: visual programming environment for music composition, analysis and research. - Jean Bresson; Carlos Agón; Gérard Assayag (ACM Multimedia, 2011)

InkSplorer: Exploring Musical Ideas on Paper and Computer. - Jérémie Garcia; Theophanis Tsandilas; Carlos Agón; Wendy E. Mackay (NIME, 2011)

Visual programming and music score generation with OpenMusic. - Jean Bresson; Carlos Agón (VL/HCC, 2011)

OMChroma: Compositional Control of Sound Synthesis. - Carlos Agón; Jean Bresson; Marco Stroppa (Comput. Music. J., 2011)

Interactive paper substrates to support musical creation. - Jérémie Garcia; Theophanis Tsandilas; Carlos Agón; Wendy E. Mackay (CHI, 2012)

Time-series data mining. - Philippe Esling; Carlos Agón (ACM Comput. Surv., 2012)

Multiobjective Time Series Matching for Audio Classification and Retrieval. - Philippe Esling; Carlos Agón (IEEE Trans. Speech Audio Process., 2013)

Structured observation with polyphony: a multifaceted tool for studying music composition. - Jérémie Garcia; Theophanis Tsandilas; Carlos Agón; Wendy E. Mackay (Conference on Designing Interactive Systems, 2014)

Modulus p Rhythmic Tiling Canons and some implementations in Open Music visual programming language. - Hélianthe Caure; Carlos Agón; Moreno Andreatta (ICMC, 2014)

PaperComposer: creating interactive paper interfaces for music composition. - Jérémie Garcia; Theophanis Tsandilas; Carlos Agón; Wendy E. Mackay (IHM, 2014)

Gelisp: A Library to Represent Musical CSPs and Search Strategies. - Mauricio Toro; Camilo Rueda; Carlos Agón; Gérard Assayag (CoRR, 2015)

NTCCRT: A concurrent constraint framework for real-time interaction (extended version). - Mauricio Toro; Camilo Rueda; Carlos Agón; Gérard Assayag (CoRR, 2015)

Interactive computer-aided composition with constraints. - Pierre Talbot; Carlos Agón; Philippe Esling (ICMC, 2017)

Musical Descriptions Based on Formal Concept Analysis and Mathematical Morphology. - Carlos Agón; Moreno Andreatta; Jamal Atif; Isabelle Bloch; Pierre Mascarade (ICCS, 2018)

Computational Analysis of Musical Structures Based on Morphological Filters. - Paul Lascabettes; Carlos Agón; Moreno Andreatta; Isabelle Bloch (MCM, 2022)

Mathematical Morphology Operators for Harmonic Analysis. - Gonzalo Romero-García; Isabelle Bloch; Carlos Agón (MCM, 2022)

Mathematical Morphology Applied to Feature Extraction in Music Spectrograms. - Gonzalo Romero-García; Isabelle Bloch; Carlos Agón (DGMM, 2024)

The Maquette Monad. - Carlos Agón; Karim Haddad; Gonzalo Romero-García (FARM, 2024)

A Model of Scores as Abstract Syntactic Trees. - Gonzalo Romero-García; Carlos Agón; Isabelle Bloch (MCM, 2024)