Cross-Artform Performance Using Networked Interfaces: Last Man to Die's Vital LMTD. - Charles Martin 001; Benjamin Forster; Hanna Cormick (NIME, 2010)

Strike on Stage: a Percussion and Media Performance. - Charles Martin 001; Chi-Hsia Lai (NIME, 2011)

Integrating Mobile Music with Percussion Performance Practice. - Charles Martin 001 (ICMC, 2013)

Performing with a Mobile Computer System for Vibraphone. - Charles Martin 001 (NIME, 2013)

A Percussion-Focussed Approach to Preserving Touch-Screen Improvisation. - Charles Martin 001; Henry J. Gardner (Art@CHI, 2014)

Exploring percussive gesture on iPads with ensemble metatone. - Charles Martin 001; Henry J. Gardner; Ben Swift (CHI, 2014)

Metatravels and metalonsdale: ipad apps for percussive improvisation. - Charles Martin 001; Henry J. Gardner; Ben Swift (CHI Extended Abstracts, 2014)

Tracking ensemble performance on touch-screens with gesture classification and transition matrices. - Charles Martin 001; Henry J. Gardner; Ben Swift (NIME, 2015)

Intelligent Agents and Networked Buttons Improve Free-Improvised Ensemble Music-Making on Touch-Screens. - Charles Martin 001; Henry J. Gardner; Ben Swift; Michael A. Martin (CHI, 2016)

Deep Models for Ensemble Touch-Screen Improvisation. - Charles P. Martin; Kai Olav Ellefsen; Jim Tørresen (Audio Mostly Conference, 2017)

Microjam: an app for sharing tiny touch-screen performances. - Charles P. Martin; Jim Tørresen (NIME, 2017)

RoboJam: A Musical Mixture Density Network for Collaborative Touchscreen Interaction. - Charles Patrick Martin; Jim Tørresen (EvoMUSART, 2018)

Real-world evolution adapts robot morphology and control to hardware limitations. - Tønnes F. Nygaard; Charles P. Martin; Eivind Samuelsen; Jim Tørresen; Kyrre Glette (GECCO, 2018)

Composing an Ensemble Standstill Work for Myo and Bela. - Charles P. Martin; Alexander Refsum Jensenius; Jim Tørresen (NIME, 2018)

Bela-Based Augmented Acoustic Guitars for Sonic Microinteraction. - Victor Evaristo González Sánchez; Charles P. Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Johnson; Alexander Refsum Jensenius (NIME, 2018)

Deep Predictive Models in Interactive Music. - Charles P. Martin; Kai Olav Ellefsen; Jim Tørresen (CoRR, 2018)

Exploring Mechanically Self-Reconfiguring Robots for Autonomous Design. - Tønnes F. Nygaard; Charles P. Martin; Jim Tørresen; Kyrre Glette (CoRR, 2018)

Free-Improvised Rehearsal-as-Research for Musical HCI. - Charles P. Martin; Henry J. Gardner (New Directions in Music and Human-Computer Interaction, 2019)

Evolving Robots on Easy Mode: Towards a Variable Complexity Controller for Quadrupeds. - Tønnes F. Nygaard; Charles P. Martin; Jim Tørresen; Kyrre Glette (EvoApplications, 2019)

Comparing Models for Harmony Prediction in an Interactive Audio Looper. - Benedikte Wallace; Charles P. Martin (EvoMUSART, 2019)

Identifying Reusable Early-Life Options. - Aline Weber; Charles P. Martin; Jim Tørresen; Bruno C. da Silva 001 (ICDL-EPIROB, 2019)

Self-Modifying Morphology Experiments with DyRET: Dynamic Robot for Embodied Testing. - Tønnes F. Nygaard; Charles P. Martin; Jim Tørresen; Kyrre Glette (ICRA, 2019)

Experiences from Real-World Evolution with DyRET: Dynamic Robot for Embodied Testing. - Tønnes F. Nygaard; Jørgen Nordmoen; Kai Olav Ellefsen; Charles P. Martin; Jim Tørresen; Kyrre Glette (NAIS, 2019)

Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks. - Andrei Faitas; Synne Engdahl Baumann; Torgrim Rudland Næss; Jim Tørresen; Charles P. Martin (NIME, 2019)

An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks. - Charles P. Martin; Jim Tørresen (NIME, 2019)

A Physical Intelligent Instrument using Recurrent Neural Networks. - Torgrim Rudland Næss; Charles P. Martin (NIME, 2019)

Data-Driven Analysis of Tiny Touchscreen Performance with MicroJam. - Charles Patrick Martin; Jim Tørresen (Comput. Music. J., 2019)

How do Mixture Density RNNs Predict the Future? - Kai Olav Ellefsen; Charles Patrick Martin; Jim Tørresen (CoRR, 2019)

Lessons Learned from Real-World Experiments with DyRET: the Dynamic Robot for Embodied Testing. - Tønnes F. Nygaard; Jørgen Nordmoen; Charles P. Martin; Kyrre Glette (CoRR, 2019)

Comparing Three Data Representations for Music with a Sequence-to-Sequence Model. - Sichao Li; Charles Patrick Martin (Australasian Conference on Artificial Intelligence, 2020)

Towards Movement Generation with Audio Features. - Benedikte Wallace; Charles P. Martin; Jim Tørresen; Kristian Nymoen (ICCC, 2020)

Sonic Sculpture: Activating Engagement with Head-Mounted Augmented Reality. - Charles Patrick Martin; Zeruo Liu; Yichen Wang; Wennan He; Henry Gardner (NIME, 2020)

A Laptop Ensemble Performance System using Recurrent Neural Networks. - Rohan Proctor; Charles Patrick Martin (NIME, 2020)

Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning. - Charles Patrick Martin; Kyrre Glette; Tønnes F. Nygaard; Jim Tørresen (Frontiers Artif. Intell., 2020)

Learning Embodied Sound-Motion Mappings: Evaluating AI-Generated Dance Improvisation. - Benedikte Wallace; Charles P. Martin; Jim Tørresen; Kristian Nymoen (Creativity & Cognition, 2021)

An Application for Evolutionary Music Composition Using Autoencoders. - Robert Neil McArthur; Charles Patrick Martin (EvoMUSART, 2021)

Exploring the Effect of Sampling Strategy on Movement Generation with Generative Neural Networks. - Benedikte Wallace; Charles P. Martin; Jim Tørresen; Kristian Nymoen (EvoMUSART, 2021)

Environmental Adaptation of Robot Morphology and Control Through Real-World Evolution. - Tønnes F. Nygaard; Charles P. Martin; David Howard 001; Jim Tørresen; Kyrre Glette (Evol. Comput., 2021)

Real-world embodied AI through a morphologically adaptive quadruped robot. - Tønnes F. Nygaard; Charles P. Martin; Jim Tørresen; Kyrre Glette; David Howard 001 (Nat. Mach. Intell., 2021)

GenAICHI: Generative AI and HCI. - Michael J. Muller; Lydia B. Chilton; Anna Kantosalo; Charles Patrick Martin; Greg Walsh (CHI Extended Abstracts, 2022)

Spatial-Temporal-Class Attention Network for Acoustic Scene Classification. - Xinlei Niu; Charles Patrick Martin (ICME, 2022)

Performing with a Generative Electronic Music Controller 103-106. - Charles Patrick Martin (IUI Workshops, 2022)

Cubing Sound: Designing a NIME for Head-mounted Augmented Reality. - Yichen Wang; Charles Martin 001 (NIME, 2022)

Augmenting Sculpture with Immersive Sonification. - Yichen Wang; Henry Gardner; Charles P. Martin; Matt Adcock (VR Workshops, 2022)

Designing Sound Synthesis Interfaces for Head-mounted Augmented Reality. - Yichen Wang; Charles P. Martin (VR Workshops, 2022)

Embodying the Glitch: Perspectives on Generative AI in Dance Practice. - Benedikte Wallace; Charles P. Martin (CoRR, 2022)

DeepDance: Motion capture data of improvised dance (2019). - Benedikte Wallace; Kristian Nymoen; Charles P. Martin; Jim Tørresen (Zenodo, 2022)

Embodying an Interactive AI for Dance Through Movement Ideation. - Benedikte Wallace; Clarice Hilton; Kristian Nymoen; Jim Torresen; Charles Patrick Martin; Rebecca Fiebrink (Creativity & Cognition, 2023)

GenAICHI 2023: Generative AI and HCI at CHI 2023. - Michael J. Muller; Lydia B. Chilton; Anna Kantosalo; Q. Vera Liao; Mary Lou Maher; Charles Patrick Martin; Greg Walsh (CHI Extended Abstracts, 2023)

Composing Interface Connections for a Networked Touchscreen Ensemble. - Charles Patrick Martin; Alexander Hunter; Brent Schuetze; Yichen Wang (IS2, 2023)

Mobility, Space and Sound Activate Expressive Musical Experience in Augmented Reality. - Yichen Wang; Mingze Xi; Matt Adcock; Charles Patrick Martin (NIME, 2023)

DeepDance: Motion capture data of improvised dance (2019). - Benedikte Wallace; Kristian Nymoen; Charles P. Martin; Jim Tørresen (Zenodo, 2023)

DeepDance: Motion capture data of improvised dance (2019). - Benedikte Wallace; Kristian Nymoen; Charles P. Martin; Jim Tørresen (Zenodo, 2023)

Understanding and Shaping Human-Technology Assemblages in the Age of Generative AI. - Josh Andres; Chris Danta; Andrea Bianchi; Sungyeon Hong; Zhuying Li; Eduardo Benítez Sandoval; Charles Patrick Martin; Ned Cooper (Conference on Designing Interactive Systems (Companion Volume), 2024)

Tonal Cognition in Sonification: Exploring the Needs of Practitioners in Sonic Interaction Design. - Minsik Choi; Josh Andres; Charles Patrick Martin (Audio Mostly Conference, 2024)

GenAICHI 2024: Generative AI and HCI at CHI 2024. - Michael J. Muller; Anna Kantosalo; Mary Lou Maher; Charles Patrick Martin; Greg Walsh (CHI Extended Abstracts, 2024)

SoundLoCD: An Efficient Conditional Discrete Contrastive Latent Diffusion Model for Text-to-Sound Generation. - Xinlei Niu; Jing Zhang 052; Christian Walder; Charles Patrick Martin (ICASSP, 2024)

Latent Optimal Paths by Gumbel Propagation for Variational Bayesian Dynamic Programming. - Xinlei Niu; Christian Walder; Jing Zhang 052; Charles Patrick Martin (ICML, 2024)

HybridVC: Efficient Voice Style Conversion with Text and Audio Prompts. - Xinlei Niu; Jing Zhang 052; Charles Patrick Martin (INTERSPEECH, 2024)

SoundMorpher: Perceptually-Uniform Sound Morphing with Diffusion Model. - Xinlei Niu; Jing Zhang 052; Charles Patrick Martin (CoRR, 2024)

Breaking from realism: exploring the potential of glitch in AI-generated dance. - Benedikte Wallace; Kristian Nymoen; Jim Torresen; Charles Patrick Martin (Digit. Creativity, 2024)

Seeing the Sound: Supporting Musical Collaboration with Augmented Reality. - Yichen Wang; Mingze Xi; Matt Adcock; Charles Patrick Martin (Creativity & Cognition, 2025)

A Musical Tension and Release Framework for Sonic Interaction Designers. - Minsik Choi; Josh Andres; Alexander Hunter; Charles Patrick Martin (CHI Extended Abstracts, 2025)

GenAICHI 2025: Generative AI and HCI at CHI 2025. - Michael J. Muller; Lydia B. Chilton; Mary Lou Maher; Charles Patrick Martin; Minsik Choi; Greg Walsh; Anna Kantosalo (CHI Extended Abstracts, 2025)

AI See, You See: Human-AI Musical Collaboration in Augmented Reality. - Yichen Wang; Charles Patrick Martin (CHI Extended Abstracts, 2025)

SteerMusic: Enhanced Musical Consistency for Zero-shot Text-Guided and Personalized Music Editing. - Xinlei Niu; Kin Wai Cheuk; Jing Zhang 052; Naoki Murata; Chieh-Hsin Lai; Michele Mancusi; Woosung Choi; Giorgio Fabbro; Wei-Hsiang Liao 001; Charles Patrick Martin; Yuki Mitsufuji (CoRR, 2025)