Synthèse sonore par simulation de mécanismes vibratoires. Applications aux sons musicaux. (Sound synthesis by means of simulating vibrating mechanisms. Applications to musical sounds). - Claude Cadoz (1979)

The Control Channels of Instrumental Playing in Computer Music - Real Time in Computer Music, Incidence on the Choice of the Basic Models. - Claude Cadoz; Annie Luciani; Jean-Loup Florens; Talin Dars-Berberyan (ICMC, 1982)

Optimized Real-Time Simulation of Objects for Musical Synthesis and Animated Image Synthesis. - Jean-Loup Florens; Aimé Razafindrakoto; Annie Luciani; Claude Cadoz (ICMC, 1986)

Instrumental Gestures and Musical Composition. - Claude Cadoz (ICMC, 1988)

Modular Feedback Keyboard. - Claude Cadoz; Leszek Lisowski; Jean-Loup Florens (ICMC, 1990)

Capture, Representation and "Composition" of the Instrumental Gesture. - Claude Cadoz; Christophe Ramstein (ICMC, 1990)

Modular Modelisation and Simulation of the Instrument. - Jean-Loup Florens; Claude Cadoz (ICMC, 1990)

Computational Physics : A Modeler - Simulator for animated physical Objects. - Annie Luciani; Stéphane Jimenez; Jean-Loup Florens; Claude Cadoz; Olivier Raoult (Eurographics, 1991)

An Unified View of Multitude Behavior, Flexibility, Plasticity and Fractures Balls, Bubbles and Agglomerates. - Annie Luciani; Stéphane Jimenez; Olivier Raoult; Claude Cadoz; Jean-Loup Florens (Modeling in Computer Graphics, 1991)

Physical Models That Learn. - Nicolas Szilas; Claude Cadoz (ICMC, 1993)

Physical Models for Music and Animated Image: The Use of CORDIS-ANIMA in "ESQUISSES"; a Music Film by ACROE. - Claude Cadoz; Annie Luciani; Jean-Loup Florens (ICMC, 1994)

Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces. - Claude Cadoz; Jean-Loup Florens; Annie Luciani (ICMC, 1995)

Topology, Geometry, Matter of Vibrating Structures Simulated with CORDIS-ANIMA. Sound Synthesis Methods. - Eric Incerti; Claude Cadoz (ICMC, 1995)

The Physical Modelling of Complex Physical Structures: The Mechanical Clockwork, Motion, Image and Sound. - Jamel Nouiri; Claude Cadoz; Annie Luciani (CA, 1996)

A Real-time Workstation for Physical Model of Multi-sensorial and Gesturally Controlled Instrument. - Jean-Loup Florens; Claude Cadoz; Annie Luciani (ICMC, 1998)

Adaptive networks for physical modeling. - Nicolas Szilas; Claude Cadoz (Neurocomputing, 1998)

"From song of birds to extended virtual reed instruments": Physical Modeling of Birds' Vocal Tracks and Application to a New Kind of Sound Sustain Virtual Instruments. - Claude Cadoz; Sylvain Gubain (ICMC, 1999)

Generating Pitches in Transients by a Percussive Excitation. - Patrick Fourcade; Sylvain Mangiarotti; Claude Cadoz (ICMC, 1999)

Physical modeling for sound synthesis with particle-interaction Networks: Study of the percussion phenomena and conception of a generic module for percussion. - Patrick Fourcade; Claude Cadoz (ICMC, 2001)

The Physical Model as Metaphor for Musical Creation: "pico..TERA", a piece generated by physical model. - Claude Cadoz (ICMC, 2002)

GENESIS: A Friendly Musician-Oriented Environment for Mass-Interaction Physical Modeling. - Nicolas Castagné; Claude Cadoz (ICMC, 2002)

ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers. - Claude Cadoz; Annie Luciani; Jean-Loup Florens; Nicolas Castagné (NIME, 2003)

A Goals-Based Review of Physical Modelling. - Nicolas Castagné; Claude Cadoz (ICMC, 2005)

A basic gesture and motion format for virtual reality multisensory applications. - Annie Luciani; Matthieu Evrard; Damien Couroussé; Nicolas Castagné; Claude Cadoz; Jean-Loup Florens (GRAPP, 2006)

Generation of Complex Sound Sequences using Physical Models with Dynamical Structures. - Olivier Tache; Claude Cadoz (ICMC, 2006)

Physical Modelling as a Proposed Framework for the conception, the Design and the Implementation of sound Transformations. - Alexandros Kontogeorgakopoulos; Claude Cadoz (ICMC, 2007)

Production of Immersive Musical Architectures by Physical Modelling of Self Sustained oscillating Structures. - François Poyer; Claude Cadoz (ICMC, 2007)

Using the cordis-Anima Formalism for the Physical Modeling of the Greek zournas Shawm. - Alexandros Kontogeorgakopoulos; Panagiotis Tzevelekos; Claude Cadoz; Georgios Kouroupetroglou (ICMC, 2008)

G³: GENESIS Software Environment Update. - Nicolas Castagné; Claude Cadoz; Ali Allaoui; Olivier Tache (ICMC, 2009)

Organizing Mass-Interaction Physical Models: the CORDIS-ANIMA Musical Instrumentarium. - Olivier Tache; Claude Cadoz (ICMC, 2009)

G3 : GENESIS software envrionment update - Nicolas Castagné; Claude Cadoz; Ali Allaoui; Olivier Michel Tache (CoRR, 2009)

Haptics in computer music : a paradigm shift - Nicolas Castagné; Claude Cadoz; Jean-Loup Florens; Annie Luciani (CoRR, 2010)

Force-feedback interaction with a neural oscillator model: for shared human-robot control of a virtual percussion instrument. - Edgar Berdahl; Claude Cadoz; Nicolas Castagné (EURASIP J. Audio Speech Music. Process., 2012)

A Virtual Reality Platform for Musical Creation: GENESIS-RT. - James Leonard; Claude Cadoz; Nicolas Castagné; Jean-Loup Florens; Annie Luciani (CMMR, 2013)

Interactive Physical Design and Haptic Playing of Virtual Musical Instruments. - James Leonard; Nicolas Castagné; Claude Cadoz; Jean-Loup Florens (ICMC, 2013)

Groupe ACROE-ICA Ingénierie pour la création artistique : geste, musique, mouvement, image. - Claude Cadoz; Annie Luciani (Tech. Sci. Informatiques, 2013)

Exploring the Role of Dynamic Audio-Haptic Coupling in Musical Gestures on Simulated Instruments. - James Leonard; Jean-Loup Florens; Claude Cadoz; Nicolas Castagné (EuroHaptics (1), 2014)

Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology. - Claude Cadoz; Annie Luciani; Jérôme Villeneuve; Alexandros Kontogeorgakopoulos; Iannis Zannos (ICMC, 2014)

Understanding and Tuning Mass-Interaction Networks Through Their Modal Representation. - Jérôme Villeneuve; Claude Cadoz (ICMC, 2014)

Physical modelling concepts for a collection of multisensory virtual musical instruments. - James Leonard; Claude Cadoz (NIME, 2015)

Visual representation in genesis as a tool for physical modeling, sound synthesis and musical composition. - Jérôme Villeneuve; Claude Cadoz; Nicolas Castagné (NIME, 2015)

Lutherie virtuelle et interaction instrumentale. Une approche physique de l'instrument de musique numérique. - James Leonard; Claude Cadoz; Nicolas Castagné; Annie Luciani (Traitement du Signal, 2015)

Analyse de modèles physiques, modèles physiques d'analyse. Synthèse sonore et analyse fréquentielle à l'aide des réseaux masses-interactions CORDIS-ANIMA. - Jérôme Villeneuve; Claude Cadoz; James Leonard (Traitement du Signal, 2015)