The MATRIX: A New Musical Instrument for Interactive Performance. - Dan Overholt (ICMC, 2001)

The MATRIX: A Novel Controller for Musical Expression. - Dan Overholt (NIME, 2001)

New Mappings for the MATRIX Interface. - Dan Overholt (ICMC, 2002)

Hydrogen wishes. - Winslow Burleson; Paul Nemirovsky; Dan Overholt (SIGGRAPH, 2003)

The Sonic Scanner and the Graphonic Interface. - Dan Overholt (ICMC, 2004)

The Overtone Violin: a New Computer Music Instrument. - Dan Overholt (ICMC, 2005)

The Overtone Violin. - Dan Overholt (NIME, 2005)

Musical Interaction Design with the CREATE USB Interface Teaching HCI with CUIs instead of GUIs. - Dan Overholt (ICMC, 2006)

Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?. - Cornelius Poepel; Dan Overholt (NIME, 2006)

Sonofusion: Development of a Multimedia Composition for Overtone Violin. - John Thompson; Dan Overholt (ICMC, 2007)

The Multimodal Music Stand. - Bo Bell; Jim Kleban; Dan Overholt; Lance Putnam; John Thompson; JoAnn Kuchera-Morin (NIME, 2007)

Creative Collaborative Exploration in Multiple Environments. - Matthew Turk 001; Tobias Höllerer; Stefan Müller Arisona; JoAnn Kuchera-Morin; Christopher Coffin; Rama Hoetzlein; Lance Putnam; Dan Overholt (AAAI Spring Symposium: Creative Intelligent Systems, 2008)

Pendaphonics: an engaging tangible pendulum-based sonic interaction experience. - Anne-Marie Skriver Hansen; Dan Overholt; Winslow Burleson; Camilla Nørgaard Jensen; Byron Lahey; Kasia Muldner (IDC, 2009)

"The Fingers" - A Tribute to "The Hands". - Dan Overholt (ICMC, 2009)

Pendaphonics. - Dan Overholt; Byron Lahey; Anne-Marie Skriver Hansen; Winslow Burleson; Camilla Nørgaard Jensen (NIME, 2009)

Pendaphonics: a tangible pendulum-based sonic interaction experience. - Anne-Marie Skriver Hansen; Dan Overholt; Winslow Burleson; Camilla Nørgaard Jensen (TEI, 2009)

A Multimodal System for Gesture Recognition in Interactive Music Performance. - Dan Overholt; John Thompson; Lance Putnam; Bo Bell; Jim Kleban; Bob L. Sturm; JoAnn Kuchera-Morin (Comput. Music. J., 2009)

The Allobrain: An interactive, stereographic, 3D audio, immersive virtual world. - John Thompson; JoAnn Kuchera-Morin; Marcos Novak; Dan Overholt; Lance Putnam; Graham Wakefield; Wesley Smith (Int. J. Hum. Comput. Stud., 2009)

Violin-Related HCI: A Taxonomy Elicited by the Musical Interface Technology Design Space. - Dan Overholt (ArtsIT, 2011)

The Overtone Fiddle: an Actuated Acoustic Instrument. - Dan Overholt (NIME, 2011)

Musical Interaction Design with the CUI32Stem: Wireless Options and the GROVE system for prototyping new interfaces. - Dan Overholt (NIME, 2012)

Development and Evaluation of a ZigFlea-based Wireless Transceiver Board for CUI32. - Jim Tørresen; Øyvind N. Hauback; Dan Overholt; Alexander Refsum Jensenius (NIME, 2012)

Investigating the relationship between pressure force and acoustic waveform in footstep sounds. - Francesco Grani; Stefania Serafin; Amalia de Götzen; Dan Overholt; Spencer Topel (DSP, 2013)

Towards an Interface for Music Mixing based on Smart Tangibles and Multitouch. - Steven Gelineck; Dan Overholt; Morten Büchert; Jesper Andersen (NIME, 2013)

Sound and Music Computing at Aalborg University in Copenhagen. - Stefania Serafin; Sofia Dahl; Amalia de Götzen; Cumhur Erkut; Dan Overholt; Hendrik Purwins; Bob L. Sturm (ICMC, 2014)

The Actuated guitar: Implementation and user test on children with Hemiplegia. - Jeppe V. Larsen; Dan Overholt; Thomas B. Moeslund (NIME, 2014)

Design & Evaluation of an Accessible Hybrid Violin Platform. - Dan Overholt; Steven Gelineck (NIME, 2014)

Embedded audio without beeps: synthesis and sound effects from cheap to steep. - Dan Overholt; Nikolaj "DZL" Møbius (TEI, 2014)

Advancements in violin-related human-computer interaction. - Dan Overholt (Int. J. Arts Technol., 2014)

Haptic and Visual feedback in 3D Audio Mixing Interfaces. - Steven Gelineck; Dan Overholt (Audio Mostly Conference, 2015)

Spatial Sound and Multimodal Interaction in Immersive Environments. - Francesco Grani; Dan Overholt; Cumhur Erkut; Steven Gelineck; Georgios Triantafyllidis; Rolf Nordahl; Stefania Serafin (Audio Mostly Conference, 2015)

Tromba Moderna: A Digitally Augmented Medieval Instrument. - Alex Baldwin; Troels Hammer; Edvinas Pechiulis; Peter Williams; Dan Overholt; Stefania Serafin (NIME, 2016)

The Prospects of Musical Instruments For People with Physical Disabilities. - Jeppe Veirum Larsen; Dan Overholt; Thomas B. Moeslund (NIME, 2016)

Designing For Meaningfulness: A Case Study Of A Pregnancy Wearable For Men. - Vanessa Julia Carpenter; Dan Overholt (Conference on Designing Interactive Systems (Companion Volume), 2017)

Audio-visual feedback for self-monitoring posture in ballet training. - Esben W. Knudsen; Malte L. Hølledig; Mads Juel Nielsen; Rikke K. Petersen; Sebastian Bach-Nielsen; Bogdan-Constantin Zanescu; Dan Overholt; Hendrik Purwins; Kim Helweg (NIME, 2017)

A wearable foot-mounted / instrument-mounted effect controller: design and evaluation. - Kristians Konovalovs; Jelizaveta Zovnercuka; Ali Adjorlu; Daniel Overholt (NIME, 2017)

Beads extended actuated digital shaker. - Peter Williams; Daniel Overholt (NIME, 2017)

Pitch fork: a novel tactile digital musical instrument. - Peter Williams; Dan Overholt (NIME, 2017)

A Longitudinal Field Trial with a Hemiplegic Guitarist Using The Actuated Guitar. - Jeppe V. Larsen; Hendrik Knoche; Dan Overholt (NIME, 2018)

MusicFabrik: a playable, portable speaker. - Vanessa Julia Carpenter; Baldur Kampmann; Antonio Stella; Martin Maunsbach; Martin Minovski; Nikolaj Ville-France; Dan Overholt (NordiCHI, 2018)

Enhancing the Expressivity of the Sensel Morph via Audio-rate Sensing. - Razvan Paisa; Dan Overholt (NIME, 2019)

Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation. - Laurel Pardue; Kurijn Buys; Dan Overholt; Andrew P. McPherson; Michael Edinger (NIME, 2019)

Trækvejret: A Kinetic Device Encouraging Bodily Reflection. - Vanessa Julia Carpenter; Tomas Sokoler; Nikolaj "DZL" Møbius; Dan Overholt (TEI, 2019)

ReVoice: a control interface for 1d transmission-line analog vowel synthesis. - Christie Laurent; Dan Overholt (Audio Mostly Conference, 2020)

The Da ̈ıs: A Haptically Enabled New Interface for Musical Expression for Controlling Physical Models for Sound Synthesis. - Pelle Juul Christensen; Dan Overholt; Stefania Serafin (NIME, 2020)

Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics. - Chris Kiefer; Dan Overholt; Alice Eldridge (NIME, 2020)

Self-resonating Vibrotactile Feedback Instruments textbar textbar: Making, Playing, Conceptualising : textbar textbar. - Alice Eldridge; Chris Kiefer; Dan Overholt; Halldór Úlfarsson (NIME, 2021)

Design and evaluation of a digitally active drum. - Peter Williams; Daniel Overholt (Pers. Ubiquitous Comput., 2021)

Dance and Movement-Led Research for Designing and Evaluating Wearable Human-Computer Interfaces. - Robin Otterbein; Elizabeth Jochum; Daniel Overholt; Shaoping Bai; Alex Dalsgaard (MOCO, 2022)

Musicking with dynamical systems: introducing a digitally-controlled analog no-input mixer. - Gianluca Elia; Dan Overholt (Audio Mostly Conference, 2024)

BEAM Workshop: Biophysical Expression, Affect & Movement. - Mark David Hosale; Alan Macy; Elizabeth Jochum; Dan Overholt (MOCO, 2024)