Bach: an Environment for Computer-Aided Composition in Max. - Andrea Agostini; Daniele Ghisi (ICMC, 2012)

cage: a high-level library for real-time computer-aided composition. - Andrea Agostini; Éric Daubresse; Daniele Ghisi (ICMC, 2014)

Spatial Transformations in Simplicial Chord Spaces. - Louis Bigo; Daniele Ghisi; Antoine Spicher; Moreno Andreatta (ICMC, 2014)

Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX. - Aaron Einbond; Christopher Trapani; Andrea Agostini; Daniele Ghisi; Diemo Schwarz (ICMC, 2014)

An anisotropic directional subdivision and multiresolution scheme. - Mariantonia Cotronei; Daniele Ghisi; Milvia Rossini; Tomas Sauer (Adv. Comput. Math., 2015)

A Max Library for Musical Notation and Computer-Aided Composition. - Andrea Agostini; Daniele Ghisi (Comput. Music. J., 2015)

Representation of Musical Structures and Processes in Simplicial Chord Spaces. - Louis Bigo; Daniele Ghisi; Antoine Spicher; Moreno Andreatta (Comput. Music. J., 2015)

Recreating Gerard Grisey's Vortex Temporum with cage. - Daniele Ghisi; Andrea Agostini; Eric Maestri (ICMC, 2016)

Concatenative synthesis via Chord-based Segmentation for an Experiment with Time. - Daniele Ghisi; Mattia Bergomi (ICMC, 2016)

Programming in Style with bach. - Andrea Agostini; Daniele Ghisi; Jean-Louis Giavitto (CMMR, 2019)

OrchideaSOL: a dataset of extended instrumental techniques for computer-aided orchestration. - Carmine Emanuele Cella; Daniele Ghisi; Vincent Lostanlen; Fabien Lévy; Joshua Fineberg; Yan Maresz (CoRR, 2020)

Dynamic Computer-Aided Orchestration in Practice with Orchidea. - Carmine-Emanuele Cella; Daniele Ghisi; Yan Maresz; Alessandro Petrolati; Alexandre Teiller; Philippe Esling (Comput. Music. J., 2021)

A Framework for Modifying Orchestral Qualities in Computer-Aided Orchestration. - Daniele Ghisi; Carmine-Emanuele Cella (Comput. Music. J., 2021)

A Library for Offline Algorithmic Audio Manipulation in Max. - Daniele Ghisi (Comput. Music. J., 2024)