Music Representation - Between the Musician and the Computer. - Alan Smaill; Geraint A. Wiggins; Eduardo Reck Miranda (Music Education: An Artificial Intelligence Approach, 1993)

Cellular Automata Synthesis of Acoustic Particles. - Eduardo Reck Miranda (ICMC, 1995)

Machine Learning of Sound Attributes: Computer-Assistance in Concept Formation and Musical Invention. - Eduardo Reck Miranda (ICMC, 1996)

Making Music with Algorithms: A Case-Study System. - Kenneth B. McAlpine; Eduardo R. Miranda; Stuart G. Hoggar (Comput. Music. J., 1999)

Regarding Music, Machines, Intelligence and the Brain: An Introduction to Music and AI. - Eduardo Reck Miranda (Readings in Music and Artificial Intelligence, 2000)

The Art of Rendering Sounds from Emergent Behaviour: Cellular Automata Granular Synthesis. - Eduardo Reck Miranda (EUROMICRO, 2000)

Sounds of artificial life. - Eduardo Reck Miranda (Creativity & Cognition, 2002)

Mimetic Development of Intonation. - Eduardo Reck Miranda (ICMAI, 2002)

Voices of Artificial Life: On Making Music with Computer Models of Nature. - Eduardo Reck Miranda (ICMC, 2002)

Artificial Life Models for Musical Applications: Workshop Report. - Eleonora Bilotta; Eduardo Reck Miranda; Pietro S. Pantano; Peter M. Todd (Artif. Life, 2002)

Emergent Sound Repertoires in Virtual Societies. - Eduardo Reck Miranda (Comput. Music. J., 2002)

On Harnessing the Electroencephalogram for the Musical Braincap. - Eduardo Reck Miranda; Ken Sharman; Kerry Kilborn; Alexander Duncan (Comput. Music. J., 2003)

On the evolution of music in a society of self-taught digital creatures. - Eduardo Reck Miranda (Digit. Creativity, 2003)

Cellular Automata in MIDI based Computer Music. - Dave Burraston; Ernest A. Edmonds; Dan Livingstone; Eduardo Reck Miranda (ICMC, 2004)

Composition for Ubiquitous Responsive Sound Environments. - Dan Livingstone; Eduardo R. Miranda (ICMC, 2004)

At the Crossroads of Evolutionary Computation and Music: Self-Programming Synthesizers, Swarm Orchestras and the Origins of Melody. - Eduardo Reck Miranda (Evol. Comput., 2004)

Music Knowledge Analysis: Towards an Efficient Representation for Composition. - Jesús L. Alvaro; Eduardo Reck Miranda; Beatriz Barros (CAEPIA, 2005)

Granular Sampling Using a Pulse-Coupled Network of Spiking Neurons. - Eduardo Reck Miranda; John Matthias (EvoWorkshops, 2005)

Orb3 - Musical robots within an Adaptive Social Composition System. - Dan Livingstone; Eduardo R. Miranda (ICMC, 2005)

Plymouth brain-Computer Music Interface Project: Intelligent assistive Technology for Music-Making. - Eduardo Reck Miranda; Andrew Brouse; Bram Boskamp; Hilary Mullaney (ICMC, 2005)

Granular synthesis of sounds through Markov Chains with fuzzy control. - Eduardo Reck Miranda; Adolfo Maia (ICMC, 2005)

Composition as Game Strategy: Making Music by Playing Board Games against Evolved Artificial Neural Networks. - Eduardo Reck Miranda; Qijun Zhang (ICMC, 2005)

Evolving Emotional Behaviour for Expressive Performance of Music. - Eduardo Coutinho; Eduardo Reck Miranda; Patricio da Silva (IVA, 2005)

Orb3 - Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated Spaces. - Dan Livingstone; Eduardo Reck Miranda (NIME, 2005)

Toward Direct Brain-Computer Musical Interfaces. - Eduardo Reck Miranda; Andrew Brouse (NIME, 2005)

Iterative sound synthesis by means of cross-coupled digital oscillators. - Nikolas Valsamakis; Eduardo Reck Miranda (Digit. Creativity, 2005)

A Connectionist Architecture for the Evolution of Rhythms. - João Magalhães Martins; Eduardo Reck Miranda (EvoWorkshops, 2006)

An Idiomatic Plucked String Player. - Leandro Lesqueves Costalonga; Eduardo Reck Miranda; John Matthias; Rosa Vicari (FLAIRS, 2006)

Evolving musical performance profiles using genetic algorithms with structural fitness. - Qijun Zhang; Eduardo Reck Miranda (GECCO, 2006)

Towards an Evolution Model of Expressive Music Performance. - Qijun Zhang; Eduardo Reck Miranda (ISDA (2), 2006)

Musicianship for Robots with Style. - Marcelo Gimenes; Eduardo Reck Miranda; Chris A. Johnson 001 (NIME, 2007)

Cellular automata sound synthesis: from histograms to spectrograms. - Jaime Serquera; Eduardo Reck Miranda (Automata, 2008)

Constraint-Based Composition in Realtime. - Torsten Anders; Eduardo R. Miranda (ICMC, 2008)

Higher-order Constraint applicators for Music Constraint Programming. - Torsten Anders; Eduardo R. Miranda (ICMC, 2008)

Equipping Artificial Guitar Players with Biomechanical Constrains: a Case Study of Precision and Speed. - Leandro Lesqueves Costalonga; Eduardo R. Miranda (ICMC, 2008)

An Instance Based Model for Generating Expressive Performance during Composition. - Alexis Kirke; Eduardo R. Miranda (ICMC, 2008)

Comper: towards a Model for Generating Compositions from Expressive Music performances. - Alexis Kirke; Eduardo R. Miranda (ICMC, 2008)

Autonomous Development of singing-like Intonations by interacting babbling robots. - Eduardo R. Miranda (ICMC, 2008)

Spectral synthesis and control with Cellular Automata. - Jaime Serquera; Eduardo R. Miranda (ICMC, 2008)

Letter from the Guest Editors. - Eduardo Reck Miranda; Marcelo Soares Pimenta (J. Braz. Comput. Soc., 2008)

Emergent songs by social robots. - Eduardo Reck Miranda (J. Exp. Theor. Artif. Intell., 2008)

Digital Sound Synthesis for Multimedia Audio. - Eduardo Reck Miranda (Wiley Encyclopedia of Computer Science and Engineering, 2008)

Hearing Thinking. - Jane Grant; John Matthias; Tim Hodgson; Eduardo Reck Miranda (EvoWorkshops, 2009)

Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks. - Eduardo Reck Miranda; Larry Bull; François Gueguen; Ivan S. Uroukov (Comput. Music. J., 2009)

GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison. - Simon Durrant; David R. Hardoon; André Brechmann; John Shawe-Taylor; Eduardo R. Miranda; Henning Scheich (Connect. Sci., 2009)

A survey of computer systems for expressive music performance. - Alexis Kirke; Eduardo Reck Miranda (ACM Comput. Surv., 2009)

Game of Life Music. - Eduardo R. Miranda; Alexis Kirke (Game of Life Cellular Automata, 2010)

Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms. - Jaime Serquera; Eduardo Reck Miranda (EvoApplications (2), 2010)

Patterns for the design of musical interaction with everyday mobile devices. - Luciano Vargas Flores; Marcelo Soares Pimenta; Eduardo Reck Miranda; Eduardo A. A. Radanovitsck; Damián Keller (IHC, 2010)

Musical interaction patterns: communicating computer music knowledge in a multidisciplinary project. - Luciano Vargas Flores; Evandro Manara Miletto; Marcelo Soares Pimenta; Eduardo Reck Miranda; Damián Keller (SIGDOC, 2010)

Constraint Application with Higher-Order Programming for Modeling Music Theories. - Torsten Anders; Eduardo Reck Miranda (Comput. Music. J., 2010)

Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach. - Eduardo Reck Miranda; Alexis Kirke; Qijun Zhang (Comput. Music. J., 2010)

Plymouth brain-computer music interfacing project: from EEG audio mixers to composition informed by cognitive neuroscience. - Eduardo R. Miranda (Int. J. Arts Technol., 2010)

Order dependent feature selection in Concatenative Sound Synthesis using Analytical Hierarchy Process. - Noris Mohd Norowi; Eduardo Reck Miranda (EUROCON, 2011)

Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-Coupled Network of Spiking Neurons. - Kevin McCracken; John Matthias; Eduardo Reck Miranda (EvoApplications (2), 2011)

Towards using expressive performance algorithms for typist emotion detection. - Alexis Kirke; Matthieu Bonnot; Eduardo R. Miranda (ICMC, 2011)

Application of multi-agent whale modeling to an interactive saxophone and whales duet. - Alexis Kirke; Samuel Freeman; Eduardo R. Miranda (ICMC, 2011)

Developing methods for computer programming by musical performance and composition. - Alexis Kirke; Eduardo R. Miranda (ICMC, 2011)

Emergent Construction of melodic pitch and hierarchy through agents communicating emotion without melodic intelligence. - Alexis Kirke; Eduardo R. Miranda (ICMC, 2011)

Combining EEG Frontal asymmetry studies with affective algorithmic composition and expressive performance models. - Alexis Kirke; Eduardo R. Miranda (ICMC, 2011)

Cloud chamber: a performance involving real time two-way interaction between subatomic radioactive particles and violinist. - Alexis Kirke; Eduardo R. Miranda; Antonino Chiaramonte; Anna R. Troisi; John Matthias; Jeff Radtke; Nicholas Fry; Catherine McCabe; Martyn Bull (ICMC, 2011)

Unconventional Computing for Music: Sound Synthesis with Slime Mould. - Eduardo R. Miranda; Andrew Adamatzky; Jeff Jones (ICMC, 2011)

A musical instrument using in vitro neural networks. - Eduardo R. Miranda; Slawomir J. Nasuto; Anna R. Troisi; Julia H. Downes; Antonino Chiaramonte; Matthew C. Spencer; Mark W. Hammond; Dimitris Xydas; Benjamin J. Whalley; Victor M. Becerra; Kevin Warwick (ICMC, 2011)

Prioritizing Audio Features Selection Using Analysis Hierarchy Process As A Mean To Extend User Control In Concatenative Sound Synthesis. - Noris Mohd. Norowi; Eduardo R. Miranda (ICMC, 2011)

Reproducibility and random access in sound synthesis. - Hanns Holger Rutz; Eduardo R. Miranda; Gerhard Eckel (ICMC, 2011)

Cellular automata dynamic control for sound design with histogram mapping synthesis and the multitype voter model. - Jaime Serquera; Eduardo R. Miranda (ICMC, 2011)

Constraint programming systems for modeling music theories and composition. - Torsten Anders; Eduardo Reck Miranda (ACM Comput. Surv., 2011)

Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control. - Alexis Kirke; Eduardo Reck Miranda; Slawomir J. Nasuto (CMMR, 2012)

Special issue on evolutionary music. - Francisco Fernández de Vega; Carlos Cotta; Eduardo Reck Miranda (Soft Comput., 2012)

Pulsed Melodic Processing - The Use of Melodies in Affective Computations for Increased Processing Transparency. - Alexis Kirke; Eduardo Reck Miranda (Music and Human-Computer Interaction, 2013)

An Overview of Computer Systems for Expressive Music Performance. - Alexis Kirke; Eduardo R. Miranda (Guide to Computing for Expressive Music Performance, 2013)

Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach. - Eduardo R. Miranda; Alexis Kirke; Qijun Zhang (Guide to Computing for Expressive Music Performance, 2013)

Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis. - Edward Braund; Eduardo Reck Miranda (CMMR, 2013)

Changes in music tempo entrain movement related brain activity. - Ian Daly; James Hallowell; Faustina Hwang; Alexis Kirke; Asad Malik; Etienne B. Roesch; James Weaver; Duncan Williams; Eduardo Reck Miranda; Slawomir J. Nasuto (EMBC, 2014)

An Immersive Media Model of Amyotrophic Lateral Sclerosis. - Federico Visi; Duncan Williams; Eduardo Reck Miranda; Giovanni Dothel (EVA, 2014)

Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Response to Musical Stimuli. - Joel Eaton; Duncan Williams; Eduardo R. Miranda (ICMC, 2014)

Effects of different bow stroke styles on body movements of a viola player: an exploratory study. - Federico Visi; Esther Coorevits; Eduardo R. Miranda; Marc Leman (ICMC, 2014)

Evaluation Perceptual Separation in an Pilot System for Affective Composition. - Duncan Williams; Alexis Kirke; Eduardo R. Miranda; Ian Daly; Etienne B. Roesch; James Weaver; Slawomir J. Nasuto (ICMC, 2014)

Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies. - Federico Visi; Rodrigo Schramm; Eduardo Reck Miranda (MOCO, 2014)

The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member. - Joel Eaton; Weiwei Jin; Eduardo Reck Miranda (NIME, 2014)

Use of Body Motion to Enhance Traditional Musical Instruments. - Federico Visi; Rodrigo Schramm; Eduardo Reck Miranda (NIME, 2014)

Timbre morphing: near real-time hybrid synthesis in a musical installation. - Duncan Williams; Peter Randall-Page; Eduardo Reck Miranda (NIME, 2014)

Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design. - Jaime Serquera; Eduardo Reck Miranda (Comput. Music. J., 2014)

Towards Harmonic Extensions of Pulsed Melodic Affective Processing - Further Musical Structures for Increasing Transparency in Emotional Computation. - Alexis J. Kirke; Eduardo Reck Miranda (Int. J. Unconv. Comput., 2014)

Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education. - Alexis J. Kirke; Eduardo Reck Miranda (Int. J. Unconv. Comput., 2014)

Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition. - Eduardo Reck Miranda (Int. J. Unconv. Comput., 2014)

Editorial. - Eduardo Reck Miranda; Andrew Adamatzky (Int. J. Unconv. Comput., 2014)

Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation. - Alexis Kirke; Eduardo Reck Miranda (Simul., 2014)

Identifying music-induced emotions from EEG for use in brain-computer music interfacing. - Ian Daly; Asad Malik; James Weaver; Faustina Hwang; Slawomir J. Nasuto; Duncan Williams; Alexis Kirke; Eduardo Reck Miranda (ACII, 2015)

Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum. - Edward Braund; Eduardo R. Miranda (CMMR, 2015)

BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors. - Edward Braund; Eduardo R. Miranda (CMMR, 2015)

The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems. - Joel Eaton; Eduardo R. Miranda (CMMR, 2015)

Music and Dementia: Two Case-Studies. - Alexis Kirke; Belinda Dixon; Eduardo R. Miranda (CMMR, 2015)

3CMS: An Interactive Decision System for Live Performance. - Rodrigo Schramm; Helena de Souza Nunes; Leonardo de Assis Nunes; Federico Visi; Eduardo R. Miranda (CMMR, 2015)

Analysis of Mimed Violin Performance Movements of Neophytes - Patterns, Periodicities, Commonalities and Individualities. - Federico Visi; Esther Coorevits; Rodrigo Schramm; Eduardo Reck Miranda (CMMR, 2015)

Music with Unconventional Computing: Towards a Step Sequencer from Plasmodium of Physarum Polycephalum. - Edward Braund; Eduardo Reck Miranda (EvoMUSART, 2015)

Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT. - Jared Drayton; Eduardo Reck Miranda (EvoMUSART, 2015)

Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank. - Alexis Kirke; Samuel Freeman; Eduardo Reck Miranda (Comput. Music. J., 2015)

A Hybrid Computer Case Study for Unconventional Virtual Computing. - Alexis J. Kirke; Peter Shadbolt; Alex Neville; Eduardo Reck Miranda (Int. J. Unconv. Comput., 2015)

A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications. - Alexis Kirke; Eduardo Reck Miranda (J. Artif. Soc. Soc. Simul., 2015)

Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition. - Duncan Williams; Alexis Kirke; Eduardo Reck Miranda; Ian Daly; James Hallowell; James Weaver; Asad Malik; Etienne B. Roesch; Faustina Hwang; Slawomir J. Nasuto (ACM Trans. Appl. Percept., 2015)

Dynamic Time Warping for Music Conducting Gestures Evaluation. - Rodrigo Schramm; Cláudio Rosito Jung; Eduardo Reck Miranda (IEEE Trans. Multim., 2015)

Frontiers: Expanding Musical Imagination With Audience Participation. - Marcelo Gimenes; Pierre-Emmanuel Largeron; Eduardo R. Miranda (NIME, 2016)

An Approach to Building Musical Bioprocessors with Physarum polycephalum Memristors. - Edward Braund; Eduardo R. Miranda (Guide to Unconventional Computing for Music, 2017)

Experiments in Sound and Music Quantum Computing. - Alexis Kirke; Eduardo R. Miranda (Guide to Unconventional Computing for Music, 2017)

On Unconventional Computing for Sound and Music. - Eduardo R. Miranda; Alexis Kirke; Edward Braund; Aurélien Antoine (Guide to Unconventional Computing for Music, 2017)

Affective brain Computer Music Interfacing: a Case Study of Use by an Individualwith Huntington's disease. - Ian Daly; Aileen Ho; Julien Marcon; Faustina Hwang; Duncan Williams; Alexis Kirke; Eduardo R. Miranda; Slawomir Nasuto (GBCIC, 2017)

A comparison of fitness functions in a genetic algorithm for acoustic-articulatory parameter inversion of vowels. - Jared Drayton; Eduardo R. Miranda; Alexis Kirke (GECCO (Companion), 2017)

A knowledge-based, data-driven method for action-sound mapping. - Federico Visi; Baptiste Caramiaux; Michael Mcloughlin; Eduardo Reck Miranda (NIME, 2017)

Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System. - Duncan Williams; Alexis Kirke; Eduardo Reck Miranda; Ian Daly; Faustina Hwang; James Weaver; Slawomir Nasuto (ACM Trans. Appl. Percept., 2017)

Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music? - Eduardo Reck Miranda; Edward Braund; Satvik Venkatesh (Comput. Music. J., 2018)

Unconsciously interactive Films in a cinema environment - a demonstrative case study. - Alexis Kirke; Duncan Williams; Eduardo Reck Miranda; Amanda Bluglass; Craig Whyte; Rishi Pruthi; Andrew Eccleston (Digit. Creativity, 2018)

PhyBox: A Programmable Interface for Physarum Polycephalum-based Memristors. - Edward Braund; Satvik Venkatesh; Eduardo R. Miranda (Int. J. Unconv. Comput., 2019)

Composing Popular Music with Physarum polycephalum-based Memristors. - Satvik Venkatesh; Edward Braund; Eduardo R. Miranda (NIME, 2020)

Designing Brain-computer Interfaces for Sonic Expression. - Satvik Venkatesh; Edward Braund; Eduardo R. Miranda (NIME, 2020)

Genetic Music System with Synthetic Biology. - Eduardo Reck Miranda (Artif. Life, 2020)

Creative Quantum Computing: Inverse FFT, Sound Synthesis, Adaptive Sequencing and Musical Composition. - Eduardo R. Miranda (CoRR, 2020)

Quantum Computer: Hello, Music! - Eduardo R. Miranda (CoRR, 2020)

Personalised, Multi-Modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing. - Ian Daly; Duncan Williams; Asad Malik; James Weaver; Alexis Kirke; Faustina Hwang; Eduardo Reck Miranda; Slawomir J. Nasuto (IEEE Trans. Affect. Comput., 2020)

Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast. - Satvik Venkatesh; David Moffat; Alexis Kirke; Gözel Shakeri; Stephen A. Brewster; Jörg Fachner; Helen Odell-Miller; Alex Street; Nicolas Farina; Sube Banerjee; Eduardo Reck Miranda (ICASSP, 2021)

On Interfacing the Brain with Quantum Computers: An Approach to Listen to the Logic of the Mind. - Eduardo Reck Miranda (CoRR, 2021)

You Only Hear Once: A YOLO-like Algorithm for Audio Segmentation and Sound Event Detection. - Satvik Venkatesh; David Moffat; Eduardo Reck Miranda (CoRR, 2021)

Quantum Computer Music: Foundations and Initial Experiments. - Eduardo R. Miranda; Suchitra T. Basak (CoRR, 2021)

A Quantum Natural Language Processing Approach to Musical Intelligence. - Eduardo Reck Miranda; Richie Yeung; Anna Pearson; Konstantinos Meichanetzidis; Bob Coecke (CoRR, 2021)

Word Embeddings for Automatic Equalization in Audio Mixing. - Satvik Venkatesh; David Moffat; Eduardo Reck Miranda (CoRR, 2022)

Teaching Qubits to Sing: Mission Impossible? - Eduardo Reck Miranda; Brian N. Siegelwax (Int. J. Unconv. Comput., 2022)

An Approach to Interfacing the Brain with Quantum Computers: Practical Steps and Caveats. - Eduardo R. Miranda; Satvik Venkatesh; José D. Martín-Guerrero; Carlos Hernani-Morales; Lucas Lamata; Enrique Solano (Int. J. Unconv. Comput., 2022)

RadioMe: Adaptive Radio to Support People with Mild Dementia in Their Own Home. - Patrizia Di Campli San Vito; Xiaochen Yang; Stephen A. Brewster; Alex Street; Jörg Fachner; Paul Fernie; Leonardo Muller-Rodriguez; Ming Hung Hsu; Helen Odell-Miller; Hari Shaji; Paulo Vitor Itaboraí; Nicolas Farina; et al. (HHAI, 2023)

Quantum Representations of Sound: from mechanical waves to quantum circuits. - Paulo Vitor Itaboraí; Eduardo R. Miranda (CoRR, 2023)

Variational Quantum Harmonizer: Generating Chord Progressions and Other Sonification Methods with the VQE Algorithm. - Paulo Vitor Itaboraí; Tim Schwägerl; María Aguado Yáñez; Arianna Crippa; Karl Jansen; Eduardo Reck Miranda; Peter Thomas (CoRR, 2023)

RadioMe: Adaptive Radio with Music Intervention and Reminder System for People with Dementia in Their Own Home. - Patrizia Di Campli San Vito; Xiaochen Yang; James Ross; Gözel Shakeri; Stephen A. Brewster; Satvik Venkatesh; Alex Street; Jörg Fachner; Paul Fernie; Leonardo Muller-Rodriguez; Ming Hung Hsu; Helen Odell-Miller; et al. (AHs, 2024)