Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraunhofer IDMT. - Christian Dittmar; Holger Großmann; Estefanía Cano; Sascha Grollmisch; Hanna M. Lukashevich; Jakob Abeßer (CMMR, 2010)

Influence of Phase, Magnitude and Location ofHarmonic Components in the Perceived Quality of Extracted Solo Signals. - Estefanía Cano; Christian Dittmar; Gerald Schuller (Semantic Audio, 2011)

Improved music similarity computation based on tone objects. - Johannes Krasser; Jakob Abeßer; Holger Großmann; Christian Dittmar; Estefanía Cano (Audio Mostly Conference, 2012)

Towards lyrics spotting in the SyncGlobal project. - Christian Dittmar; Pedro Mercado; Holger Grossmann; Estefanía Cano (CIP, 2012)

Music Information Retrieval Meets Music Education. - Christian Dittmar; Estefanía Cano; Jakob Abeßer; Sascha Grollmisch (Multimodal Music Processing, 2012)

Efficient implementation of a system for solo and accompaniment separation in polyphonic music. - Estefanía Cano; Christian Dittmar; Gerald Schuller (EUSIPCO, 2012)

Pitch-informed solo and accompaniment separation. - Estefanía Cano Ceron (2014)

Tonhöheninformierten Trennung in Solo- und Begleitspuren. - Estefanía Cano (Ausgezeichnete Informatikdissertationen, 2014)

Phase-based harmonic/percussive separation. - Estefanía Cano; Mark D. Plumbley; Christian Dittmar (INTERSPEECH, 2014)

A Mid-Level Approach to Local Tonality Analysis: Extracting Key Signatures from Audio. - Christof Weiß; Estefanía Cano; Hanna M. Lukashevich (Semantic Audio, 2014)

Pitch-informed solo and accompaniment separation towards its use in music education applications. - Estefanía Cano; Gerald Schuller; Christian Dittmar (EURASIP J. Adv. Signal Process., 2014)

Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos. - Jakob Abeßer; Estefanía Cano; Klaus Frieler; Martin Pfleiderer; Wolf-Georg Zaddach (ISMIR, 2015)

New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing Tools. - Daniel Matz; Estefanía Cano; Jakob Abeßer (ISMIR, 2015)

Evaluation of quality of sound source separation algorithms: Human perception vs quantitative metrics. - Estefanía Cano; Derry FitzGerald; Karlheinz Brandenburg (EUSIPCO, 2016)

Exploring sound source separation for acoustic condition monitoring in industrial scenarios. - Estefanía Cano; Johannes Nowak; Sascha Grollmisch (EUSIPCO, 2017)

Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos. - Jakob Abeßer; Klaus Frieler; Estefanía Cano; Martin Pfleiderer; Wolf-Georg Zaddach (IEEE ACM Trans. Audio Speech Lang. Process., 2017)

Examining the Perceptual Effect of Alternative Objective Functions for Deep Learning Based Music Source Separation. - Stylianos Ioannis Mimilakis; Estefanía Cano; Derry FitzGerald; Konstantinos Drossos; Gerald Schuller (ACSSC, 2018)

The Dimensions of Perceptual Quality of Sound Source Separation. - Estefanía Cano; Judith Liebetrau; Derry Fitzgerald; Karlheinz Brandenburg (ICASSP, 2018)

Jazz Solo Instrument Classification with Convolutional Neural Networks, Source Separation, and Transfer Learning. - Juan S. Gómez; Jakob Abeßer; Estefanía Cano (ISMIR, 2018)

Ensemble Size Classification in Colombian Andean String Music Recordings. - Sascha Grollmisch; Estefanía Cano; Fernando Mora Ángel; Gustavo López Gil (CMMR, 2019)

Microtiming Analysis in Traditional Shetland Fiddle Music. - Estefanía Cano; Scott Beveridge (ISMIR, 2019)

Selective Hearing: A Machine Listening Perspective. - Estefanía Cano; Hanna M. Lukashevich (MMSP, 2019)

Examining the Mapping Functions of Denoising Autoencoders in Music Source Separation. - Stylianos Ioannis Mimilakis; Konstantinos Drossos; Estefanía Cano; Gerald Schuller (CoRR, 2019)

The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. - Juan Sebastián Gómez Cañón; Perfecto Herrera; Emilia Gómez; Estefanía Cano (CoRR, 2019)

Musical Source Separation: An Introduction. - Estefanía Cano; Derry FitzGerald; Antoine Liutkus; Mark D. Plumbley; Fabian-Robert Stöter (IEEE Signal Process. Mag., 2019)

Transfer learning from speech to music: towards language-sensitive emotion recognition models. - Juan Sebastián Gómez Cañón; Estefanía Cano; Perfecto Herrera; Emilia Gómez (EUSIPCO, 2020)

Analyzing the Potential of Pre-Trained Embeddings for Audio Classification Tasks. - Sascha Grollmisch; Estefanía Cano; Christian Kehling; Michael Taenzer (EUSIPCO, 2020)

Sesquialtera in the Colombian bambuco: Perception and estimation of beat and meter. - Estefanía Cano; Fernando Mora Ángel; Gustavo López Gil; José Ricardo Zapata; Antonio Escamilla; Juan Fernando Alzate Londoño; Moises Betancur Peláez (ISMIR, 2020)

Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classification. - Juan Sebastián Gómez Cañón; Estefanía Cano; Perfecto Herrera; Emilia Gómez (ISMIR, 2020)

Degradation effects of water immersion on earbud audio quality. - Scott Beveridge; Steffen A. Herff; Estefanía Cano (CoRR, 2020)

Examining the Mapping Functions of Denoising Autoencoders in Singing Voice Separation. - Stylianos Ioannis Mimilakis; Konstantinos Drossos; Estefanía Cano; Gerald Schuller (IEEE ACM Trans. Audio Speech Lang. Process., 2020)

Knowledge Transfer from Neural Networks for Speech Music Classification. - Christian Kehling; Estefanía Cano (CMMR, 2021)

Language-Sensitive Music Emotion Recognition Models: are We Really There Yet? - Juan Sebastián Gómez Cañón; Estefanía Cano; Ana Gabriela Pandrea; Perfecto Herrera; Emilia Gómez (ICASSP, 2021)

Let's agree to disagree: Consensus Entropy Active Learning for Personalized Music Emotion Recognition. - Juan Sebastián Gómez Cañón; Estefanía Cano; Yi-Hsuan Yang; Perfecto Herrera; Emilia Gómez (ISMIR, 2021)

Personalized musically induced emotions of not-so-popular Colombian music. - Juan Sebastián Gómez Cañón; Perfecto Herrera; Estefanía Cano; Emilia Gómez (CoRR, 2021)

Music Emotion Recognition: Toward new, robust standards in personalized and context-sensitive applications. - Juan Sebastián Gómez Cañón; Estefanía Cano; Tuomas Eerola; Perfecto Herrera; Xiao Hu 001; Yi-Hsuan Yang; Emilia Gómez (IEEE Signal Process. Mag., 2021)

Sesquialtera in the Colombian Bambuco: Perception and Estimation of Beat and Meter - Extended version. - Estefanía Cano; Fernando Mora Ángel; Gustavo López Gil; José Ricardo Zapata; Antonio Escamilla; Juan Fernando Alzate; Moises Betancur Peláez (Trans. Int. Soc. Music. Inf. Retr., 2021)

Uncertainty in Semi-Supervised Audio Classification - A Novel Extension for FixMatch. - Sascha Grollmisch; Estefanía Cano; Hanna M. Lukashevich; Jakob Abeßer (EUSIPCO, 2023)

TROMPA-MER: an open dataset for personalized music emotion recognition. - Juan Sebastián Gómez Cañón; Nicolás Felipe Gutiérrez Páez; Lorenzo Porcaro; Alastair Porter; Estefanía Cano; Perfecto Herrera-Boyer; Aggelos Gkiokas; Patricia Santos 001; Davinia Hernández-Leo; Casper Karreman; Emilia Gómez (J. Intell. Inf. Syst., 2023)