Towards a Procedure for Quality Control on Large Collections of Digitized Audio Data: The Case of the "Fondazione Arena di Verona". - Federica Bressan; Sergio Canazza (MM4CH, 2011)

Interactive Multimedia Installations: Towards a Model for Preservation. - Federica Bressan; Sergio Canazza; Antonio Rodà (ArtsIT, 2013)

The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control - The Case of the Sound Archive of the Arena di Verona. - Federica Bressan; Antonio Rodà; Sergio Canazza; Federico Fontana; Roberta Bertani (Adv. Multim., 2013)

A Systemic Approach to the Preservation of Audio Documents: Methodology and Software Tools. - Federica Bressan; Sergio Canazza (J. Electr. Comput. Eng., 2013)

Digital Philology in Audio Long-term Preservation: A Multidisciplinary Project on Experimental Music. - Federica Bressan; Sergio Canazza (IRCDL, 2014)

The challenge of preserving interactive sound art: a multi-level approach. - Federica Bressan; Sergio Canazza (Int. J. Arts Technol., 2014)

Hermeneutic Implications of Cultural Encoding: A Reflection on Audio Recordings and Interactive Installation Art. - Federica Bressan; Sergio Canazza; Tim Vets; Marc Leman (IRCDL, 2016)

Between Artistic Creativity and Documentation: An Experiment on Interaction with an Installation for Music-Making. - Federica Bressan; Acatia Finbow; Tim Vets; Micheline Lesaffre; Marc Leman (ArtsIT/DLI, 2017)

Applications of duplicate detection: linking meta-data and merging music archives: The experience of the IPEM historical archive of electronic music. - Federica Bressan; Joren Six; Marc Leman (DLfM, 2017)

Gamified music improvisation with BilliArT: a multimodal installation with balls. - Tim Vets; Luc Nijs; Micheline Lesaffre; Bart Moens; Federica Bressan; Pieter Colpaert; Peter Lambert; Rik Van de Walle; Marc Leman (J. Multimodal User Interfaces, 2017)

Tape music archives: from preservation to access. - Carlo Fantozzi; Federica Bressan; Niccolò Pretto; Sergio Canazza (Int. J. Digit. Libr., 2017)

A Philological Approach to Sound Preservation. - Federica Bressan (Research Methods for the Digital Humanities, 2018)

Applications of Duplicate Detection in Music Archives: From Metadata Comparison to Storage Optimisation - The Case of the Belgian Royal Museum for Central Africa. - Joren Six; Federica Bressan; Marc Leman (IRCDL, 2018)

A Case for Reproducibility in MIR: Replication of 'A Highly Robust Audio Fingerprinting System'. - Joren Six; Federica Bressan; Marc Leman (Trans. Int. Soc. Music. Inf. Retr., 2018)