The Pre-Production Process of New York Counterpoint for Clarinet and Tape Written by Steve Reich. - Amandine Pras; François-Xavier Féron; Kaïs Demers (ICMC, 2009)

Could the endless progressions in James Tenney's music be viewed as sonic koans? - François-Xavier Féron (ICMC, 2014)

Tracking moving sounds: Perception of spatial figures. - Cédric Camier; François-Xavier Féron; Julien Boissinot; Catherine Guastavino (ICAD, 2015)

Documenting acousmatic music interpretation: Profiles of discourse across multiple dimensions. - Guillaume Boutard; François-Xavier Féron (J. Documentation, 2018)