Functional Integration of Complex Instrumental Sounds in Musical Writing. - Claudy Malherbe; Gérard Assayag; Michèle Castellengo (ICMC, 1985)

Duration Structure Generation and Recognition in Musical Writing. - Emmanuel Amiot; Gérard Assayag; Claudy Malherbe; André Riotte (ICMC, 1986)

A ToolBox for Music Notation. - Gérard Assayag; Dan Timis (ICMC, 1986)

Computer Printing, Storage, and Transfer of Musical Scores. - Gérard Assayag; Dan Timis (ICMC, 1987)

Spatializer: From Room Acoustics to Virtual Acoustics. - Georges Bloch; Gérard Assayag; Olivier Warusfel; Jean-Pascal Jullien (ICMC, 1992)

The Music Representation Project at IRCAM. - Gérard Assayag; Camilo Rueda (ICMC, 1993)

Kant: a Critique of Pure Quantification. - Carlos Agón; Gérard Assayag; Joshua Fineberg; Camilo Rueda (ICMC, 1994)

Visual Programming in Music. - Gérard Assayag (ICMC, 1995)

OpenMusic Architecture. - Gérard Assayag; Carlos Agón (ICMC, 1996)

An Object Oriented Visual Environment For Musical Composition. - Gérard Assayag; Carlos Agón; Joshua Fineberg; Peter Hanappe (ICMC, 1997)

Objects, Time and Constraints in OpenMusic. - Carlos Agón; Gérard Assayag; Olivier Delerue; Camilo Rueda (ICMC, 1998)

Universal Classification Applied to Musical Sequences. - Shlomo Dubnov; Gérard Assayag; Ran El-Yaniv (ICMC, 1998)

Guessing the Composer's Mind: Applying Universal Prediction to Musical Style. - Gérard Assayag; Shlomo Dubnov; Olivier Delerue (ICMC, 1999)

Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic. - Gérard Assayag; Camilo Rueda; Mikael Laurson; Carlos Agón; Olivier Delerue (Comput. Music. J., 1999)

High Level Musical Control of Sound Synthesis in OpenMusic. - Carlos Agón; Marco Stroppa; Gérard Assayag (ICMC, 2000)

Automatic Modeling of Musical Style. - Olivier Lartillot; Shlomo Dubnov; Gérard Assayag; Gill Bejerano (ICMC, 2001)

Visual and Adaptive Constraint Programming in Music. - Charlotte Truchet; Gérard Assayag; Philippe Codognet (ICMC, 2001)

Recherche adaptative et contraintes musicales. - Charlotte Truchet; Carlos Agón; Gérard Assayag (JFPLC, 2001)

Integrating Constraints and Concurrent Objects in Musical Applications: A Calculus and its Visual Language. - Camilo Rueda; Gloria Alvarez; Luis Quesada 001; Gabriel Tamura; Frank D. Valencia; Juan Francisco Díaz; Gérard Assayag (Constraints An Int. J., 2001)

Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur. - Carlos Agón; Gérard Assayag (IHM, 2002)

Representation and Rendering of Rhythm Structures. - Carlos Agón; Karim Haddad; Gérard Assayag (WEDELMUSIC, 2002)

Using Machine-Learning Methods for Musical Style Modeling. - Shlomo Dubnov; Gérard Assayag; Olivier Lartillot; Gill Bejerano (Computer, 2003)

Preface. - Gérard Assayag; Vittorio Cafagna; Marc Chemillier (Soft Comput., 2004)

Using Factor Oracles for Machine Improvisation. - Gérard Assayag; Shlomo Dubnov (Soft Comput., 2004)

Anticipatory Model of Musical Style Imitation Using Collaborative and Competitive Reinforcement Learning. - Arshia Cont; Shlomo Dubnov; Gérard Assayag (SAB ABiALS, 2006)

An Evolutionary Approach to Computer-Aided Orchestration. - Grégoire Carpentier; Damien Tardieu; Gérard Assayag; Xavier Rodet; Emmanuel Saint-James (EvoWorkshops, 2007)

Navigating the Oracle: a Heuristic Approach. - Gérard Assayag; Georges Bloch (ICMC, 2007)

Guidage: a Fast audio Query Guided assemblage. - Arshia Cont; Shlomo Dubnov; Gérard Assayag (ICMC, 2007)

Audio Oracle: a New Algorithm for Fast Learning of audio Structures. - Shlomo Dubnov; Gérard Assayag; Arshia Cont (ICMC, 2007)

Iscore: a system for writing interaction. - Antoine Allombert; Myriam Desainte-Catherine; Gérard Assayag (DIMEA, 2008)

OpenMusic: Design and Implementation Aspects of a Visual Programming Language. - Carlos Agón; Jean Bresson; Gérard Assayag (ELS, 2008)

An Overview of FORCES: An INRIA Project on Declarative Formalisms for Emergent Systems. - Jesús Aranda; Gérard Assayag; Carlos Olarte; Jorge A. Pérez 001; Camilo Rueda; Mauricio Toro; Frank D. Valencia (ICLP, 2009)

Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction. - Mauricio Toro-Bermúdez; Camilo Rueda; Carlos Agón; Gérard Assayag (ICMC, 2009)

Visual Lisp/CLOS programming in OpenMusic. - Jean Bresson; Carlos Agón; Gérard Assayag (High. Order Symb. Comput., 2009)

Interaction with Machine Improvisation. - Gérard Assayag; Georges Bloch; Arshia Cont; Shlomo Dubnov (The Structure of Style, 2010)

Solving the musical orchestration problem using multiobjective constrained optimization with a genetic local search approach. - Grégoire Carpentier; Gérard Assayag; Emmanuel Saint-James (J. Heuristics, 2010)

OpenMusic: visual programming environment for music composition, analysis and research. - Jean Bresson; Carlos Agón; Gérard Assayag (ACM Multimedia, 2011)

Audio Oracle Analysis of Musical Information Rate. - Shlomo Dubnov; Gérard Assayag; Arshia Cont (ICSC, 2011)

On the Information Geometry of Audio Streams With Applications to Similarity Computing. - Arshia Cont; Shlomo Dubnov; Gérard Assayag (IEEE Trans. Speech Audio Process., 2011)

Sample Orchestrator : gestion par le contenu d'échantillons sonores. - Hugues Vinet; Gérard Assayag; Juan José Burred; Grégoire Carpentier; Nicolas Misdariis; Geoffroy Peeters; Axel Roebel; Norbert Schnell; Diemo Schwarz; Damien Tardieu (Traitement du Signal, 2011)

Music Design with Audio Oracle Using Information Rate. - Shlomo Dubnov; Gérard Assayag (MUME@AIIDE, 2012)

OMaxist Dialectics: Capturing, Visualizing and Expanding Improvisations. - Benjamin R. Levy; Georges Bloch; Gérard Assayag (NIME, 2012)

Towards a Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation. - Myriam Desainte-Catherine; Antoine Allombert; Gérard Assayag (Comput. Music. J., 2013)

Creative Symbolic Interaction. - Gérard Assayag (ICMC, 2014)

Introduction. - Gérard Assayag (Tech. Sci. Informatiques, 2014)

Emergence of synchrony in an Adaptive Interaction Model. - Kevin Sanlaville; Gérard Assayag; Frédéric Bevilacqua; Catherine Pelachaud (CoRR, 2015)

Gelisp: A Library to Represent Musical CSPs and Search Strategies. - Mauricio Toro; Camilo Rueda; Carlos Agón; Gérard Assayag (CoRR, 2015)

NTCCRT: A concurrent constraint framework for real-time interaction (extended version). - Mauricio Toro; Camilo Rueda; Carlos Agón; Gérard Assayag (CoRR, 2015)

ImproteK: Introducing Scenarios into Human-Computer Music Improvisation. - Jérôme Nika; Marc Chemillier; Gérard Assayag (Comput. Entertain., 2016)

DYC12 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms. - Jérôme Nika; Ken Déguernel; Axel Chemla-Romeu-Santos; Emmanuel Vincent 001; Gérard Assayag (ICMC, 2017)

Probabilistic Factor Oracles for Multidimensional Machine Improvisation. - Ken Déguernel; Emmanuel Vincent 001; Gérard Assayag (Comput. Music. J., 2018)

Learning of Hierarchical Temporal Structures for Guided Improvisation. - Ken Déguernel; Emmanuel Vincent 001; Jérôme Nika; Gérard Assayag; Kamel Smaïli (Comput. Music. J., 2020)

Cross-modal variational inference for bijective signal-symbol translation. - Axel Chemla-Romeu-Santos; Stavros Ntalampiras; Philippe Esling; Goffredo Haus; Gérard Assayag (CoRR, 2020)

Creative Improvised Interaction with Generative Musical Systems. - Shlomo Dubnov; Gérard Assayag; Vignesh Gokul (MIPR, 2022)

Cocreative Interaction: Somax2 and the REACH Project. - Gérard Assayag; Laurent Bonnasse-Gahot; Joakim Borg (Comput. Music. J., 2022)

Multi-Track MusicLDM: Towards Versatile Music Generation with Latent Diffusion Model. - Tornike Karchkhadze; Mohammad Rasool Izadi; Ke Chen 021; Gérard Assayag; Shlomo Dubnov (CoRR, 2024)