Modeling Baroque Two-Part Counterpoint with Neural Machine Translation. - Eric P. Nichols; Stefano Kalonaris; Gianluca Micchi; Anna Aljanaki (CoRR, 2020)

A new optimization layer for real-time bidding advertising campaigns. - Gianluca Micchi; Saeid Soheily-Khah; Jacob Turner (Intell. Data Anal., 2020)

Not All Roads Lead to Rome: Pitch Representation and Model Architecture for Automatic Harmonic Analysis. - Gianluca Micchi; Mark Gotham; Mathieu Giraud (Trans. Int. Soc. Music. Inf. Retr., 2020)

A deep learning method for enforcing coherence in Automatic Chord Recognition. - Gianluca Micchi; Katerina Kosta; Gabriele Medeot; Pierre Chanquion (ISMIR, 2021)

I Keep Counting: An Experiment in Human/AI Co-creative Songwriting. - Gianluca Micchi; Louis Bigo; Mathieu Giraud; Richard Groult; Florence Levé (Trans. Int. Soc. Music. Inf. Retr., 2021)

SERENADE: A Model for Human-in-the-loop Automatic Chord Estimation. - Hendrik Vincent Koops; Gianluca Micchi; Ilaria Manco; Elio Quinton (IS2, 2023)

When in Rome: A Meta-corpus of Functional Harmony. - Mark Gotham; Gianluca Micchi; Néstor Nápoles López; Malcolm Sailor (Trans. Int. Soc. Music. Inf. Retr., 2023)

Robust Lossy Audio Compression Identification. - Hendrik Vincent Koops; Gianluca Micchi; Elio Quinton (ISMIR, 2024)

Interacting with Annotated and Synchronized Music Corpora on the Dezrann Web Platform. - Charles Ballester; Baptiste Bacot; Louis Bigo; Vanessa Nina Borsan; Louis Couturier; Ken Déguernel; Quentin Dinel; Laurent Feisthauer; Klaus Frieler; Mark Gotham; Richard Groult; Johannes Hentschel; et al. (Trans. Int. Soc. Music. Inf. Retr., 2025)