Computer Music at University of Padova. - James Dashow; Giovanni De Poli; Graziano Tisato; Alvise Vidolin (ICMC, 1978)

Centro Di Sonologia Computazionale C. S. C. University of Padova. - Giovanni B. Debiasi; Giovanni De Poli; Graziano Tisato; Alvise Vidolin (ICMC, 1984)

Frequency Dependent Waveshaping. - Giovanni De Poli (ICMC, 1984)

A Modular Approach to Excitator-Resonator Interaction in Physical Models Synthesis. - Gianpaolo Borin; Giovanni De Poli; Augusto Sarti (ICMC, 1989)

Symbolic and Sub-Symbolic Rules Systems for Real-Time Score Performance. - Roberto Bresin; Giovanni De Poli; Alvise Vidolin (ICMC, 1992)

Self-organizing Neural Network and Grey's Timbre Space. - Giovanni De Poli; Paolo Tonella (ICMC, 1993)

Neural Networks vs. Rules System: Evaluation of Test of Automatic Performance. - Roberto Bresin; Giovanni De Poli; Giovanni U. Battel; Alvise Vidolin (ICMC, 1994)

Instruction of Computer Music for Computer Engineering Students and Professionals. - Antonio Camurri; Giovanni De Poli; Roger B. Dannenberg; Julius O. Smith III (ICMC, 1994)

Timbre Characterization with Mel-Cepstrum and Neural Nets. - Piero Cosi; Giovanni De Poli; Paolo Prandoni (ICMC, 1994)

Generalized adaptors with memory for nonlinear wave digital structures. - Augusto Sarti; Giovanni De Poli (EUSIPCO, 1996)

Sonological Analysis of Clarinet Expressivity. - Sergio Canazza; Giovanni De Poli; Stefano Rinaldin; Alvise Vidolin (Joint International Conference on Cognitive and Systematic Musicology, 1996)

Perceptual Analysis of the Musical Expressive Intention in a Clarinet Performance. - Sergio Canazza; Giovanni De Poli; Alvise Vidolin (Joint International Conference on Cognitive and Systematic Musicology, 1996)

Analysis by synthesis of the expressive intentions in musical performance. - Sergio Canazza; Giovanni De Poli; Antonio Rodà; Alvise Vidolin (ICMC, 1997)

A Model To Add Expressiveness To Automatic Musical Performance. - Sergio Canazza; Giovanni De Poli; Gianni Di Sanzo; Alvise Vidolin (ICMC, 1998)

Expressive Processing of Audio and MIDI Performances in Real Time. - Sergio Canazza; Giovanni De Poli; Riccardo Di Federico; Carlo Drioli; Antonio Rodà (ICMC, 1999)

Sound Authoring Tools for Future Multimedia Systems. - Marco Bezzi; Giovanni De Poli; Davide Rocchesso (ICMCS, Vol. 2, 1999)

Adding Expressiveness to Musical Messages. - Sergio Canazza; Giovanni De Poli; Antonio Rodà; Alvise Vidolin (ICMCS, Vol. 2, 1999)

Toward nonlinear wave digital filters. - Augusto Sarti; Giovanni De Poli (IEEE Trans. Signal Process., 1999)

Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music. - Andrea Bari; Sergio Canazza; Giovanni De Poli; Gian Antonio Mian (ICMC, 2000)

Real-Time Morphing Among Different Expressive Intentions in Audio Playback. - Sergio Canazza; Giovanni De Poli; Carlo Drioli; Antonio Rodà; Federico Zamperini (ICMC, 2000)

Audio Morphing Different Expressive Intentions for Multimedia Systems. - Sergio Canazza; Giovanni De Poli; Carlo Drioli; Antonio Rodà; Alvise Vidolin (IEEE Multim., 2000)

Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems. - Gianpaolo Borin; Giovanni De Poli; Davide Rocchesso (IEEE Trans. Speech Audio Process., 2000)

An Objective and Subjective Comparison of Audio Restoration Systems. - Sergio Canazza; Guido Coraddu; Giovanni De Poli; Gian Antonio Mian (ICHIM (2), 2001)

Expressive Morphing for Interactive Performance of Musical Scores. - Sergio Canazza; Alvise Vidolin; Giovanni De Poli; Carlo Drioli; Antonio Rodà (WEDELMUSIC, 2001)

Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoire. - Sergio Canazza; Giovanni De Poli; Gian Antonio Mian; Alessandro Scarpa (ICMC, 2002)

Real Time Analysis of Expressive Contents in Piano Performances. - Sergio Canazza; Giovanni De Poli; Antonio Rodà; Giulio Soleni; Patrick Zanon (ICMC, 2002)

Time-varying estimation of parameters in rule systems for music performance. - Patrick Zanon; Giovanni De Poli; Alessandro Dorigatti (ICMC, 2002)

Multi-instrument virtual keyboard - the MIKEY project. - Roberto Oboe; Giovanni De Poli (NIME, 2002)

Recognition of Musical Gestures in Known Pieces and in Improvisations. - Damien Cirotteau; Giovanni De Poli; Luca Mion; Alvise Vidolin; Patrick Zanon (Gesture Workshop, 2003)

Estimation of Parameters in Rule Systems for Expressive Rendering of Musical Performance. - Patrick Zanon; Giovanni De Poli (Comput. Music. J., 2003)

Physically Informed Signal Processing Methods for Piano Sound Synthesis: A Research Overview. - Balázs Bank; Federico Avanzini; Gianpaolo Borin; Giovanni De Poli; Federico Fontana; Davide Rocchesso (EURASIP J. Adv. Signal Process., 2003)

Modeling and control of expressiveness in music performance. - Sergio Canazza; Giovanni De Poli; Carlo Drioli; Antonio Rodà; Alvise Vidolin (Proc. IEEE, 2004)

Communicating Expressiveness and Affect in Multimodal Interactive Systems. - Antonio Camurri; Gualtiero Volpe; Giovanni De Poli; Marc Leman (IEEE Multim., 2005)

Music Expression Understanding Based on a Joint Semantic Space. - Luca Mion; Giovanni De Poli (AI*IA, 2007)

A Nonlinear Method for Stochastic Spectrum Estimation in the Modeling of Musical Sounds. - Nicola Laurenti; Giovanni De Poli; Daniele Montagner (IEEE Trans. Speech Audio Process., 2007)

Score-Independent Audio Features for Description of Music Expression. - Luca Mion; Giovanni De Poli (IEEE Trans. Speech Audio Process., 2008)

Perceptual organization of affective and sensorial expressive intentions in music performance. - Luca Mion; Giovanni De Poli; Ennio Rapanà (ACM Trans. Appl. Percept., 2010)

Restoration of Audio Documents by Means of Extended Kalman Filter. - Sergio Canazza; Giovanni De Poli; Gian Antonio Mian (IEEE Trans. Speech Audio Process., 2010)

How blue is Mozart? Non verbal sensory scales for describing music qualities. - Maddalena Murari; Antonio Rodà; Osvaldo Da Pos; Sergio Canazza; Giovanni De Poli; Marta Sandri (ICMC, 2014)

Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? - Emery Schubert; Giovanni De Poli; Antonio Rodà; Sergio Canazza (ICMC, 2014)

Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane. - Antonio Rodà; Sergio Canazza; Giovanni De Poli (IEEE Trans. Affect. Comput., 2014)

The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts. - Giovanni De Poli; Sergio Canazza; Antonio Rodà; Emery Schubert (ACM Trans. Appl. Percept., 2014)

CaRo 2.0: An Interactive System for Expressive Music Rendering. - Sergio Canazza; Giovanni De Poli; Antonio Rodà (Adv. Hum. Comput. Interact., 2015)

Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale. - Sergio Canazza; Giovanni De Poli (Comput. Music. J., 2019)

Technology-Enhanced Interaction with Cultural Heritage: An Antique Pan Flute from Egypt. - Niccolò Pretto; Edoardo Micheloni; Silvia Gasparotto; Carlo Fantozzi; Giovanni De Poli; Sergio Canazza (ACM Journal on Computing and Cultural Heritage, 2020)

Gesture, Music and Computer: The Centro di Sonologia Computazionale at Padova University, a 50-Year History. - Sergio Canazza; Giovanni De Poli; Alvise Vidolin (Sensors, 2022)