Electronic Instrumentation for the Synthesis, Control, and Analysis of Harmonic Musical Tones - James W. Beauchamp (1965)

The TI 980A Computer-Controlled Music Synthesizer. - James W. Beauchamp; Ken Pohlmann; Lee Chapman (ICMC, 1975)

Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear Functions. - James W. Beauchamp (ICMC, 1978)

Using the PLATO/TI980A Music Synthesis System: The PLACOMP Language. - David J. Murray; James W. Beauchamp; Gary Loitz (ICMC, 1978)

Data Reduction and Resynthesis of Connected Solo Passages using Frequency, Amplitude, and "Brightness" Detection and the Nonlinear Synthesis Technique. - James W. Beauchamp (ICMC, 1981)

Tutorials. - Lejaren Hiller; James W. Beauchamp; Charles Dodge (ICMC, 1981)

A Computer Orchestra. - James W. Beauchamp (ICMC, 1982)

New Computer Music Facilities at the University of Illinois at Urbana-Champaign. - James W. Beauchamp; Scot A. Aurenz (ICMC, 1985)

The Computer Music Project at the University of Illinois at Urbana-Champaign: 1989. - James W. Beauchamp (ICMC, 1989)

Extended Nonlinear Waveshaping Analysis/Synthesis Technique. - James W. Beauchamp; Andrew Horner (ICMC, 1992)

Wavetable and FM Matching Synthesis of Musical Instrument Tones. - Andrew Horner; James W. Beauchamp; Lippold Haken (ICMC, 1992)

Timbre Breeding. - Andrew Horner; James W. Beauchamp; Norman H. Packard (ICMC, 1993)

Synthesis of Trumpet Tones Using a Fixed Wavetable and a Centroid-Controlled Second Order Filter. - Andrew Horner; James W. Beauchamp (ICMC, 1994)

Computer Music Project of the University of Illinois Experimental Music Studios. - Sever Tipei; James W. Beauchamp (ICMC, 1994)

Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis Parameters. - Andrew Horner; Ngai-Man Cheung; James W. Beauchamp (ICMC, 1995)

Analysis and Resynthesis of Percussion Sounds: Two Methods Compared. - James W. Beauchamp (ICMC, 1999)

Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power Macintosh. - Timothy Madden; James W. Beauchamp (ICMC, 1999)

Analysis and Critical-Band-Based Group Wavetable Synthesis of Piano Tones. - Hua Zheng; James W. Beauchamp (ICMC, 1999)

Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered Spectra. - Andrew Horner; James W. Beauchamp (ICMC, 2003)

A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument Sounds. - Andrew Horner; James W. Beauchamp; Richard Hau Yue So (ICMC, 2004)

Harmonic Source Separation Using Prestored Spectra. - Mert Bay; James W. Beauchamp (ICA, 2006)

Second Fiddle is Important Too: Pitch Tracking Individual Voices in Polyphonic Music. - Mert Bay; Andreas F. Ehmann; James W. Beauchamp; Paris Smaragdis; J. Stephen Downie (ISMIR, 2012)

Discrimination of Sustained Musical Instrument tones resynthesized with piecewise-linear Approximation of harmonic amplitude envelopes. - Chung Lee; Andrew Horner; James W. Beauchamp; Lydia Ayers (ICMC, 2013)