SDIF sound description data representation and manipulation in computer assisted composition. - Jean Bresson; Carlos Agón (ICMC, 2004)

Symbolic control of sound synthesis in Computer Assisted Composition. - Jean Bresson; Marco Stroppa; Carlos Agón (ICMC, 2005)

Musique Lab 2: a three Level Approach for Music Education at School. - Vincent Puig; Fabrice Guédy; Michel Fingerhut; Fabienne Serrière; Jean Bresson; Olivier Zeller (ICMC, 2005)

La synthèse sonore en composition musicale assistée par ordinateur : modélisation et écriture du son. (Sound synthesis in computer-aided composition). - Jean Bresson (2007)

OpenMusic: Design and Implementation Aspects of a Visual Programming Language. - Carlos Agón; Jean Bresson; Gérard Assayag (ELS, 2008)

Scores, Programs, and Time Representation: The Sheet Object in OpenMusic. - Jean Bresson; Carlos Agón (Comput. Music. J., 2008)

Corpus-Based Transcription as an Approach to the Compositional Control of Timbre. - Aaron Einbond; Diemo Schwarz; Jean Bresson (ICMC, 2009)

Visual Lisp/CLOS programming in OpenMusic. - Jean Bresson; Carlos Agón; Gérard Assayag (High. Order Symb. Comput., 2009)

Ml-Maquette / Musique Lab 2. - Jean Bresson (ICMC, 2010)

Processing Sound And Music Description Data Using Openmusic. - Jean Bresson; Carlos Agón (ICMC, 2010)

Interacting with Symbol, Sound, and Feature Spaces in Orchidée, a Computer-Aided Orchestration Environment. - Grégoire Carpentier; Jean Bresson (Comput. Music. J., 2010)

Representation and Interchange of Sound Spatialization Data for Compositional Applications. - Jean Bresson; Marlon Schumacher (ICMC, 2011)

The Control of the CHANT Synthesizer in OpenMusic: Modelling Continuous Aspects in Sound Synthesis. - Jean Bresson; Marco Stroppa (ICMC, 2011)

OpenMusic: visual programming environment for music composition, analysis and research. - Jean Bresson; Carlos Agón; Gérard Assayag (ACM Multimedia, 2011)

Visual programming and music score generation with OpenMusic. - Jean Bresson; Carlos Agón (VL/HCC, 2011)

OMChroma: Compositional Control of Sound Synthesis. - Carlos Agón; Jean Bresson; Marco Stroppa (Comput. Music. J., 2011)

Reduction as a transition controller for sound synthesis events. - Jean Bresson; Raphaël Foulon; Marco Stroppa (FARM@ICFP, 2013)

Programmation and Control of Faust Sound Processing in OpenMusic. - Dimitri Bouche; Jean Bresson; Stéphane Letz (ICMC, 2014)

pOM: Linking Pen Gestures to Computer-Aided Composition Processes. - Jérémie Garcia; Philippe Leroux; Jean Bresson (ICMC, 2014)

Reactive visual programs for computer-aided music composition. - Jean Bresson (VL/HCC, 2014)

Éditorial. - Jean Bresson; Dominique Fober (Tech. Sci. Informatiques, 2014)

A reactive extension of the OpenMusic visual programming language. - Jean Bresson; Jean-Louis Giavitto (J. Vis. Lang. Comput., 2014)

Erratum to "A Reactive Extension of the OpenMusic Visual Programming Language" Journal of Visual Languages and Computing (2014) pp. 363-375. - Jean Bresson; Jean-Louis Giavitto (J. Vis. Lang. Comput., 2014)

Towards interactive authoring tools for composing spatialization. - Jérémie Garcia; Jean Bresson; Thibaut Carpentier (3DUI, 2015)

Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical Models. - Charles de Paiva Santana; Jônatas Manzolli 001; Jean Bresson; Moreno Andreatta (EVA, 2015)

Dynamic Message-Oriented Middleware with Open Sound Control and Odot. - John MacCallum; Rama Gottfried; Ilya Rostovtsev; Jean Bresson; Adrian Freed (ICMC, 2015)

Trajectoires: a mobile application for controlling and composing sound spatialization. - Xavier Favory; Jérémie Garcia; Jean Bresson (IHM, 2015)

A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting. - Florent Jacquemard; Pierre Donat-Bouillud; Jean Bresson (MCM, 2015)

Trajectoires: A Mobile Application for Controlling Sound Spatialization. - Jérémie Garcia; Xavier Favory; Jean Bresson (CHI Extended Abstracts, 2016)

o.OM: structured-functional communication between computer music systems using OSC and Odot. - Jean Bresson; John MacCallum; Adrian Freed (FARM@ICFP, 2016)

A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration. - Adrien Ycart; Florent Jacquemard; Jean Bresson; Slawek Staworko (ICMC, 2016)

Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale. - Jean Bresson (2017)

FARM 2017 demo summary. - Jean Bresson; Michael Sperber (FARM@ICFP, 2017)

Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic. - Jean Bresson; Dimitri Bouche; Thibaut Carpentier; Diemo Schwarz; Jérémie Garcia (ICMC, 2017)

Musical Gesture Recognition Using Machine Learning and Audio Descriptors. - Paul Best; Jean Bresson; Diemo Schwarz (CBMI, 2018)

A Polytemporal Model for Musical Scheduling. - Martin Fouilleul; Jean Bresson; Jean-Louis Giavitto (CMMR, 2021)

Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics. - Aaron Einbond; Thibaut Carpentier; Diemo Schwarz; Jean Bresson (Comput. Music. J., 2022)