Timbre as a psychoacoustic parameter for harmonic Analysis and Composition. - John MacCallum; Jeremy Hunt; Aaron Einbond (ICMC, 2005)

Real-Time Analysis of sensory Dissonance. - John MacCallum; Aaron Einbond (ICMC, 2007)

Timbral Migration: Stochastic Processes for the Control of Smooth Spectral Transformation. - John MacCallum; Andrew Schmeder; David Wessel (ICMC, 2009)

Timewarp: A Graphical Tool For The Control Of Polyphonic Smoothly Varying Tempos. - John MacCallum; Andrew Schmeder (ICMC, 2010)

Dynamic, Instance-based, object-oriented programming in Max/MSP using open sound control message delegation. - Adrian Freed; John MacCallum; Andrew Schmeder (ICMC, 2011)

Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP. - Adrian Freed; John MacCallum; Andrew Schmeder (NIME, 2011)

"Old" is the New "New": a Fingerboard Case Study in Recrudescence as a NIME Development Strategy. - Adrian Freed; John MacCallum; Sam Mansfield (NIME, 2013)

Agile Interface Development using OSC Expressions and Process Migration. - Adrian Freed; John MacCallum; David Wessel (NIME, 2013)

o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction. - Adrian Freed; David DeFilippo; Rama Gottfried; John MacCallum; Jeff Lubow; Derek Razo; David Wessel (ICMC, 2014)

New Tools for Aspect-Oriented Programming in Music and Media Programming Environments. - John MacCallum; Adrian Freed; David Wessel (ICMC, 2014)

The Impossibility of Control: Real-time Negotiations with the Heart. - John MacCallum; Teoma Naccarato (EVA, 2015)

Antony: A Reimagining. - John MacCallum; Matthew Goodheart; Adrian Freed (ICMC, 2015)

Dynamic Message-Oriented Middleware with Open Sound Control and Odot. - John MacCallum; Rama Gottfried; Ilya Rostovtsev; Jean Bresson; Adrian Freed (ICMC, 2015)

o.OM: structured-functional communication between computer music systems using OSC and Odot. - Jean Bresson; John MacCallum; Adrian Freed (FARM@ICFP, 2016)

Critical Appropriations of Biosensors in Artistic Practice. - Teoma J. Naccarato; John MacCallum (MOCO, 2017)