A practical method of constructing surface in three-dimensional digitized space. - Ken-ichi Anjyo; Toshio Ochi; Yoshiaki Usami; Yasumasa Kawashima (Vis. Comput., 1987)

A Simple Spectral Approach to Stochastic Modelling for Natural Objects. - Ken-ichi Anjyo (Eurographics, 1988)

Mathematical Models for Semi-globalized Spectral Synthesis. - Ken-ichi Anjyo (Eurographics, 1990)

Semi-globalization of stochastic spectral synthesis. - Ken-ichi Anjyo (Vis. Comput., 1991)

A simple method for extracting the natural beauty of hair. - Ken-ichi Anjyo; Yoshiaki Usami; Tsuneya Kurihara (SIGGRAPH, 1992)

Fourier principles for emotion-based human figure animation. - Munetoshi Unuma; Ken-ichi Anjyo; Ryozo Takeuchi (SIGGRAPH, 1995)

Bilinear interpolation for facial expression and metamorphosis in real-time animation. - Kiyoshi Arai; Tsuneya Kurihara; Ken-ichi Anjyo (Vis. Comput., 1996)

Tour into the picture. - Ken Anjyo (SIGGRAPH Visual Proceedings, 1997)

Tour into the picture: using a spidery mesh interface to make animation from a single image. - Youichi Horry; Ken-ichi Anjyo; Kiyoshi Arai (SIGGRAPH, 1997)

Bridging the Gap between 2D and 3D: A Stream of Digital Animation Techniques. - Ken-ichi Anjyo (PG, 2001)

Tour Into the Picture using a Vanishing Line and its Extension to Panoramic Images. - Hyung Woo Kang; Soon Hyung Pyo; Ken-ichi Anjyo; Sung Yong Shin (Comput. Graph. Forum, 2001)

Accelerated isosurface polygonization for dynamic volume data using programmable graphics hardware. - Makoto Matsumura; Ken Anjyo (Visualization and Data Analysis, 2003)

Stylized Highlights for Cartoon Rendering and Animation. - Ken-ichi Anjyo; Katsuaki Hiramitsu (IEEE Computer Graphics and Applications, 2003)

Sketch Interface Based Expressive Hairstyle Modelling and Rendering. - Xiaoyang Mao; Hiroki Kato; Atsumi Imamiya; Ken Anjyo (Computer Graphics International, 2004)

Extracting 3D Stylized Accentuation Effects from a Painted Image. - Tomoya Sato; Yoshinori Dobashi; Tsuyoshi Yamamoto; Katsumi Takao; Ken Anjyo (Computer Graphics International, 2004)

Tweaking stylized light and shade. - Ken Anjyo; Shuhei Wemler (SIGGRAPH Sketches, 2004)

Cartoon hair animation based on physical simulation. - Eiji Sugisaki; Yizhou Yu; Ken Anjyo; Shigeo Morishima (SIGGRAPH Posters, 2004)

Workflow and CG tools for the cartoon tv program "Monkey Turn". - Satoru Yamagishi; Megumi Kondo; Hiroshi Uchibori; Ken Anjyo (SIGGRAPH Sketches, 2004)

Sketchy hairstyles. - Xiaoyang Mao; Shiho Isobe; Ken-ichi Anjyo; Atsumi Imamiya (Computer Graphics International, 2005)

Directable animation of elastic objects. - Ryo Kondo; Takashi Kanai; Ken-ichi Anjyo (Symposium on Computer Animation, 2005)

Simulation-Based Cartoon Hair Animation. - Eiji Sugisaki; Yizhou Yu; Ken Anjyo; Shigeo Morishima (WSCG (Full Papers), 2005)

Tweakable light and shade for cartoon animation. - Ken-ichi Anjyo; Shuhei Wemler; William V. Baxter III (NPAR, 2006)

Latent Doodle Space. - William V. Baxter III; Ken-ichi Anjyo (Comput. Graph. Forum, 2006)

Directable crowd animation. - Wataru Ishihara; Ken Anjyo (SIGGRAPH Posters, 2007)

Anime perspective. - Yosuke Katsura; Ken Anjyo (SIGGRAPH Sketches, 2007)

Locally controllable stylized shading. - Hideki Todo; Ken-ichi Anjyo; William V. Baxter III; Takeo Igarashi (ACM Trans. Graph., 2007)

Rigid shape interpolation using normal equations. - William V. Baxter III; Pascal Barla; Ken-ichi Anjyo (NPAR, 2008)

One pair. - Ken Anjyo (SIGGRAPH Computer Animation Festival, 2008)

Extracting higher-level information from facial mocap. - John P. Lewis; Ken Anjyo (SIGGRAPH Talks, 2008)

Efficient lip-synch tool for 3D cartoon animation. - Shinichi Kawamoto; Tatsuo Yotsukura; Ken Anjyo; Satoshi Nakamura 001 (Comput. Animat. Virtual Worlds, 2008)

Directable animation of elastic bodies with point-constraints. - Ryo Kondo; Ken Anjyo (Comput. Animat. Virtual Worlds, 2008)

Identifying salient points. - John P. Lewis; Ken Anjyo (SIGGRAPH ASIA Sketches, 2009)

Animating Pictures of Fluid using Video Examples. - Makoto Okabe; Ken-ichi Anjyo; Takeo Igarashi; Hans-Peter Seidel (Comput. Graph. Forum, 2009)

N-way morphing for 2D animation. - William V. Baxter III; Pascal Barla; Ken Anjyo (Comput. Animat. Virtual Worlds, 2009)

Stylized lighting for cartoon shader. - Hideki Todo; Ken Anjyo; Takeo Igarashi (Comput. Animat. Virtual Worlds, 2009)

Compatible Embedding for 2D Shape Animation. - William V. Baxter III; Pascal Barla; Ken-ichi Anjyo (IEEE Trans. Vis. Comput. Graph., 2009)

Stylized depiction of images based on depth perception. - Jorge Lopez-Moreno; Jorge Jimenez; Sunil Hadap; Erik Reinhard; Ken Anjyo; Diego Gutierrez (NPAR, 2010)

Scattered data interpolation and approximation for computer graphics. - John P. Lewis; Frédéric H. Pighin; Ken Anjyo (SIGGRAPH ASIA (Courses), 2010)

Direct Manipulation Blendshapes. - John P. Lewis; Ken-ichi Anjyo (IEEE Computer Graphics and Applications, 2010)

Controlling Simulated Explosions by Optimization and Prediction. - Syuhei Sato; Yoshinori Dobashi; Tsuyoshi Yamamoto; Ken Anjyo (CAD/Graphics, 2011)

Viewpoint Selection by Painting. - Takashi Michikawa; Hiromasa Suzuki; Ken-ichi Anjyo (GRAPP, 2011)

Developing tools for 2D/3D conversion of Japanese animations. - Marc Salvati; Miki Kinoshita; Yosuke Katsura; Ken Anjyo; Tatsuo Yotsukura; Hiroshi Uchibori (SIGGRAPH Talks, 2011)

Hybrid framework for blendshape manipulations. - Hideki Todo; Ken Anjyo (SIGGRAPH Asia Posters, 2011)

Non-photorealistic, depth-based image editing. - Jorge Lopez-Moreno; Jorge Jimenez; Sunil Hadap; Ken Anjyo; Erik Reinhard; Diego Gutierrez (Comput. Graph., 2011)

Creating Fluid Animation from a Single Image using Video Database. - Makoto Okabe; Ken Anjyo; Rikio Onai (Comput. Graph. Forum, 2011)

Extracting fluid from a video for efficient post-production. - Makoto Okabe; Ken Anjyo; Rikio Onai (DigiPro, 2012)

Mathematical Analysis on Affine Maps for 2D Shape Interpolation. - Shizuo Kaji; Sampei Hirose; Shigehiro Sakata; Yoshihiro Mizoguchi; Ken Anjyo (Symposium on Computer Animation, 2012)

Rendering animated hair under dynamic environmental lighting. - Xiaoxiong Xing; Yoshinori Dobashi; Tsuyoshi Yamamoto; Yosuke Katsura; Ken Anjyo (SIGGRAPH ASIA Posters, 2012)

Real-time rendering of animated hair under dynamic, low-frequency environmental lighting. - Xiaoxiong Xing; Yoshinori Dobashi; Tsuyoshi Yamamoto; Yosuke Katsura; Ken Anjyo (VRCAI, 2012)

A Practical Approach to Direct Manipulation Blendshapes. - Ken Anjyo; Hideki Todo; John P. Lewis (J. Graph. Tools, 2012)

Line Selection Tool for 3D Artists. - Jaewoo Seo; Ken Anjyo (J. Graph. Tools, 2012)

Spacetime expression cloning for blendshapes. - Yeongho Seol; John P. Lewis; Jaewoo Seo; Byungkuk Choi; Ken Anjyo; Junyong Noh (ACM Trans. Graph., 2012)

Video Retrieval Based on User-Specified Appearance and Application to Animation Synthesis. - Makoto Okabe; Yuta Kawate; Ken Anjyo; Rikio Onai (MMM (2), 2013)

Mathematical description of motion and deformation: from basics to graphics applications. - Hiroyuki Ochiai; Ken Anjyo (SIGGRAPH ASIA Courses, 2013)

Lit-Sphere extension for artistic rendering. - Hideki Todo; Ken Anjyo; Shun'ichi Yokoyama (Vis. Comput., 2013)

Practice and Theory of Blendshape Facial Models. - John P. Lewis; Ken Anjyo; Taehyun Rhee; Mengjie Zhang 001; Frédéric H. Pighin; Zhigang Deng 001 (Eurographics (State of the Art Reports), 2014)

Scattered data interpolation for computer graphics. - Ken Anjyo; John P. Lewis; Frédéric H. Pighin (SIGGRAPH Courses, 2014)

Mathematical basics of motion and deformation in computer graphics. - Hiroyuki Ochiai; Ken Anjyo (SIGGRAPH Courses, 2014)

Mathematical Basics of Motion and Deformation in Computer Graphics - Ken Anjyo; Hiroyuki Ochiai (Morgan & Claypool Publishers, 2014)

A linear blending scheme for rigid and non-rigid deformations. - Gengdai Liu; Ken Anjyo (SIGGRAPH Asia Technical Briefs, 2015)

Efficient Hair Rendering under Dynamic, Low-Frequency Environmental Light Using Spherical Harmonics. - Xiaoxiong Xing; Yoshinori Dobashi; Tsuyoshi Yamamoto; Yosuke Katsura; Ken Anjyo (IEICE Trans. Inf. Syst., 2015)

Fluid volume modeling from sparse multi-view images by appearance transfer. - Makoto Okabe; Yoshinori Dobashi; Ken Anjyo; Rikio Onai (ACM Trans. Graph., 2015)

Rudolf the black cat. - Ken Anjyo (SIGGRAPH Computer Animation Festival, 2016)

An elementary introduction to matrix exponential for CG. - Hiroyuki Ochiai; Ken Anjyo; Ayumi Kimura (SIGGRAPH Courses, 2016)

Mathematical Basics of Motion and Deformation in Computer Graphics, Second Edition - Ken Anjyo; Hiroyuki Ochiai (Mathematical Basics of Motion and Deformation in Computer Graphics (2nd Ed.), 2017)

Animating pictures of water scenes using video retrieval. - Makoto Okabe; Yoshinori Dobashi; Ken Anjyo (Vis. Comput., 2018)

Piku Piku Interpolation. - Richard Andrew Roberts; Rafael Kuffner dos Anjos; Ken Anjyo; John P. Lewis (SIGGRAPH Asia Technical Briefs, 2019)

Optimal and interactive keyframe selection for motion capture. - Richard Roberts 004; John P. Lewis; Ken Anjyo; Jaewoo Seo; Yeongho Seol (Comput. Vis. Media, 2019)

Interactive Video Completion. - Makoto Okabe; Keita Noda; Yoshinori Dobashi; Ken Anjyo (IEEE Computer Graphics and Applications, 2020)

Art-directing Appearance using an Environment Map Latent Space. - Lohit Petikam; Andrew Chalmers; Ken Anjyo; Taehyun Rhee (PG (Short Papers, Posters, and Work-in-Progress Papers), 2021)

Deformation transfer survey. - Richard Andrew Roberts; Rafael Kuffner dos Anjos; Akinobu Maejima; Ken Anjyo (Comput. Graph., 2021)

Shading Rig: Dynamic Art-directable Stylised Shading for 3D Characters. - Lohit Petikam; Ken Anjyo; Taehyun Rhee (ACM Trans. Graph., 2021)

Saliency detection for large-scale mesh decimation. - Rafael Kuffner dos Anjos; Richard Andrew Roberts; Benjamin Allen; Joaquim Jorge 001; Ken Anjyo (Comput. Graph., 2023)

Erratum to "Saliency Detection for Large-Scale Mesh Decimation" [Comput. Graph. 111 (2023) 63-76]. - Rafael Kuffner dos Anjos; Richard Andrew Roberts; Benjamin Allen; Joaquim Jorge 001; Ken Anjyo (Comput. Graph., 2023)

Fast Leak-Resistant Segmentation for Anime Line Art. - Benjamin Allen; Akinobu Maejima; Ken Anjyo (SIGGRAPH Asia Technical Communications, 2024)