Vibrotactile Feedback-Assisted Performance. - Lauren Hayes (NIME, 2011)

Performing articulation and expression through a Haptic Interface. - Lauren Hayes (ICMC, 2012)

Skin Music (2012): an Audio-Haptic Composition for Ears and Body. - Lauren Hayes (Creativity & Cognition, 2015)

Enacting musical worlds: common approaches to using nimes within both performance and person-centred arts practices. - Lauren Hayes (NIME, 2015)

Sound, Electronics and Music: an evaluation of early embodied education. - Lauren Hayes (ICMC, 2016)

Towards an Aesthetics of Touch. - Lauren Hayes; Jessica J. Rajko (MOCO, 2017)

Cross-modal terrains: navigating sonic space through haptic feedback. - Gabriella Isaac; Lauren Hayes; Todd Ingalls (NIME, 2017)

Sound, Electronics, and Music: A Radical and Hopeful Experiment in Early Music Education. - Lauren Hayes (Comput. Music. J., 2017)

Live Electronic Music Performance: Embodied and Enactive Approaches. - Lauren Hayes (MOCO, 2018)

Composing Ecosystemically in Responsive Environments with Gestural Media, Objects and Textures. - Brandon Mechtley; Todd Ingalls; Lauren Hayes; Byron Lahey; Jessica J. Rajko; Seth Dominicus Thorn; Robert LiKamWa; Julian Stein; Garrett Laroy Johnson; Emiddio Vasquez; Connor Rawls; Peter Weisman; et al. (TEI, 2019)

Tableware: Social Coordination Through Computationally Augmented Everyday Objects Using Auditory Feedback. - Yanjun Lyu; Brandon Mechtley; Lauren Hayes; Sha Xin Wei (HCI (47), 2020)

Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. - Lauren Hayes; Adnan Marquez-Borbon (NIME, 2020)

Enacting Musical Worlds: Common Approaches to using NIMEs within Performance and Person-Centred Arts Practices. - Lauren Hayes (CoRR, 2020)

Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies. - Lauren Hayes; Adnan Marquez-Borbon (Comput. Music. J., 2021)