ESCHER-modeling and performing composed instruments in real-time. - Marcelo M. Wanderley; Norbert Schnell; Joseph Butch Rovan (SMC, 1998)

Non-obvious Performer Gestures in Instrumental Music. - Marcelo M. Wanderley (Gesture Workshop, 1999)

Gestural Control of a Real-Time Physical Model of a Bowed String Instrument. - Stefania Serafin; Richard Dudas; Marcelo M. Wanderley; Xavier Rodet (ICMC, 1999)

Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. - Marcelo M. Wanderley; Philippe Depalle; Olivier Warusfel (ICMC, 1999)

Towards a Model for Instrumental Mapping in Expert Musical Interaction. - Andy Hunt; Marcelo M. Wanderley; Ross Kirk (ICMC, 2000)

On the Choice of Transducer Technologies for Specific Musical Functions. - Marcelo M. Wanderley; Jean-Philippe Viollet; Fabrice Isart; Xavier Rodet (ICMC, 2000)

Quantitative Analysis of Non-obvious Performer Gestures. - Marcelo M. Wanderley (Gesture Workshop, 2001)

Gestural Control at IRCAM. - Marcelo M. Wanderley; Marie-Hélène Serra; Marc Battier; Xavier Rodet (ICMC, 2001)

Input Devices for Musical Expression: Borrowing Tools from HCI. - Nicola Orio; Norbert Schnell; Marcelo M. Wanderley (NIME, 2001)

The jMax Digitizing Tablet. - Marcelo M. Wanderley (NIME, 2001)

The Importance of Parameter Mapping in Electronic Instrument Design. - Andy Hunt; Marcelo M. Wanderley; Matthew Paradis (NIME, 2002)

Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. - Marcelo M. Wanderley; Nicola Orio (Comput. Music. J., 2002)

Performance Gestures of Musicians: What Structural and Emotional Information Do They Convey? - Bradley W. Vines; Marcelo M. Wanderley; Carol Krumhansl; Regina L. Nuzzo; Daniel J. Levitin (Gesture Workshop, 2003)

Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. - Caroline Traube; Philippe Depalle; Marcelo M. Wanderley (NIME, 2003)

Recognition, Analysis and Performance with Expressive Conducting Gestures. - Paul Kolesnik; Marcelo M. Wanderley (ICMC, 2004)

The Music Technology Program at McGill University. - Gary P. Scavone; Marcelo M. Wanderley (ICMC, 2004)

On the Choice of Mappings Based On Geometric Properties. - Doug Van Nort; Marcelo M. Wanderley; Philippe Depalle (NIME, 2004)

Gestural control of sound synthesis. - Marcelo M. Wanderley; Philippe Depalle (Proc. IEEE, 2004)

Building Low-Cost Music Controllers. - Alexander Refsum Jensenius; Rodolphe Koehly; Marcelo M. Wanderley (CMMR, 2005)

Evaluation of Sensors as Input Devices for Computer Music Interfaces. - Mark T. Marshall; Marcelo M. Wanderley (CMMR, 2005)

Implementation of the Discrete Hidden Markov Model in Max/MSP Environment. - Paul Kolesnik; Marcelo M. Wanderley (FLAIRS, 2005)

Developing Tools for Studying Musical gestures within the Max/MSP/jitter Environment. - Alexander Refsum Jensenius; Rolf Inge Godøy; Marcelo M. Wanderley (ICMC, 2005)

Towards a Dimension Space for Musical Artifacts. - David Birnbaum; Rebecca Fiebrink; Joseph W. Malloch; Marcelo M. Wanderley (NIME, 2005)

On the Use of Flute Air Jet as A Musical Control Variable. - Andrey R. da Silva; Marcelo M. Wanderley; Gary P. Scavone (NIME, 2005)

Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. - Elliot Sinyor; Marcelo M. Wanderley (NIME, 2005)

On the Development of a System for Gesture Control of Spatialization. - Mark T. Marshall; Nils Peters; Alexander Refsum Jensenius; Julien Boissinot; Marcelo M. Wanderley; Jonas Braasch (ICMC, 2006)

The LoM Mapping Toolbox for Max/MSP/Jitter. - Doug Van Nort; Marcelo M. Wanderley (ICMC, 2006)

Ssynth: a Real Time Additive Synthesizer With Flexible Control. - Vincent Verfaille; Julien Boissinot; Philippe Depalle; Marcelo M. Wanderley (ICMC, 2006)

Visual Methods for the Retrieval of Guitarist Fingering. - Anne-Marie Burns; Marcelo M. Wanderley (NIME, 2006)

Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. - Rodolphe Koehly; Marcelo M. Wanderley; Denis Curtil (NIME, 2006)

Vibrotactile Feedback in Digital Musical Instruments. - Mark T. Marshall; Marcelo M. Wanderley (NIME, 2006)

SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. - Marcelo M. Wanderley; David Birnbaum; Joseph W. Malloch; Elliot Sinyor; Julien Boissinot (NIME, 2006)

A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments. - Joseph W. Malloch; Stephen Sinclair; Marcelo M. Wanderley (CMMR, 2007)

Gesture Control of Sound Spatialization for Live Musical Performance. - Mark T. Marshall; Joseph W. Malloch; Marcelo M. Wanderley (Gesture Workshop, 2007)

Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis. - Barbara Mazzarino; Manuel Peinado; Ronan Boulic; Gualtiero Volpe; Marcelo M. Wanderley (Gesture Workshop, 2007)

String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study. - Nicolas H. Rasamimanana; Delphine Bernardin; Marcelo M. Wanderley; Frédéric Bevilacqua (Gesture Workshop, 2007)

A Systematic Approach to Musical vibrotactile feedback. - David Birnbaum; Marcelo M. Wanderley (ICMC, 2007)

Indirect Acquisition of Fingerings of harmonic Notes on the Flute. - Corey Kereliuk; Bertrand Scherrer; Vincent Verfaille; Philippe Depalle; Marcelo M. Wanderley (ICMC, 2007)

From controller to sound: Tools for Collaborative Development of Digital Musical Instruments. - Joseph W. Malloch; Stephen Sinclair; Marcelo M. Wanderley (ICMC, 2007)

Extraction of gestural Meaning from a Fabric-Based Instrument. - Doug Van Nort; David Gauthier; Sha Xin Wei; Marcelo M. Wanderley (ICMC, 2007)

fMRI-Compatible Electronic Controllers. - Avrum Hollinger; Christopher John Steele; Virginia B. Penhune; Robert J. Zatorre; Marcelo M. Wanderley (NIME, 2007)

The T-Stick: From Musical Interface to Musical Instrument. - Joseph W. Malloch; Marcelo M. Wanderley (NIME, 2007)

Control Strategies for Navigation of Complex Sonic Spaces Transformation of Resonant Models. - Doug Van Nort; Marcelo M. Wanderley (NIME, 2007)

Defining a Control Standard for Easily Integrating Haptic Virtual Environments with Existing Audio / Visual Systems. - Stephen Sinclair; Marcelo M. Wanderley (NIME, 2007)

Enhancing the Visualization of Percussion Gestures by Virtual Character Animation. - Alexandre Bouënard; Sylvie Gibet; Marcelo M. Wanderley (NIME, 2008)

Methods for Effective Sonification of Clarinetists' Ancillary Gestures. - Florian Grond; Thomas Hermann 001; Vincent Verfaille; Marcelo M. Wanderley (Gesture Workshop, 2009)

Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis. - Alexandre Bouënard; Marcelo M. Wanderley; Sylvie Gibet (ICMC, 2009)

The CIRMMT/McGill Digital Orchestra Project. - Xenia Pestova; Erika Donald; Heather Hindman; Joseph W. Malloch; Mark T. Marshall; Fernando Rocha; Stephen Sinclair; D. Andrew Stewart; Marcelo M. Wanderley; Sean Ferguson (ICMC, 2009)

Audio-Haptic Interaction with the Digital Waveguide Bowed String. - Stephen Sinclair; Gary P. Scavone; Marcelo M. Wanderley (ICMC, 2009)

Haptic Feedback for Different Strokes Using DIMPLE. - Mark Zadel; Stephen Sinclair; Marcelo M. Wanderley (ICMC, 2009)

Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork. - Marije A. J. Baalman; Harry Smoak; Christopher L. Salter; Joseph W. Malloch; Marcelo M. Wanderley (NIME, 2009)

From Real to Virtual: A Comparison of Input Devices for Percussion Tasks. - Mike Collicutt; Carmine Casciato; Marcelo M. Wanderley (NIME, 2009)

Real-Time Phase Vocoder Manipulation by Runner's Pace. - Jason Hockman; Marcelo M. Wanderley; Ichiro Fujinaga (NIME, 2009)

A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. - Stephen Sinclair; Marcelo M. Wanderley (Interact. Comput., 2009)

An Embedded Hardware Platform For Fungible Interfaces. - Avrum Hollinger; Joseph Thibodeau; Marcelo M. Wanderley (ICMC, 2010)

Soundcatcher: Explorations In Audio-Looping And Time-Freezing Using An Open-Air Gestural Controller. - Gabriel Vigliensoni; Marcelo M. Wanderley (ICMC, 2010)

Noise-free haptic interaction with a bowed-string acoustic model. - Stephen Sinclair; Marcelo M. Wanderley; Vincent Hayward; Gary P. Scavone (World Haptics, 2011)

Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. - Mark T. Marshall; Marcelo M. Wanderley (NIME, 2011)

Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. - Alexandre Bouënard; Marcelo M. Wanderley; Sylvie Gibet; Fabrice Marandola (Comput. Music. J., 2011)

Learning and extraction of violin instrumental controls from audio signal. - Alfonso Pérez Carrillo; Marcelo M. Wanderley (MIRUM, 2012)

Bowing a vibration-enhanced force feedback device. - Marcello Giordano; Stephen Sinclair; Marcelo M. Wanderley (NIME, 2012)

A Dimension Space for Evaluating Collaborative Musical Performance Systems. - Ian Hattwick; Marcelo M. Wanderley (NIME, 2012)

Optoelectronic Acquisition and Control Board for Musical Applications. - Avrum Hollinger; Marcelo M. Wanderley (NIME, 2012)

Exploring audio and tactile qualities of instrumentality with bowed string simulations. - Olivier Tache; Stephen Sinclair; Jean-Loup Florens; Marcelo M. Wanderley (NIME, 2012)

A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. - Gabriel Vigliensoni; Marcelo M. Wanderley (NIME, 2012)

Hybrid inverse motion control for virtual characters interacting with sound synthesis - Application to percussion motion. - Alexandre Bouënard; Sylvie Gibet; Marcelo M. Wanderley (Vis. Comput., 2012)

Libmapper: (a library for connecting things). - Joseph W. Malloch; Stephen Sinclair; Marcelo M. Wanderley (CHI Extended Abstracts, 2013)

Vibrotactile Feedback for an Open Air Music Controller. - Håkon Knutzen; Tellef Kvifte; Marcelo M. Wanderley (CMMR, 2013)

Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound. - Mailis G. Rodrigues; Marcelo M. Wanderley; Paulo Ferreira-Lopes (CMMR, 2013)

Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media. - Marcello Giordano; Marcelo M. Wanderley (HAID, 2013)

Alternatives in Network transport Protocols for audio Streaming Applications. - Flávio Luiz Schiavoni; Marcelo Queiroz; Marcelo M. Wanderley (ICMC, 2013)

Trumpet Augmentation and Technological Symbiosis. - Joseph Thibodeau; Marcelo M. Wanderley (Comput. Music. J., 2013)

Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. - Emma Frid; Marcello Giordano; Marlon Schumacher; Marcelo M. Wanderley (ICMC, 2014)

A High-Level Review of Mappings in Musical iOS Applications. - Thor Kell; Marcelo M. Wanderley (ICMC, 2014)

Handedness in Percussion Sight-Reading. - Benjamin Bacon; Marcelo M. Wanderley; Fabrice Marandola (MOCO, 2014)

Brahms, Bodies and Backpropagation: Artificial Neural Networks for Movement Classification in Musical Performance. - Vanessa Yaremchuk; Marcelo M. Wanderley (MOCO, 2014)

Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. - Ian Hattwick; Preston Beebe; Zachary Hale; Marcelo M. Wanderley; Philippe Leroux; Fabrice Marandola (NIME, 2014)

Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. - Ian Hattwick; Joseph W. Malloch; Marcelo M. Wanderley (NIME, 2014)

Composing for DMIs Entoa, a Dedicate Piece for Intonaspacio. - Clayton Mamedes; Mailis G. Rodrigues; Marcelo M. Wanderley; Jônatas Manzolli 001; Denise H. L. Garcia; Paulo Ferreira-Lopes (NIME, 2014)

In-House Development of Paper Force Sensors for Musical Applications. - Rodolphe Koehly; Marcelo M. Wanderley; Theodorus van de Ven; Denis Curtil (Comput. Music. J., 2014)

Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives. - Doug Van Nort; Marcelo M. Wanderley; Philippe Depalle (Comput. Music. J., 2014)

Editors' Notes. - Marcelo M. Wanderley; Joseph W. Malloch (Comput. Music. J., 2014)

Automatic detection of musicians' ancillary gestures based on video analysis. - Rodrigo A. Seger; Marcelo M. Wanderley; Alessandro L. Koerich (Expert Syst. Appl., 2014)

A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression. - Carolina Brum Medeiros; Marcelo M. Wanderley (Sensors, 2014)

Velocity Estimation Algorithms for Audio-Haptic Simulations Involving Stick-Slip. - Stephen Sinclair; Marcelo M. Wanderley; Vincent Hayward (IEEE Trans. Haptics, 2014)

Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score. - Alfonso Pérez Carrillo; Josep Lluís Arcos; Marcelo M. Wanderley (CMMR, 2015)

Composition Techniques for the Ilinx Vibrotactile Garment. - Ian Hattwick; Ivan Franco; Marcello Giordano; Deborah Egloff; Marcelo M. Wanderley; Valérie Lamontagne; Ian A. Arawjo; Christopher L. Salter; Maurizio Martinucci (ICMC, 2015)

Feature Extraction and Expertise Analysis of Pianists' Motion-Captured Finger Gestures. - Mickaël Tits; Joëlle Tilmanne; Nicolas D'Alessandro; Marcelo M. Wanderley (ICMC, 2015)

Designing dmis for popular music in the brazilian northeast: lessons learned. - Jerônimo Barbosa; Filipe Calegario; João Tragtenberg; Giordano Cabral 001; Geber L. Ramalho; Marcelo M. Wanderley (NIME, 2015)

What does 'evaluation' mean for the nime community? - Jerônimo Barbosa; Joseph W. Malloch; Marcelo M. Wanderley; Stéphane Huot (NIME, 2015)

Pratical evaluation of synthesis performance on the beaglebone black. - Ivan Franco; Marcelo M. Wanderley (NIME, 2015)

Interactive lighting in the pearl: considerations and implementation. - Ian Hattwick; Marcelo M. Wanderley (NIME, 2015)

Distributed tools for interactive design of heterogeneous signal networks. - Joseph W. Malloch; Stephen Sinclair; Marcelo M. Wanderley (Multim. Tools Appl., 2015)

Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. - Alfonso Pérez Carrillo; Marcelo M. Wanderley (IEEE ACM Trans. Audio Speech Lang. Process., 2015)

Music and HCI. - Simon Holland; Andrew P. McPherson; Wendy E. Mackay; Marcelo M. Wanderley; Michael D. Gurevich; Tom W. Mudd; Sile O'Modhrain; Katie L. Wilkie; Joseph W. Malloch; Jérémie Garcia; Andrew Johnston (CHI Extended Abstracts, 2016)

Prynth: A Framework for Self-contained Digital Music Instruments. - Ivan Franco; Marcelo M. Wanderley (CMMR, 2016)

Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher. - Lei Chen; Sylvie Gibet; Pierre-François Marteau; Fabrice Marandola; Marcelo M. Wanderley (MOCO, 2016)

The Vibropixels: A Scalable Wireless Tactile Display System. - Ian Hattwick; Ivan Franco; Marcelo M. Wanderley (HCI (3), 2017)

Individuality in Piano Performance Depends on Skill Learning. - Baptiste Caramiaux; Frédéric Bevilacqua; Caroline Palmer; Marcelo M. Wanderley (MOCO, 2017)

Exploring playfulness in nime design: the case of live looping tools. - Jerônimo Barbosa; Marcelo M. Wanderley; Stéphane Huot (NIME, 2017)

Design of hardware systems for professional artistic applications. - Ian Hattwick; Marcelo M. Wanderley (NIME, 2017)

A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. - Filipe Calegario; Marcelo M. Wanderley; Stéphane Huot; Giordano Cabral 001; Geber L. Ramalho (IEEE Multim., 2017)

Enriched Multimodal Representations of Music Performances: Online Access and Visualization. - Esteban Maestre; Panagiotis Papiotis; Marco Marchini; Quim Llimona; Oscar Mayor; Alfonso Pérez; Marcelo M. Wanderley (IEEE Multim., 2017)

Haptic display of melodic intervals for musical applications. - Deborah C. Egloff; Marcelo M. Wanderley; Ilja Frissen (HAPTICS, 2018)

Kinetic Analysis of Hip Motion During Piano Playing. - Catherine Massie-Laberge; Marcelo M. Wanderley; Isabelle Cossette (MOCO, 2018)

Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. - John Sullivan; Alexandra Tibbitts; Brice Gatinet; Marcelo M. Wanderley (MOCO, 2018)

The Digital Orchestra Toolbox for Max. - Joseph W. Malloch; Marlon Schumacher; Stephen Sinclair; Marcelo M. Wanderley (NIME, 2018)

GuitarAMI and GuiaRT: two independent yet complementary projects on augmented nylon guitars. - Eduardo Meneses; Sérgio Freire 001; Marcelo M. Wanderley (NIME, 2018)

NIME Identity from the Performer's Perspective. - Fabio Morreale; Andrew P. McPherson; Marcelo M. Wanderley (NIME, 2018)

The T-Stick: Maintaining a 12 year-old Digital Musical Instrument. - Alex Nieva; Johnty Wang; Joseph W. Malloch; Marcelo M. Wanderley (NIME, 2018)

ZenStates: Easy-to-Understand Yet Expressive Specifications for Creative Interactive Environments. - Jerônimo Barbosa; Marcelo M. Wanderley; Stéphane Huot (VL/HCC, 2018)

Generalized Multi-Instance Control Mapping for Interactive Media Systems. - Joseph W. Malloch; Stephen Sinclair; Marcelo M. Wanderley (IEEE Multim., 2018)

Understanding Music Interaction, and Why It Matters. - Simon Holland; Tom Mudd; Katie Wilkie-McKenna; Andrew P. McPherson; Marcelo M. Wanderley (New Directions in Music and Human-Computer Interaction, 2019)

A Design Workbench for Interactive Music Systems. - Joseph W. Malloch; Jérémie Garcia; Marcelo M. Wanderley; Wendy E. Mackay; Michel Beaudouin-Lafon; Stéphane Huot (New Directions in Music and Human-Computer Interaction, 2019)

HCI, Music and Art: An Interview with Wendy Mackay. - Marcelo M. Wanderley; Wendy E. Mackay (New Directions in Music and Human-Computer Interaction, 2019)

Smart Mandolin and Musical Haptic Gilet: effects of vibro-tactile stimuli during live music performance. - Luca Turchet; Travis J. West; Marcelo M. Wanderley (Audio Mostly Conference, 2019)

The Design of the Body: Suit: Score, a Full-Body Vibrotactile Musical Score. - Travis J. West; Alexandra Bachmayer; Sandeep Bhagwati; Joanna Berzowska; Marcelo M. Wanderley (HCI (5), 2019)

A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. - Eduardo Meneses; Johnty Wang; Sérgio Freire 001; Marcelo M. Wanderley (NIME, 2019)

Rebuilding and Reinterpreting a Digital Musical Instrument - The Sponge. - Ajin Jiji Tom; Harish Jayanth Venkatesan; Ivan Franco; Marcelo M. Wanderley (NIME, 2019)

Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. - Johnty Wang; Axel Mulder; Marcelo M. Wanderley (NIME, 2019)

Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). - Vanessa Yaremchuk; Carolina Brum Medeiros; Marcelo M. Wanderley (NIME, 2019)

Staying Together: A Bidirectional Delay-Coupled Approach to Joint Action. - Alexander P. Demos; Hamed Layeghi; Marcelo M. Wanderley; Caroline Palmer (Cogn. Sci., 2019)

Open Source DMIs: Towards a Replication Certification for Online Shared Projects of Digital Musical Instruments. - Filipe Calegario; João Tragtenberg; Johnty Wang; Ivan Franco; Eduardo Meneses; Marcelo M. Wanderley (HCI (41), 2020)

An Intermediate Mapping Layer for Interactive Sequencing. - Mathias Kirkegaard; Mathias Bredholt; Marcelo M. Wanderley (HCI (5), 2020)

Expanding and Embedding a High-Level Gesture Vocabulary for Digital and Augmented Musical Instruments. - Eduardo A. L. Meneses; Takuto Fukuda; Marcelo M. Wanderley (HCI (5), 2020)

A Visualization Tool for the CIRMMT Distinguished Lecture Series. - Marcelo M. Wanderley; Mathias Bredholt; Christian Frisson (HCI (4), 2020)

Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. - Filipe Calegario; Marcelo M. Wanderley; João Tragtenberg; Eduardo Meneses; Johnty Wang; John Sullivan; Ivan Franco; Mathias Kirkegaard; Mathias Bredholt; Josh Rohs (NIME, 2020)

TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. - Mathias Kirkegaard; Mathias Bredholt; Christian Frisson; Marcelo M. Wanderley (NIME, 2020)

A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. - Fabio Morreale; S. M. Astrid Bin; Andrew P. McPherson; Paul Stapleton; Marcelo M. Wanderley (NIME, 2020)

Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. - John Sullivan; Julian Vanasse; Catherine Guastavino; Marcelo M. Wanderley (NIME, 2020)

The Scalability of WiFi for Mobile Embedded Sensor Interfaces. - Johnty Wang; Eduardo Meneses; Marcelo M. Wanderley (NIME, 2020)

Making Mappings: Examining the Design Process. - Travis J. West; Marcelo M. Wanderley; Baptiste Caramiaux (NIME, 2020)

Defining a vibrotactile toolkit for digital musical instruments: characterizing voice coil actuators, effects of loading, and equalization of the frequency response. - Aditya Tirumala Bukkapatnam; Philippe Depalle; Marcelo M. Wanderley (J. Multimodal User Interfaces, 2020)

Haptic and audio interaction design. - Thomas Pietrzak; Marcelo M. Wanderley (J. Multimodal User Interfaces, 2020)

Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. - Sérgio Freire 001; Geise Santos; Augusto Armondes; Eduardo A. L. Meneses; Marcelo M. Wanderley (Sensors, 2020)

The Ragpicking DMI Design: The Case for Green Computer Music. - Leandro Lesqueves Costalonga; Daniel Hora; Marcelo Soares Pimenta; Marcelo M. Wanderley (ARTECH, 2021)

Projeto: Cerrado: Unfolding Spaces. - Anésio Azevedo Costa Neto; Nivalda Assunção de Araújo; Marcelo M. Wanderley (ARTECH, 2021)

The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. - Marcelo M. Wanderley; Travis J. West; Josh Rohs; Eduardo Meneses; Christian Frisson (Audio Mostly Conference, 2021)

Interaction Strategies in Composition for Karlax and Acoustic Instruments. - Benjamin Lavastre; Marcelo M. Wanderley (CMMR, 2021)

Documentation and Replicability in the NIME Community. - Filipe Calegario; João Tragtenberg; Christian Frisson; Eduardo Meneses; Joseph W. Malloch; Vincent Cusson; Marcelo M. Wanderley (NIME, 2021)

A Visualization Tool to Explore Interactive Sound Installations. - Valérian Fraisse; Catherine Guastavino; Marcelo M. Wanderley (NIME, 2021)

MapLooper: Live-looping of distributed gesture-to-sound mappings. - Christian Frisson; Mathias Bredholt; Joseph W. Malloch; Marcelo M. Wanderley (NIME, 2021)

The T-Stick Music Creation Project: An approach to building a creative community around a DMI. - Takuto Fukuda; Eduardo Meneses; Travis J. West; Marcelo M. Wanderley (NIME, 2021)

Interpolating Audio and Haptic Control Spaces. - Juliette Regimbal; Marcelo M. Wanderley (NIME, 2021)

Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. - P. J. Charles Reimer; Marcelo M. Wanderley (NIME, 2021)

Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. - Geise Santos; Johnty Wang; Carolina Brum Medeiros; Marcelo M. Wanderley; Tiago Fernandes Tavares; Anderson Rocha 001 (NIME, 2021)

Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. - Matthew D. Skarha; Vincent Cusson; Christian Frisson; Marcelo M. Wanderley (NIME, 2021)

Making Mappings: Design Criteria for Live Performance. - Travis J. West; Baptiste Caramiaux; Stéphane Huot; Marcelo M. Wanderley (NIME, 2021)

A multi-sensor human gait dataset captured through an optical system and inertial measurement units. - Geise Santos; Marcelo M. Wanderley; Tiago Fernandes Tavares; Anderson Rocha 001 (CoRR, 2021)

Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. - Valérian Fraisse; Marcelo M. Wanderley; Catherine Guastavino (Multimodal Technol. Interact., 2021)

Touching the audience: musical haptic wearables for augmented and participatory live music performances. - Luca Turchet; Travis J. West; Marcelo M. Wanderley (Pers. Ubiquitous Comput., 2021)

Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. - Brady Boettcher; Joseph W. Malloch; Johnty Wang; Marcelo M. Wanderley (NIME, 2022)

Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. - Brady Boettcher; John Sullivan; Marcelo M. Wanderley (NIME, 2022)

ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics. - Christian Frisson; Mathias Kirkegaard; Thomas Pietrzak; Marcelo M. Wanderley (NIME, 2022)

Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation. - Linnea Kirby; Paul Buser; Marcelo M. Wanderley (NIME, 2022)

Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. - Felipe Verdugo; Amedeo Ceglia; Christian Frisson; Alexandre Burton; Mickaël Begon; Sylvie Gibet; Marcelo M. Wanderley (NIME, 2022)

From Fiction to Function: Imagining New Instruments through Design Workshops. - John Sullivan; Marcelo M. Wanderley; Catherine Guastavino (Comput. Music. J., 2022)

MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback. - Ziyue Piao; Marcelo M. Wanderley; Felipe Verdugo (ArtsIT (2), 2023)

Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework. - Brady Boettcher; Eduardo A. L. Meneses; Christian Frisson; Marcelo M. Wanderley; Joseph W. Malloch (NIME, 2023)

Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub. - Paul Buser; Kasey Pocius; Linnea Kirby; Marcelo M. Wanderley (NIME, 2023)

eTud, be: case studies in playing with musical agents. - Tommy Davis; Kasey Pocius; Vincent Cusson; Marcelo M. Wanderley; Philippe Pasquier (NIME, 2023)

T-Patch: a software application for T-Stick Digital Musical Instruments. - Takuto Fukuda; Marcelo M. Wanderley (NIME, 2023)

The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs. - Eduardo A. L. Meneses; Thomas Piquet; Jason Noble; Marcelo M. Wanderley (NIME, 2023)

Tools and Techniques for the Maintenance and Support of Digital Musical Instruments. - Albert-Ngabo Niyonsenga; Marcelo M. Wanderley (NIME, 2023)

Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community before NIME. - Marcelo M. Wanderley (NIME, 2023)

Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people. - Erivan Gonçalves Duarte; Isabelle Cossette; Marcelo M. Wanderley (Frontiers Comput. Sci., 2023)

Enhancing DMI Interactions by Integrating Haptic Feedback for Intricate Vibrato Technique. - Ziyue Piao; Christian Frisson; Bavo Van Kerrebroeck; Marcelo M. Wanderley (CoRR, 2024)

Strategies for the Reconciliation of Artistic Intent and Technical Constraints in Mixed Reality Performances. - Pierrick Uro; Florent Berthaut; Thomas Pietrzak; Marcelo M. Wanderley; Laurent Grisoni (Conference on Designing Interactive Systems, 2025)

Thoughts on Mapping and Interface Design of a Keyboard to Perform Continuous Pitch Ornamentations in Hindustani Music. - Ninad Puranik; Travis J. West; Marcelo M. Wanderley; Gary P. Scavone (ICASSP Workshops, 2025)

Virtual Partners Improve Synchronization in Human-Machine Trios. - Bavo Van Kerrebroeck; Marcelo M. Wanderley; Alexander P. Demos; Caroline Palmer (Cogn. Sci., 2025)

Behavioral Measures of Copresence in Co-located Mixed Reality. - Pierrick Uro; Florent Berthaut; Thomas Pietrzak; Marcelo M. Wanderley (IEEE Trans. Vis. Comput. Graph., 2025)