The Notation of Interactive Music: Limitations and Solutions. - Margaret Schedel (ICMC, 1999)

ICMC '99 International Computer Music Conference, Beijing, China, 22-28 October 1999. - John P. Young; Margaret Schedel (Comput. Music. J., 2000)

Curtis Roads: Microsound. - Margaret Schedel (Comput. Music. J., 2003)

Natasha Barrett: Isostasie. - Meg Schedel (Comput. Music. J., 2003)

Freight Elevator Quartet: Fix It In Post. - Margaret Schedel; John P. Young (Comput. Music. J., 2003)

Interface: ./swank. - Margaret Schedel; John P. Young (Comput. Music. J., 2003)

University of Cincinnati, College-Conservatory of Music Center for Computer Music - (ccm)2 in 2004. - Mara Helmuth; Margaret Schedel; Jennifer Bernard; Ivica Ico Bukvic; Shiau-uen Ding (ICMC, 2004)

The Bifurcators, with "Blue" Gene Tyranny: Like a Bird in the Wilderness. - Meg Schedel (Comput. Music. J., 2005)

Cycling '74 radiaL Loop-Based Performance Software. - Meg Schedel (Comput. Music. J., 2005)

Scoring the Color of Waiting. - Margaret Schedel; Alison Rootberg (ICMC, 2008)

Scoring an Interactive, Multimedia Performance Work. - Margaret Schedel; Alison Rootberg; Elizabeth de Martelly (NIME, 2008)

Simon Emmerson: Living Electronic Music. - Margaret Schedel (Comput. Music. J., 2008)

iWalk: a tool for interacting with geo-located data through movement and gesture. - Visruth Premraj; Margaret Schedel; Tamara L. Berg (ACM Multimedia, 2010)

A Demonstration of Bow Articulation Recognition with Wekinator and K-Bow. - Margaret Schedel; Rebecca Fiebrink (ICMC, 2011)

Wekinating 000000Swan: Using Machine Learning to Create and Control Complex Artistic Systems. - Margaret Schedel; Phoenix Perry; Rebecca Fiebrink (NIME, 2011)

Roger T. Dean, Editor: Oxford Handbook of Computer Music. - Margaret Schedel (Comput. Music. J., 2011)

Chris Salter: Entangled: Technology and the Transformation of Performance. - Margaret Schedel (Comput. Music. J., 2011)

Electronic music and the studio. - Margaret Schedel (The Cambridge Companion to Electronic Music, 2012)

Electronic Music. - Nick Collins; Margaret Schedel; Scott Wilson (Cambridge University Press, 2013)

Inscribing Bodies: Notating Gesture. - Emily Beattie; Margaret Schedel (CMMR, 2017)

Color is the Keyboard: Transcoding from Visual to Sonic. - Margaret Schedel (The Oxford Handbook of Algorithmic Music, 2018)

Women's Labor: Creating NIMEs from Domestic Tools . - Margaret Schedel; Jocelyn Ho; Matthew Blessing (NIME, 2019)

Sound and Video Anthology: Program Notes. - Mara Helmuth; Judith Shatin; Annea Lockwood; Elizabeth Hoffman; Elsa Justel; Judy Klein; Elizabeth Hinkle-Turner; Laurie Spiegel; Hildegard Westerkamp; Natasha Barrett; Margaret Schedel; Paula Matthusen; et al. (Comput. Music. J., 2019)

New Interfaces for Musical Expression (NIME) Conference. - Margaret Schedel; Sonya Yuditskaya; Susan E. Green (Comput. Music. J., 2020)

RhumbLine: Plectrohyla Exquisita - Spatial Listening of Zoomorphic Musical Robots. - Margaret Schedel; Brian Smith; Robert Cosgrove; Nick Hwang (NIME, 2021)

Synthetic Erudition Assist Lattice. - Sofy Yuditskaya; Sophia Sun; Margaret Schedel (NIME, 2021)