Application of Wave Field Synthesis in the composition of electronic music. - Marije A. J. Baalman (ICMC, 2003)

The STRIMIDILATOR, a String Controlled MIDI-Instrument. - Marije A. J. Baalman (NIME, 2003)

WONDER - a software interface for the application of Wave Field Synthesis in electronic music and interactive sound installations. - Marije A. J. Baalman; Daniel Plewe (ICMC, 2004)

Elevation Problems in the Auralisation of sound Sources with Arbitrary Shape with wave Field synthesis. - Marije A. J. Baalman (ICMC, 2005)

On wave Field synthesis and electro-acoustic Music - State of the Art 2007. - Marije A. J. Baalman (ICMC, 2007)

Between Mapping, Sonification and Composition: Responsive audio Environments in Live Performance. - Christopher L. Salter; Marije A. J. Baalman; Daniel Moody-Grigsby (ICMC, 2007)

Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance. - Marije A. J. Baalman; Daniel Moody-Grigsby; Christopher L. Salter (NIME, 2007)

Code LiveCode Live, or livecode Embodied. - Marije A. J. Baalman (NIME, 2009)

Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork. - Marije A. J. Baalman; Harry Smoak; Christopher L. Salter; Joseph W. Malloch; Marcelo M. Wanderley (NIME, 2009)

Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure For Live Performance And Interactive, Real-Time Environments. - Marije A. J. Baalman; Vincent De Belleval; Joseph W. Malloch; Joseph Thibodeau (ICMC, 2010)

Modality. - Marije A. J. Baalman; Till Bovermann; Alberto de Campo; Miguel Negrão (ICMC, 2014)

Wireless sensing for artistic applications, a reflection on sense/stage to motivate the design of the next stage. - Marije A. J. Baalman (NIME, 2017)