A Survey of Gender Issues Related to Computer Music and Strategies for Change. - Mary Simoni (ICMC, 1995)

Exploring Instrument Constancy Through a New Method for the Design of Synthetic Instruments. - Gregory H. Wakefield; Mary Simoni (ICMC, 1996)

A Theoretical Framework for Electro-Acoustic Music. - Mary Simoni; Benjamin Broening; Christopher Rozell; Colin Meek; Gregory H. Wakefield (ICMC, 1999)

Model-Based Musical Transcription. - Andrew Sterian; Mary Simoni; Gregory H. Wakefield (ICMC, 1999)

Collaboration Software for Music Analysis: A Case Study. - Erica Schattle; Mary Simoni (ICMC, 2002)

Diane Thome: Bright Air/Brilliant Fire Compact disc, CRC2527, 2001; available from Centaur Records, Inc. 8867 Highland Rd., Suite 206, Baton Rouge, LA, USA; telephone (+1) 225-336-4877; fax (+1) 225-336-9678; electronic mail info@centaurrecords.com; Web www.centaurrecords.com. - Mary Simoni (Comput. Music. J., 2002)

Project Lovelace: teenage girls and Technology-Based Composition. - Mary Simoni; Betty Anne Younker (ICMC, 2008)

Barry Truax: Acoustic Communication and Compositional Techniques. - Mary Simoni; Kristin Fosdick (Comput. Music. J., 2010)

Tara Rodgers: Pink Noises: Women on Electronic Music and Sound. - Mary Simoni (Comput. Music. J., 2011)

Algorithmic Composition - A Guide to Composing Music with Nyquist. - Mary Simoni; Roger B. Dannenberg (University of Michigan Press, 2013)

The Audience Reception of Algorithmic Music. - Mary Simoni (The Oxford Handbook of Algorithmic Music, 2018)