On the Relative Influence of even and odd harmonics in Clarinet Timbre. - Mathieu Barthet; Philippe Guillemain; Richard Kronland-Martinet; Sølvi Ystad (ICMC, 2005)

Improving Musical Expressiveness by Time-Varying Brightness Shaping. - Mathieu Barthet; Richard Kronland-Martinet; Sølvi Ystad (CMMR, 2007)

The effect of Timbre in Clarinet Interpretation. - Mathieu Barthet; Philippe Depalle; Richard Kronland-Martinet; Sølvi Ystad (ICMC, 2007)

Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition. - Mathieu Barthet; Steven Hargreaves; Mark B. Sandler (CMMR, 2010)

Towards the Automatic Generation of a Semantic Web Ontology for Musical Instruments. - Sefki Kolozali; Mathieu Barthet; György Fazekas; Mark B. Sandler (SAMT, 2010)

Ethnographic Observations of Musicologists at the British Library: Implications for Music Information Retrieval. - Mathieu Barthet; Simon Dixon (ISMIR, 2011)

Knowledge Representation Issues in Musical Instrument Ontology Design. - Sefki Kolozali; Mathieu Barthet; György Fazekas; Mark B. Sandler (ISMIR, 2011)

Music Emotion Recognition: From Content- to Context-Based Models. - Mathieu Barthet; György Fazekas; Mark B. Sandler (CMMR, 2012)

Mood Conductor: Emotion-Driven Interactive Music Performance. - György Fazekas; Mathieu Barthet; Mark B. Sandler (ACII, 2013)

Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework. - György Fazekas; Mathieu Barthet; Mark B. Sandler (CMMR, 2013)

Demo paper: The BBC Desktop Jukebox music recommendation system: A large scale trial with professional users. - György Fazekas; Mathieu Barthet; Mark B. Sandler (ICME Workshops, 2013)

Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags. - Pasi Saari; Mathieu Barthet; György Fazekas; Tuomas Eerola; Mark B. Sandler (ICME Workshops, 2013)

Design and Evaluation of Semantic Mood Models for Music Recommendation using Editorial Tags. - Mathieu Barthet; David Marston; Chris Baume; György Fazekas; Mark B. Sandler (ISMIR, 2013)

The Role of Audio and Tags in Music Mood Prediction: A Study Using Semantic Layer Projection. - Pasi Saari; Tuomas Eerola; György Fazekas; Mathieu Barthet; Olivier Lartillot; Mark B. Sandler (ISMIR, 2013)

Automatic Ontology Generation for Musical Instruments Based on Audio Analysis. - Sefki Kolozali; Mathieu Barthet; György Fazekas; Mark B. Sandler (IEEE Trans. Speech Audio Process., 2013)

Big Data for Musicology. - Tillman Weyde; Stephen Cottrell; Jason Dykes; Emmanouil Benetos; Daniel Wolff; Dan Tidhar; Alexander Kachkaev; Mark D. Plumbley; Simon Dixon; Mathieu Barthet; Nicolas Gold; Samer A. Abdallah; et al. (DLfM@JCDL, 2014)

Selection of Audio Features for Music Emotion Recognition Using Production Music. - Chris Baume; György Fazekas; Mathieu Barthet; David Marston; Mark B. Sandler (Semantic Audio, 2014)

A Framework for Automatic Ontology Generation Based on Semantic Audio Analysis. - Sefki Kolozali; György Fazekas; Mathieu Barthet; Mark B. Sandler (Semantic Audio, 2014)

Evaluation and Improvement of the Mood Conductor Interactive System. - Ting Lou; Mathieu Barthet; György Fazekas; Mark B. Sandler (Semantic Audio, 2014)

Moodplay: an interactive mood-based musical experience. - Mathieu Barthet; György Fazekas; Alo Allik; Mark B. Sandler (Audio Mostly Conference, 2015)

A Participatory Live Music Performance with the Open Symphony System. - Kate Hayes; Mathieu Barthet; Yongmeng Wu; Leshao Zhang; Nick Bryan-Kinns (CHI Extended Abstracts, 2016)

User Experience in an Interactive Music Virtual Reality System: An Exploratory Study. - Thomas Deacon; Tony Stockman; Mathieu Barthet (CMMR, 2016)

residUUm: user mapping and performance strategies for multilayered live audiovisual generation. - Ireti Olowe; Giulio Moro; Mathieu Barthet (NIME, 2016)

A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case. - Leshao Zhang; Yongmeng Wu; Mathieu Barthet (NIME, 2016)

Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation. - Pasi Saari; György Fazekas; Tuomas Eerola; Mathieu Barthet; Olivier Lartillot; Mark B. Sandler (IEEE Trans. Affect. Comput., 2016)

Designing Computationally Creative Musical Performance Systems. - Callum Goddard; Mathieu Barthet; Geraint A. Wiggins (Audio Mostly Conference, 2017)

IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations. - Dorien Herremans; Simin Yang; Ching-Hua Chuan; Mathieu Barthet; Elaine Chew (Audio Mostly Conference, 2017)

FEATUR.UX.AV: A Live Sound Visualization System Using Multitrack Audio. - Ireti Olowe; Mathieu Barthet; Mick Grierson (Audio Mostly Conference, 2017)

User Requirements for Live Sound Visualization System Using Multitrack Audio. - Ireti Olowe; Mick Grierson; Mathieu Barthet (Audio Mostly Conference, 2017)

Datascaping: Data Sonification as a Narrative Device in Soundscape Composition. - Jon Pigrem; Mathieu Barthet (Audio Mostly Conference, 2017)

Open Band: A Platform for Collective Sound Dialogues. - Ariane Stolfi; Mathieu Barthet; Fábio Goródscy; Antonio Deusany de Carvalho Junior (Audio Mostly Conference, 2017)

Mood Visualiser: Augmented Music Visualisation Gauging Audience Arousal. - Anand Subramaniam; Mathieu Barthet (Audio Mostly Conference, 2017)

Open Symphony: Creative Participation for Audiences of Live Music Performances. - Yongmeng Wu; Leshao Zhang; Nick Bryan-Kinns; Mathieu Barthet (IEEE Multim., 2017)

Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective. - Anna Xambó; Johan Pauwels; Gerard Roma; Mathieu Barthet; György Fazekas (Audio Mostly Conference, 2018)

Jamming with a Smart Mandolin and Freesound-based Accompaniment. - Luca Turchet; Mathieu Barthet (FRUCT, 2018)

Towards a Semantic Architecture for the Internet of Musical Things. - Luca Turchet; Fabio Viola; György Fazekas; Mathieu Barthet (FRUCT, 2018)

Playsound.space: Inclusive Free Music Improvisations Using Audio Commons. - Ariane de Souza Stolfi; Miguel Ceriani; Luca Turchet; Mathieu Barthet (NIME, 2018)

Demo of interactions between a performer playing a Smart Mandolin and audience members using Musical Haptic Wearables. - Luca Turchet; Mathieu Barthet (NIME, 2018)

Surveying the Compositional and Performance Practices of Audiovisual Practitioners. - Anna Weisling; Anna Xambó; Ireti Olowe; Mathieu Barthet (NIME, 2018)

Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases. - Anna Xambó; Gerard Roma; Alexander Lerch 001; Mathieu Barthet; György Fazekas (NIME, 2018)

Playsound.space: enhancing a live music performance tool with semantic recommendations. - Fabio Viola; Ariane Stolfi; Alessia Milo; Miguel Ceriani; Mathieu Barthet; György Fazekas (SAAM@ISWC, 2018)

Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts. - Sophie Skach; Anna Xambó; Luca Turchet; Ariane Stolfi; Rebecca Stewart; Mathieu Barthet (TEI, 2018)

Internet of Musical Things: Vision and Challenges. - Luca Turchet; Carlo Fischione; Georg Essl; Damián Keller; Mathieu Barthet (IEEE Access, 2018)

Real-Time Hit Classification in a Smart Cajón. - Luca Turchet; Andrew P. McPherson; Mathieu Barthet (Frontiers ICT, 2018)

The Impact of Audio Effects Processing on the Perception of Brightness and Warmth. - Gary Bromham; David Moffat; Mathieu Barthet; Anne Danielsen; György Fazekas (Audio Mostly Conference, 2019)

Modelling Musical Similarity for Drum Patterns: A Perceptual Evaluation. - Fred Bruford; Mathieu Barthet; SKoT McDonald; Mark B. Sandler (Audio Mostly Conference, 2019)

Haptification of performer's control gestures in live electronic music performance. - Luca Turchet; Mathieu Barthet (Audio Mostly Conference, 2019)

Shaping Sounds: The Role of Gesture in Collaborative Spatial Music Composition. - Thomas Deacon; Nick Bryan-Kinns; Patrick G. T. Healey; Mathieu Barthet (Creativity & Cognition, 2019)

Groove Explorer: An Intelligent Visual Interface for Drum Loop Library Navigation. - Fred Bruford; Mathieu Barthet; SKoT McDonald; Mark B. Sandler (IUI Workshops, 2019)

Co-Design of Musical Haptic Wearables for Electronic Music Performer's Communication. - Luca Turchet; Mathieu Barthet (IEEE Trans. Hum. Mach. Syst., 2019)

Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. - Andrea Martelloni; Andrew P. McPherson; Mathieu Barthet (NIME, 2020)

Musical Smart City: Perspectives on Ubiquitous Sonification. - Pedro Sarmento; Ove Holmqvist; Mathieu Barthet (CoRR, 2020)

DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models. - Pedro Sarmento; Adarsh Kumar; CJ Carr; Zack Zukowski; Mathieu Barthet; Yi-Hsuan Yang (ISMIR, 2021)

Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design. - Andrea Martelloni; Andrew McPherson 002; Mathieu Barthet (NIME, 2021)

An Audio-Driven System For Real-Time Music Visualisation. - Max Graf; Harold Chijioke Opara; Mathieu Barthet (CoRR, 2021)

Sketching sounds: an exploratory study on sound-shape associations. - Sebastian Löbbers; Mathieu Barthet; György Fazekas (CoRR, 2021)

Design of Emotion-Driven Game Interaction Using Biosignals. - Yann Frachi; Takuya Takahashi; Feiqi Wang; Mathieu Barthet (HCI (33), 2022)

Emotion-driven Harmonisation And Tempo Arrangement of Melodies Using Transfer Learning. - Takuya Takahashi; Mathieu Barthet (ISMIR, 2022)

Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control. - Max Graf; Mathieu Barthet (NIME, 2022)

Invoke: A Collaborative Virtual Reality Tool for Spatial Audio Production Using Voice-Based Trajectory Sketching. - Thomas Deacon; Mathieu Barthet (Audio Mostly Conference, 2023)

Affective Conditional Modifiers in Adaptive Video Game Music. - Tyler Howard McIntosh; Orlando Woscholski; Mathieu Barthet (Audio Mostly Conference, 2023)

Collaboration on the Tracks: Ethnographically-Informed Design for Computer-Assisted Music Collaboration between Producers and Performers. - Lily E. Montague; Mathieu Barthet (Creativity & Cognition, 2023)

LooperGP: A Loopable Sequence Model for Live Coding Performance Using GuitarPro Tablature. - Sara Adkins; Pedro Sarmento; Mathieu Barthet (EvoMUSART@EvoStar, 2023)

GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers. - Pedro Sarmento; Adarsh Kumar; Yu-Hua Chen; CJ Carr; Zack Zukowski; Mathieu Barthet (EvoMUSART@EvoStar, 2023)

Affective gaming using adaptive speed controlled by biofeedback. - Yann Frachi; Guillaume Chanel; Mathieu Barthet (ICMI Companion, 2023)

Real-Time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. - Andrea Martelloni; Andrew P. McPherson; Mathieu Barthet (ISMIR, 2023)

Reducing Sensing Errors in a Mixed Reality Musical Instrument. - Max Graf; Mathieu Barthet (VRST, 2023)

AI as mediator between composers, sound designers, and creative media producers. - Sebastian Löbbers; Mathieu Barthet; György Fazekas (CoRR, 2023)

ShredGP: Guitarist Style-Conditioned Tablature Generation. - Pedro Sarmento; Adarsh Kumar; Dekun Xie; CJ Carr; Zack Zukowski; Mathieu Barthet (CoRR, 2023)

ProgGP: From GuitarPro Tablature Neural Generation To Progressive Metal Production. - Jackson Loth; Pedro Sarmento; CJ Carr; Zack Zukowski; Mathieu Barthet (CoRR, 2023)

Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical Instruments. - Max Graf; Mathieu Barthet (CoRR, 2023)

AI (r)evolution - where are we heading? Thoughts about the future of music and sound technologies in the era of deep learning. - Giovanni Bindi; Nils Demerlé; Rodrigo Diaz; David Genova; Aliénor Golvet; Ben Hayes; Jiawen Huang; Lele Liu; Vincent Martos; Sarah Nabi; Teresa Pelinski; Lenny Renault; et al. (CoRR, 2023)

Examining Emotion Perception Agreement in Live Music Performance. - Simin Yang; Courtney N. Reed; Elaine Chew; Mathieu Barthet (IEEE Trans. Affect. Comput., 2023)

Semantic integration of audio content providers through the Audio Commons Ontology. - Miguel Ceriani; Fabio Viola; Sasa Rudan; Francesco Antoniazzi; Mathieu Barthet; György Fazekas (J. Web Semant., 2023)

"It's cleaner, definitely": Collaborative Process in Audio Production. - Thomas Deacon; Patrick Healey 001; Mathieu Barthet (Comput. Support. Cooperative Work., 2023)

Do You Hear What I Hear? - Simin Yang; Mathieu Barthet; Courtney N. Reed; Elaine Chew (Computer, 2023)

MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-granular Features. - Wenqian Cui; Pedro Sarmento; Mathieu Barthet (EvoMUSART, 2024)

Between the AI and Me: Analysing Listeners' Perspectives on AI- and Human-Composed Progressive Metal Music. - Pedro Sarmento; Jackson Loth; Mathieu Barthet (ISMIR, 2024)

Graph Neural Network vs Feature-Based Folk Music Evolution Analysis. - Adam Deedman; Mathieu Barthet (EvoMUSART, 2025)

The GigaMIDI Dataset with Features for Expressive Music Performance Detection. - Keon Ju Maverick Lee; Jeff Ens; Sara Adkins; Pedro Sarmento; Mathieu Barthet; Philippe Pasquier (Trans. Int. Soc. Music. Inf. Retr., 2025)