Separation: Short Range Repulsion. Implementation of an Automated Aesthetic Synchronization System for a Dance Performance. - Michael Krzyzaniak; Julie Akerly; Matthew Mosher; Muharrem Yildirim; Garth Paine (NIME, 2014)

What We Have Lost/What We Have Gained: Embodied Interfaces for Live Performance and Art Exhibitions. - Matthew Mosher (CHI Extended Abstracts, 2016)

What We Have Lost / What We Have Gained: Tangible Interactions Between Physical and Digital Bodies. - Matthew Mosher; David Tinapple (TEI, 2016)

Demo hour. - Matthew Mosher; David Tinapple; Enrique Tomás; Keina Konno; Richi Owaki; Yoshito Onishi; Ryo Kanda; Sheep; Akiko Takeshita; Tsubasa Nishi; Naoko Shiomi; Kyle McDonald; et al. (Interactions, 2016)

If These Walls Could Speak: Tangible Memories. - Matthew Mosher (Audio Mostly Conference, 2017)

Tributaries of Our Lost Palpability. - Matthew Mosher; Danielle Wood; Tony Obr (NIME, 2018)

Date the Artist: A Virtual Date with a Virtual Character. - Hanae Hmimid; Matthew Mosher (HT, 2020)

Kurios: A Web App for Saving and Sharing Audio Memories with Physical Objects. - Cameron Tolentino; Matthew Mosher (HT, 2020)

Silver: A Textile Wireframe Interface for the Interactive Sound Installation Idiosynkrasia. - Marius Schebella; Gertrud Fischbacher; Matthew Mosher (NIME, 2020)

Creativity and Collaboration During COVID-19: Creating an Alternate Reality Game in the Face of a Pandemic. - Diego L. Faverio; Iulia V. Popescu; Matthew Mosher (ICIDS, 2021)

Khong Khro: Visual biofeedback for focus meditations: Visual biofeedback for focus meditations. - Matthew Mosher (Creativity & Cognition, 2022)

Queer Archival Un/Making as Tangible Information Activism. - Alexandra Teixeira Riggs; Matthew Mosher; Anne Sullivan; Noura Howell (Conference on Designing Interactive Systems, 2025)

Building Story and Interest: How Lore and Atmosphere Affect Immersion Within an ARG. - Jessica Cox; Kaylee Forsting; Matthew Mosher (FDG, 2025)