The Accordiatron: A Gestural Interface for Interactive Music. - Michael Gurevich; Stephan von Muehlen (ICMC, 2001)

The Accordiatron. - Michael Gurevich (NIME, 2001)

The Accordiatron: A MIDI Controller For Interactive Music. - Michael Gurevich; Stephan von Muehlen (NIME, 2001)

The PLANK: Designing a simple Haptic Controller. - Bill Verplank; Michael Gurevich; Max V. Mathews (NIME, 2002)

Physical Interaction Design for Music. - Michael Gurevich; Bill Verplank; Scott Wilson (ICMC, 2003)

Microcontrollers in Music HCI Instruction - Reflections on our Switch to the Atmel AVR Platform. - Scott Wilson; Michael Gurevich; Bill Verplank; Pascal Stang (NIME, 2003)

JamSpace: a networked real-time collaborative music environment. - Michael Gurevich (CHI Extended Abstracts, 2006)

JamSpace: Designing A Collaborative Networked Music Space for Novices. - Michael Gurevich (NIME, 2006)

Expression and Its Discontents: Toward an Ecology of Musical Creation. - Michael Gurevich; Jeffrey Treviño (NIME, 2007)

Editing Bayesian Networks: A New Approach for Combining Prior Knowledge and Gene Expression Measurements for Researching Diseases. - Udi Rubinstein; Yifat Felder; Nana Ginzbourg; Michael Gurevich; Tamir Tuller (BIBM, 2008)

Spectator understanding of error in performance. - A. Cavan Fyans; Michael Gurevich; Paul Stapleton (CHI Extended Abstracts, 2009)

Where Did It All Go Wrong ? A Model of Error From the Spectator's Perspective. - A. Cavan Fyans; Michael Gurevich; Paul Stapleton (NIME, 2009)

Designing for Style in New Musical Interactions. - Michael Gurevich; Paul Stapleton; Peter D. Bennett (NIME, 2009)

Higher-Order Genomic Organization of Cellular Functions in Yeast. - Tamir Tuller; Udi Rubinstein; Dani Bar; Michael Gurevich; Eytan Ruppin; Martin Kupiec (J. Comput. Biol., 2009)

Examining the Spectator Experience. - A. Cavan Fyans; Michael Gurevich; Paul Stapleton (NIME, 2010)

Style and Constraint in Electronic Musical Instruments. - Michael Gurevich; Paul Stapleton; Adnan Marquez-Borbon (NIME, 2010)

Perceptions of Skill in Performances with Acoustic and Electronic Instruments. - A. Cavan Fyans; Michael Gurevich (NIME, 2011)

Designing Digital Musical Interactions in Experimental Contexts. - Adnan Marquez-Borbon; Michael Gurevich; A. Cavan Fyans; Paul Stapleton (NIME, 2011)

Proceeding from Performance: an ethnography of the Birmingham Laptop Ensemble. - Graham Booth; Michael Gurevich (ICMC, 2012)

Collaborative composition and socially constituted instruments: Ensemble laptop performance through the lens of ethnography. - Graham Booth; Michael Gurevich (NIME, 2012)

Ecological considerations for participatory design of DMIs. - A. Cavan Fyans; Adnan Marquez-Borbon; Paul Stapleton; Michael Gurevich (NIME, 2012)

Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument. - Michael Gurevich; Adnan Marquez-Borbon; Paul Stapleton (Comput. Music. J., 2012)

Distributed Control in a Mechatronic Musical Instrument. - Michael Gurevich (NIME, 2014)

A flexible platform for tangible graphic scores. - Simon Alexander-Adams; Michael Gurevich (NIME, 2015)

Distributed mechanical actuation of percussion instruments. - Eric Sheffield; Michael Gurevich (NIME, 2015)

Music and HCI. - Simon Holland; Andrew P. McPherson; Wendy E. Mackay; Marcelo M. Wanderley; Michael D. Gurevich; Tom W. Mudd; Sile O'Modhrain; Katie L. Wilkie; Joseph W. Malloch; Jérémie Garcia; Andrew Johnston (CHI Extended Abstracts, 2016)

Discovering instruments in scores: a repertoire-driven approach to designing new interfaces for musical expression. - Michael Gurevich (NIME, 2017)

Contextualising Idiomatic Gestures in Musical Interactions with NIMEs. - Koray Tahiroglu; Michael Gurevich; R. Benjamin Knapp (NIME, 2018)

The Hummellaphone: An Electromagnetically Actuated Instrument and Open-Source Toolkit. - Adam G. Schmidt; Michael Gurevich (NIME, 2023)

Heuristic normalization procedure for batch effect correction. - Arthur Yosef; Eli Shnaider; Moti Schneider; Michael Gurevich (Soft Comput., 2023)