Separation: Short Range Repulsion. Implementation of an Automated Aesthetic Synchronization System for a Dance Performance. - Michael Krzyzaniak; Julie Akerly; Matthew Mosher; Muharrem Yildirim; Garth Paine (NIME, 2014)

Towards realtime measurement of connectedness in human movement. - Michael Krzyzaniak; Rushil Anirudh; Vinay Venkataraman; Pavan K. Turaga; Sha Xin Wei (MOCO, 2015)

Realtime classification of hand-drum strokes. - Michael Krzyzaniak; Garth Paine (NIME, 2015)

Touching Data Through Personal Devices: Engaging Somatic Practice and Haptic Design in Felt Experiences of Personal Data. - Jessica J. Rajko; Michael Krzyzaniak; Jacqueline Wernimont; Eileen Standley; Stjepan Rajko (MOCO, 2016)

Interactive Learning of Timbral Rhythms for Percussion Robots. - Michael Krzyzaniak (Comput. Music. J., 2018)

Six types of audio that DEFY reality!: A taxonomy of audio augmented reality with examples. - Michael Krzyzaniak; David M. Frohlich; Philip J. B. Jackson (Audio Mostly Conference, 2019)

Words to Music Synthesis. - Michael J. Krzyzaniak (NIME, 2020)

How to build pipe organ robots. - Michael Krzyzaniak (Audio Mostly Conference, 2022)

A mini acoustic chamber for small-scale sound experiments. - Dongho Kwak; Michael J. Krzyzaniak; Anne Danielsen; Alexander Refsum Jensenius (Audio Mostly Conference, 2022)

Professor Plucky: Expressive body movement in human-robot musical ensembles. - Michael Krzyzaniak; Laura Bishop (MOCO, 2022)

What Makes Interactive Art Engaging? - Michael Krzyzaniak; Çagri Erdem; Kyrre Glette (Frontiers Comput. Sci., 2022)