A Real-time Music 11 Emulator. - Miller S. Puckette; Barry Vercoe; John P. Stautner (ICMC, 1981)

A Four-Channel Reverberation Network. - John P. Stautner; Barry Vercoe; Miller S. Puckette (ICMC, 1981)

The M Orchestra Language. - Miller S. Puckette (ICMC, 1984)

Synthetic Rehearsal: Training the Synthetic Performer. - Barry Vercoe; Miller S. Puckette (ICMC, 1985)

Software Developments for the 4X Real-time System. - Emmanuel Favreau; Michel Fingerhut; Olivier Koechlin; Patrick Potacsek; Miller S. Puckette; Robert Rowe (ICMC, 1986)

Interprocess Communication and Timing in Real-Time Computer Music Performance. - Miller S. Puckette (ICMC, 1986)

Musical Information from a Narrowed Autocorrelation Function. - Judith C. Brown; Miller S. Puckette (ICMC, 1987)

The Patcher. - Miller S. Puckette (ICMC, 1988)

EXPLODE: A User Interface for Sequencing and Score Following. - Miller S. Puckette (ICMC, 1990)

A Real-time Operating System for Computer Music. - Eric Viara; Miller S. Puckette (ICMC, 1990)

The IRCAM signal processing workstation - An environment for research in real-time musical signal processing and performance. - Eric Lindemann; Miller S. Puckette; Eric Viara; Michel Starkier (Microprocessing and Microprogramming, 1990)

Musical Performance Using the IRCAM Workstations. - Cort Lippe; Miller S. Puckette (ICMC, 1991)

The Architecture of the IRCAM Musical Workstation. - Eric Lindemann; Miller S. Puckette; Eric Viara; Maurizio De Cecco; François Déchelle; Bennett Smith (USENIX Summer, 1991)

The Ircam Signal Processing Workstation Prototyping Environment. - Maurizio De Cecco; Eric Lindemann; Miller S. Puckette (CHI, 1992)

Score Following in Practice. - Miller S. Puckette; Cort Lippe (ICMC, 1992)

The IRCAM Signal Processign Workstation and IRCAM Max User Groups: Future Developments and Platforms. - Cort Lippe; Miller S. Puckette; Zack Settel; Vincent Puig (ICMC, 1993)

Nonobvious roles for electronics in performance enhancement. - Miller S. Puckette; Zack Settel (ICMC, 1993)

The IRCAM "Real-Time Platform" - Evolutions and Perspectives. - François Déchelle; Maurizio De Cecco; Miller S. Puckette; David Zicarelli (ICMC, 1994)

Is There Life After MIDI? - Miller S. Puckette (ICMC, 1994)

Department of Music, University of California, San Diego. - Peter Otto; Miller S. Puckette (ICMC, 1995)

Score Following Using the Sung Voice. - Miller S. Puckette (ICMC, 1995)

Pure Data. - Miller S. Puckette (ICMC, 1997)

Real-time audio analysis tools for Pd and MSP. - Miller S. Puckette; Theodore Apel; David Zicarelli (ICMC, 1998)

Accuracy of frequency estimates using the phase vocoder. - Miller S. Puckette; Judith C. Brown (IEEE Trans. Speech Audio Process., 1998)

Philippe Manoury: Jupiter By Elizabeth McNutt, flute , Miller Puckette. computer, Mandeville Recital Hall University of California at San Diego, La Jolla, California, USA. 26 January 1999. - Elizabeth McNutt; Miller S. Puckette; Andrew May (Comput. Music. J., 1999)

Synthesizing Sounds with Specified, Time-Varying Spectra. - Miller S. Puckette (ICMC, 2001)

New Public-Domain Realizations of Standard Pieces for Instruments and Live Electronics. - Miller S. Puckette (ICMC, 2001)

Using Pd as a score language. - Miller S. Puckette (ICMC, 2002)

Max at Seventeen. - Miller S. Puckette (Comput. Music. J., 2002)

Low-dimensional parameter mapping using spectral envelopes. - Miller S. Puckette (ICMC, 2004)

Phase Bashing for sample-Based formant synthesis. - Miller S. Puckette (ICMC, 2005)

Phase-bashed packet synthesis: a musical test. - Miller S. Puckette (ICMC, 2006)

On timbre stamps and other frequency-domain filters. - Miller S. Puckette (ICMC, 2007)

Not being there. - Miller S. Puckette (ICMC, 2008)

Thoughts on Parallel Computing for Music. - Miller S. Puckette (ICMC, 2008)

Reinventing Audio and Music Computation for Many-Core Processors. - David Wessel; Roger B. Dannenberg; Yann Orlarey; Miller S. Puckette; Peter Van Roy; Ge Wang 002 (ICMC, 2008)

Grafting Synthesis Patches Onto Live Musical Instruments. - Miller S. Puckette (ICMC, 2010)

Pure Data Barcamp. - Miller S. Puckette; Hans-Christoph Steiner; Alexandre Torres Porres (ICMC, 2010)

Infuriating Nonlinear Reverberator. - Miller S. Puckette (ICMC, 2011)

Generative Feedback Networks Using Time-Varying Allpass Filters. - Greg Surges; Tamara Smyth; Miller S. Puckette (ICMC, 2015)

Extended Convolution Techniques for Cross-Synthesis. - Chris Donahue; Tom Erbe; Miller S. Puckette (ICMC, 2016)

Generative Audio Systems Using Power-Preserving All-Pass Filters. - Greg Surges; Tamara Smyth; Miller S. Puckette (Comput. Music. J., 2016)

Synthesizing Audio with GANs. - Chris Donahue; Julian J. McAuley; Miller S. Puckette (ICLR (Workshop), 2018)

Synthesizing Audio with Generative Adversarial Networks. - Chris Donahue; Julian J. McAuley; Miller S. Puckette (CoRR, 2018)

Adversarial Audio Synthesis. - Chris Donahue; Julian J. McAuley; Miller S. Puckette (ICLR (Poster), 2019)

Expediting TTS Synthesis with Adversarial Vocoding. - Paarth Neekhara; Chris Donahue; Miller S. Puckette; Shlomo Dubnov; Julian J. McAuley (INTERSPEECH, 2019)

Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments. - Ke Chen 021; Hao-Wen Dong; Yi Luo; Julian J. McAuley; Taylor Berg-Kirkpatrick; Miller S. Puckette; Shlomo Dubnov (ISMIR, 2022)