Little Animals: Compositional Structuring Processes. - Natasha Barrett (Comput. Music. J., 1999)

A compositional methodology based on data extracted from natural phenomena. - Natasha Barrett (ICMC, 2000)

Genetic granular cognitive fuzzy neural networks and human brains for pattern recognition. - Jun Li 002; Natasha Barrett; Yan-Qing Zhang 001; David A. Washburn (GrC, 2005)

Genetic Granular Cognitive Fuzzy Neural Networks and Human Brains for Pattern Recognition. - Cui Lin; Jun Li 002; Natasha Barrett; Yan-Qing Zhang 001; David A. Washburn (WImBI, 2006)

Trends in electroacoustic music. - Natasha Barrett (The Cambridge Companion to Electronic Music, 2012)

Investigations in coarticulated performance gestures using interactive parameter-mapping 3D sonification. - Natasha Barrett; Kristian Nymoen (ICAD, 2015)

Creating tangible spatial-musical images from physical performance gestures. - Natasha Barrett (NIME, 2015)

A 3D Future for Loudspeaker Orchestras Emulated in Higher-Order Ambisonics. - Natasha Barrett (ICMC, 2016)

The 'Virtualmonium': an instrument for classical sound diffusion over a virtual loudspeaker orchestra. - Natasha Barrett; Alexander Refsum Jensenius (NIME, 2016)

Interactive Spatial Sonification of Multidimensional Data for Composition and Auditory Display. - Natasha Barrett (Comput. Music. J., 2016)

A Musical Journey towards Permanent High-Density Loudspeaker Arrays. - Natasha Barrett (Comput. Music. J., 2016)

Holophonic Sound in IRCAM's Concert Hall: Technological and Aesthetic Practices. - Thibaut Carpentier; Natasha Barrett; Rama Gottfried; Markus Noisternig (Comput. Music. J., 2016)

A Classroom Deployment of a Haptic System for Learning Cell Biology. - Ozan Tokatli; Megan Tracey; Faustina Hwang; Natasha Barrett; Chris Jones 003; Ros Johnson; Mary Webb; William S. Harwin (EuroHaptics (2), 2018)

An Investigation of the Impact of Haptics for Promoting Understanding of Difficult Concepts in Cell Biology. - Mary Webb; Megan Tracey; William S. Harwin; Ozan Tokatli; Faustina Hwang; Natasha Barrett; Chris Jones 003; Ros Johnson (OCCE, 2018)

Design Considerations for Haptic-Enabled Virtual Reality Simulation for Interactive Learning of Nanoscale Science in Schools. - Mary Webb; Megan Tracey; William S. Harwin; Ozan Tokatli; Faustina Hwang; Ros Johnson; Natasha Barrett; Chris Jones 003 (iLRN, 2019)

Sound and Video Anthology: Program Notes. - Mara Helmuth; Judith Shatin; Annea Lockwood; Elizabeth Hoffman; Elsa Justel; Judy Klein; Elizabeth Hinkle-Turner; Laurie Spiegel; Hildegard Westerkamp; Natasha Barrett; Margaret Schedel; Paula Matthusen; et al. (Comput. Music. J., 2019)

Deepening presence: probing the hidden artefacts of everyday soundscapes. - Natasha Barrett (Audio Mostly Conference, 2020)

Haptic-enabled collaborative learning in virtual reality for schools. - Mary Webb; Megan Tracey; William S. Harwin; Ozan Tokatli; Faustina Hwang; Ros Johnson; Natasha Barrett; Chris Jones 003 (Educ. Inf. Technol., 2022)

Sound Anthology: Content. - Natasha Barrett; Jana Winderen; Robert Seaback; Frank Ekeberg; Otto Iivari; Mariam Gviniashvili (Comput. Music. J., 2023)

Sound and Video Anthology: Program Notes. - Natasha Barrett; Jana Winderen; Robert Seaback; Frank Ekeberg; Otto Iivari; Mariam Gviniashvili (Comput. Music. J., 2023)