The BBCut Library. - Nick Collins (ICMC, 2002)

A Microtonal Tempo Canon Generator After Nancarrow and Jaffe. - Nick Collins (ICMC, 2003)

A Protocol for Audiovisual Cutting. - Nick Collins; Fredrik Olofsson (ICMC, 2003)

Radiohead: Kid ARadiohead: AmnesiacRadiohead: Hail to the Thief. - Nick Collins (Comput. Music. J., 2004)

An Automated Event Analysis System with Compositional Applications. - Nick Collins (ICMC, 2005)

Drumtrack: beat Induction from an acoustic Drum Kit with synchronised Scheduling. - Nick Collins (ICMC, 2005)

Using a Pitch Detector for Onset Detection. - Nick Collins (ISMIR, 2005)

The Programming Language as a Musical Instrument. - Alan F. Blackwell; Nick Collins (PPIG, 2005)

klipp av: Live Algorithmic Splicing and Audiovisual Event Capture. - Nick Collins; Fredrik Olofsson (Comput. Music. J., 2006)

Audiovisual concatenative synthesis. - Nick Collins (ICMC, 2007)

Matching Parts: Inner Voice Led Control for Symbolic and Audio Accompaniment. - Nick Collins (NIME, 2007)

Errant sound synthesis. - Nick Collins (ICMC, 2008)

Reinforcement Learning for Live Musical Agents. - Nick Collins (ICMC, 2008)

Infno: Generating Synth Pop and Electronic Dance Music on demand. - Nick Collins (ICMC, 2008)

Evaluating the Wiimote as a Musical controller. - Chris Kiefer; Nick Collins; Geraldine Fitzpatrick (ICMC, 2008)

HCI Methodology For Evaluating Musical Controllers: A Case Study. - Chris Kiefer; Nick Collins; Geraldine Fitzpatrick (NIME, 2008)

Karlheinz Stockhausen: Cosmic Pulses. - Nick Collins (Comput. Music. J., 2008)

Phalanger: Controlling Music Software With Hand Movement Using A Computer Vision and Machine Learning Approach. - Chris Kiefer; Nick Collins; Geraldine Fitzpatrick (NIME, 2009)

Introduction to Computer Music. - Nick Collins (Wiley, 2010)

Visualisation of live code. - Alex McLean; Dave Griffiths; Nick Collins; Geraint A. Wiggins (EVA, 2010)

Computational Analysis of Musical Influence: A Musicological Case Study Using MIR Tools. - Nick Collins (ISMIR, 2010)

Contrary Motion: An Oppositional Interactive Music System. - Nick Collins (NIME, 2010)

Musical Exoskeletons: Experiments with a Motion Capture Suit. - Nick Collins; Chris Kiefer; Zeeshan Patoli; Martin White (NIME, 2010)

SCMIR: A SuperCollider Music Information Retrieval Library. - Nick Collins (ICMC, 2011)

Sound Cross-synthesis and Morphing Using Dictionary-based Methods. - Nick Collins; Bob L. Sturm (ICMC, 2011)

Live audiovisuals. - Amy Alexander; Nick Collins (The Cambridge Companion to Electronic Music, 2012)

Musical robots and listening machines. - Nick Collins (The Cambridge Companion to Electronic Music, 2012)

Biometric storyboards: visualising game user research data. - Pejman Mirza-Babaei; Lennart E. Nacke; Geraldine Fitzpatrick; Gareth R. White; Graham McAllister; Nick Collins (CHI Extended Abstracts, 2012)

Influence in Early Electronic Dance Music: An Audio Content Analysis Investigation. - Nick Collins (ISMIR, 2012)

UT Austin Villa: RoboCup 2012 3D Simulation League Champion. - Patrick MacAlpine; Nick Collins; Adrian Lopez-Mobilia; Peter Stone 001 (RoboCup, 2012)

Automatic Composition of Electroacoustic Art Music Utilizing Machine Listening. - Nick Collins (Comput. Music. J., 2012)

Electronic Music. - Nick Collins; Margaret Schedel; Scott Wilson (Cambridge University Press, 2013)

How does it play better?: exploring user testing and biometric storyboards in games user research. - Pejman Mirza-Babaei; Lennart E. Nacke; John Gregory; Nick Collins; Geraldine Fitzpatrick (CHI, 2013)

An Interactive 3D Network Music Space. - Chad McKinney; Nick Collins (NIME, 2013)

The Kiki-Bouba Challenge: Algorithmic Composition for Content-based MIR Research and Development. - Bob L. Sturm; Nick Collins (ISMIR, 2014)

Algorave: A Survey of the History, Aesthetics and Technology of Live Performance of Algorithmic Electronic Dance Music. - Nick Collins; Alex McLean (NIME, 2014)

In A State: Live Emotion Detection and Visualisation for Music Performance. - Adinda Rosa van't Klooster; Nick Collins (NIME, 2014)

The Politics of Laptop Ensembles: A Survey of 160 Laptop Ensembles and their Organisational Structures. - Shelly Knotts; Nick Collins (NIME, 2014)

The "Beyond the Fence" Musical and "Computer Says Show" Documentary. - Simon Colton; Maria Teresa Llano; Rose Hepworth; John William Charnley; Catherine V. Gale; Archie Baron; François Pachet; Pierre Roy; Pablo Gervás; Nick Collins; Bob L. Sturm; Tillman Weyde; et al. (ICCC, 2016)

Towards Machine Musicians Who Have Listened to More Music Than Us: Audio Database-Led Algorithmic Criticism for Automatic Composition and Live Concert Systems. - Nick Collins (Comput. Entertain., 2016)

A Funny Thing Happened on the Way to the Formula: Algorithmic Composition for Musical Theater. - Nick Collins (Comput. Music. J., 2016)

Origins of Algorithmic Thinking in Music. - Nick Collins (The Oxford Handbook of Algorithmic Music, 2018)

A New Curated Corpus of Historical Electronic Music: Collation, Data and Research Findings. - Nick Collins; Peter D. Manning; Simone Tarsitani (Trans. Int. Soc. Music. Inf. Retr., 2018)

EmoteControl: A System for Live-Manipulation of Emotional Cues in Music. - Annaliese Micallef Grimaud; Tuomas Eerola; Nick Collins (Audio Mostly Conference, 2019)

Program Synthesis with Live Bidirectional Evaluation. - Justin Lubin; Nick Collins; Cyrus Omar; Ravi Chugh (CoRR, 2019)

A survey on the uptake of Music AI Software. - Shelly Knotts; Nick Collins (NIME, 2020)

Program sketching with live bidirectional evaluation. - Justin Lubin; Nick Collins; Cyrus Omar; Ravi Chugh (Proc. ACM Program. Lang., 2020)

Filling typed holes with live GUIs. - Cyrus Omar; David Moon; Andrew Blinn; Ian Voysey; Nick Collins; Ravi Chugh (PLDI, 2021)

Virtual Reality and Audiovisual Experience in the AudioVirtualizer. - Adinda Rosa van't Klooster; Nick Collins (EAI Endorsed Trans. Creative Technol., 2021)

OK Computer Analysis: An Audio Corpus Study of Radiohead. - Nick Collins (CoRR, 2022)

Avoiding an AI-imposed Taylor's Version of all music history. - Nick Collins; Mick Grierson (CoRR, 2024)

The Rarity of Musical Audio Signals Within the Space of Possible Audio Generation. - Nick Collins (CoRR, 2024)