Integrating complementary spectral models in the design of a musical synthesizer. - Xavier Serra; Jordi Bonada; Perfecto Herrera; Ramon Loureiro (ICMC, 1997)

Audio Descriptors and Descriptor Schemes in the Context of MPEG-7. - Perfecto Herrera; Xavier Serra; Geoffroy Peeters (ICMC, 1999)

Instrument Sound Description in the Context of MPEG-7. - Geoffroy Peeters; Stephen McAdams; Perfecto Herrera (ICMC, 2000)

Towards Instrument Segmentation for Music Content Description: a Critical Review of Instrument Classification Techniques. - Perfecto Herrera-Boyer; Xavier Amatriain; Eloi Batlle; Xavier Serra (ISMIR, 2000)

Pulse-dependent analyses of percussive music. - Fabien Gouyon; Perfecto Herrera; Pedro Cano (ICASSP, 2002)

Automatic Classification of Drum Sounds: A Comparison of Feature Selection Methods and Classification Techniques. - Perfecto Herrera; Alexandre Yeterian; Fabien Gouyon (ICMAI, 2002)

The CUIDADO Project: New Applications based on Audio and Music Content Description. - Hugues Vinet; Perfecto Herrera; François Pachet (ICMC, 2002)

The CUIDADO Project. - Hugues Vinet; Perfecto Herrera; François Pachet (ISMIR, 2002)

Using morphological description for generic sound retrieval. - Julien Ricard; Perfecto Herrera (ISMIR, 2003)

Knowledge and Content-Based Audio Retrieval Using Wordnet. - Pedro Cano; Markus Koppenberger; Sylvain Le Groux; Perfecto Herrera; Julien Ricard; Nicolas Wack (ICETE (3), 2004)

Estimating The Tonality Of Polyphonic Audio Files: Cognitive Versus Machine Learning Modelling Strategies. - Emilia Gómez; Perfecto Herrera (ISMIR, 2004)

Drum sound classification in polyphonic audio recordings using localized sound models. - Vegard Sandvold; Fabien Gouyon; Perfecto Herrera (ISMIR, 2004)

The rhythm transform: towards a Generic rhythm Description. - Enric Guaus; Perfecto Herrera (ICMC, 2005)

Semantic Segmentation of Music audio Contents. - Bee Suan Ong; Perfecto Herrera (ICMC, 2005)

Towards a Semantic descriptor of subjective Intensity in Music. - Vegard Sandvold; Perfecto Herrera (ICMC, 2005)

Foafing the Music: A Music Recommendation System based on RSS Feeds and User Preferences. - Òscar Celma; Miquel Ramírez; Perfecto Herrera (ISMIR, 2005)

MUCOSA: A Music Content Semantic Annotator. - Perfecto Herrera; Òscar Celma; Jordi Massaguer; Pedro Cano; Emilia Gómez; Fabien Gouyon; Markus Koppenberger (ISMIR, 2005)

Nearest-Neighbor Automatic Sound Annotation with a WordNet Taxonomy. - Pedro Cano; Markus Koppenberger; Sylvain Le Groux; Julien Ricard; Nicolas Wack; Perfecto Herrera (J. Intell. Inf. Syst., 2005)

Search Sounds: An audio crawler focused on weblogs. - Òscar Celma; Pedro Cano; Perfecto Herrera (ISMIR, 2006)

The song remains the same: identifying versions of the same piece using tonal descriptors. - Emilia Gómez; Perfecto Herrera (ISMIR, 2006)

Good Vibrations: Music Discovery through Personal Musical Concepts. - Vegard Sandvold; Thomas Aussenac; Òscar Celma; Perfecto Herrera (ISMIR, 2006)

A Multimodal Approach to Bridge the Music Semantic Gap. - Òscar Celma; Perfecto Herrera; Xavier Serra (SAMT (Posters and Demos), 2006)

Expectation along the beat: a Use Case for Music Expectation Models. - Amaury Hazan; Paul Brossier; Piotr Holonowicz; Perfecto Herrera; Hendrik Purwins (ICMC, 2007)

Multimodal Music Mood Classification Using Audio and Lyrics. - Cyril Laurier; Jens Grivolla; Perfecto Herrera (ICMLA, 2008)

A new approach to evaluating novel recommendations. - Òscar Celma; Perfecto Herrera (RecSys, 2008)

Computational Models of Similarity for Drum Samples. - Elias Pampalk; Perfecto Herrera; Masataka Goto (IEEE Trans. Speech Audio Process., 2008)

Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification. - Joan Serrà; Emilia Gómez; Perfecto Herrera; Xavier Serra (IEEE Trans. Speech Audio Process., 2008)

Music Mood Annotator Design and Integration. - Cyril Laurier; Owen Meyers; Joan Serrà; Martin Blech; Perfecto Herrera (CBMI, 2009)

From Low-Level to High-Level: Comparative Study of Music Similarity Measures. - Dmitry Bogdanov; Joan Serrà; Nicolas Wack; Perfecto Herrera (ISM, 2009)

Scalability, Generality and Temporal Aspects in Automatic Recognition of Predominant Musical Instruments in Polyphonic Music. - Ferdinand Fuhrmann; Martín Haro; Perfecto Herrera (ISMIR, 2009)

Music and Geography: Content Description of Musical Audio from Different Parts of the World. - Emilia Gómez; Martín Haro; Perfecto Herrera (ISMIR, 2009)

From Low-Level to Song-Level Percussion Descriptors of Polyphonic Music. - Martín Haro; Perfecto Herrera (ISMIR, 2009)

Music Mood Representations from Social Tags. - Cyril Laurier; Mohamed Sordo; Joan Serrà; Perfecto Herrera (ISMIR, 2009)

Music retrieval based on a multi-samples selection strategy for support vector machine active learning. - Tianjiang Wang; Gang Chen; Perfecto Herrera (SAC, 2009)

What/when causal expectation modelling applied to audio signals. - Amaury Hazan; Ricard Marxer; Paul Brossier; Hendrik Purwins; Perfecto Herrera; Xavier Serra (Connect. Sci., 2009)

The Musical Avatar: a visualization of musical preferences by means of audio content description. - Martín Haro; Anna Xambó; Ferdinand Fuhrmann; Dmitry Bogdanov; Emilia Gómez; Perfecto Herrera (Audio Mostly Conference, 2010)

Graph grammar representation for collaborative sample-based music creation. - Gerard Roma; Perfecto Herrera (Audio Mostly Conference, 2010)

Community Structure in Audio Clip Sharing. - Gerard Roma; Perfecto Herrera (INCoS, 2010)

Detection of polyphonic music note onsets by application of the Bayesian theory of surprise. - Piotr Holonowicz; Perfecto Herrera (SAPA@INTERSPEECH, 2010)

Ecological Acoustics Perspective for Content-Based Retrieval of Environmental Sounds. - Gerard Roma; Jordi Janer; Stefan Kersten; Mattia Schirosa; Perfecto Herrera; Xavier Serra (EURASIP J. Audio Speech Music. Process., 2010)

Indexing music by mood: design and integration of an automatic content-based annotator. - Cyril Laurier; Owen Meyers; Joan Serrà; Martin Blech; Perfecto Herrera; Xavier Serra (Multim. Tools Appl., 2010)

Audio Cover Song Identification and Similarity: Background, Approaches, Evaluation, and Beyond. - Joan Serrà; Emilia Gómez; Perfecto Herrera (Advances in Music Information Retrieval, 2010)

A content-based system for music recommendation and visualization of user preferences working on semantic notions. - Dmitry Bogdanov; Martín Haro; Ferdinand Fuhrmann; Anna Xambó; Emilia Gómez; Perfecto Herrera (CBMI, 2011)

Tonal-based retrieval of Arabic and middle-east music by automatic makam description. - Leonidas Ioannidis; Emilia Gómez; Perfecto Herrera (CBMI, 2011)

Music perception with current signal processing strategies for cochlear implants. - Waldo Nogueira; Martín Haro; Perfecto Herrera; Xavier Serra (ISABEL, 2011)

How Much Metadata Do We Need in Music Recommendation? A Subjective Evaluation Using Preference Sets. - Dmitry Bogdanov; Perfecto Herrera (ISMIR, 2011)

Quantifying the Relevance of Locally Extracted Information for Musical Instrument Recognition from Entire Pieces of Music. - Ferdinand Fuhrmann; Perfecto Herrera (ISMIR, 2011)

Unifying Low-Level and High-Level Music Similarity Measures. - Dmitry Bogdanov; Joan Serrà; Nicolas Wack; Perfecto Herrera; Xavier Serra (IEEE Trans. Multim., 2011)

Characterization of the Freesound online community. - Frederic Font; Gerard Roma; Perfecto Herrera; Xavier Serra (CIP, 2012)

A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio Signals. - Juan J. Bosch; Jordi Janer; Ferdinand Fuhrmann; Perfecto Herrera (ISMIR, 2012)

Active learning of custom sound taxonomies in unstructured audio data. - Gerard Roma; Jordi Janer; Perfecto Herrera (ICMR, 2012)

Power-law distribution in encoded MFCC frames of speech, music, and environmental sound signals. - Martín Haro; Joan Serrà; Alvaro Corral; Perfecto Herrera (WWW (Companion Volume), 2012)

Music retagging using label propagation and robust principal component analysis. - Yi-Hsuan Yang; Dmitry Bogdanov; Perfecto Herrera; Mohamed Sordo (WWW (Companion Volume), 2012)

Small world networks and creativity in audio clip sharing. - Gerard Roma; Perfecto Herrera; Massimiliano Zanin; Sergio L. Toral Marín; Frederic Font; Xavier Serra (Int. J. Soc. Netw. Min., 2012)

Characterization and exploitation of community structure in cover song networks. - Joan Serrà; Massimiliano Zanin; Perfecto Herrera; Xavier Serra (Pattern Recognit. Lett., 2012)

Essentia: An Audio Analysis Library for Music Information Retrieval. - Dmitry Bogdanov; Nicolas Wack; Emilia Gómez; Sankalp Gulati; Perfecto Herrera; Oscar Mayor; Gerard Roma; Justin Salamon; José Ricardo Zapata; Xavier Serra (ISMIR, 2013)

ESSENTIA: an open-source library for sound and music analysis. - Dmitry Bogdanov; Nicolas Wack; Emilia Gómez; Sankalp Gulati; Perfecto Herrera; Oscar Mayor; Gerard Roma; Justin Salamon; José Ricardo Zapata; Xavier Serra (ACM Multimedia, 2013)

Recurrence quantification analysis features for environmental sound recognition. - Gerard Roma; Waldo Nogueira; Perfecto Herrera (WASPAA, 2013)

Semantic audio content-based music recommendation and visualization based on user preference examples. - Dmitry Bogdanov; Martín Haro; Ferdinand Fuhrmann; Anna Xambó; Emilia Gómez; Perfecto Herrera (Inf. Process. Manag., 2013)

MIRrors: Music Information Research reflects on its future - Special issue foreword. - Perfecto Herrera-Boyer; Fabien Gouyon (J. Intell. Inf. Syst., 2013)

The roles of superficial amygdala and auditory cortex in music-evoked fear and joy. - Stefan Koelsch; Stavros Skouras; Thomas Fritz 004; Perfecto Herrera; Corinna E. Bonhage; Mats B. Küssner; Arthur M. Jacobs (NeuroImage, 2013)

What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features? - Julián Urbano; Dmitry Bogdanov; Perfecto Herrera; Emilia Gómez; Xavier Serra (ISMIR, 2014)

Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception. - Daniel Gómez-Marín; Sergi Jordà; Perfecto Herrera (CMMR, 2015)

PAD and SAD: Two Awareness-Weighted Rhythmic Similarity Distances. - Daniel Gómez-Marín; Sergi Jordà; Perfecto Herrera (ISMIR, 2015)

Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User Corrections. - Peter Knees; Ángel Faraldo; Perfecto Herrera; Richard Vogl; Sebastian Böck; Florian Hörschläger; Mickael Le Goff (ISMIR, 2015)

Key Estimation in Electronic Dance Music. - Ángel Faraldo; Emilia Gómez; Sergi Jordà; Perfecto Herrera (ECIR, 2016)

Cross-Collection Evaluation for Music Classification Tasks. - Dmitry Bogdanov; Alastair Porter; Perfecto Herrera; Xavier Serra (ISMIR, 2016)

An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis. - Cárthach Ó Nuanáin; Perfecto Herrera; Sergi Jordà (ISMIR, 2016)

Drumming with style: From user needs to a working prototype. - Sergi Jordà; Daniel Gómez-Marín; Ángel Faraldo; Perfecto Herrera (NIME, 2016)

An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis. - Cárthach Ó Nuanáin; Sergi Jordà; Perfecto Herrera (NIME, 2016)

Drum Rhythm Spaces: From Global Models to Style-Specific Maps. - Daniel Gómez-Marín; Sergi Jordà; Perfecto Herrera (CMMR, 2017)

k-Best Unit Selection Strategies for Musical Concatenative Synthesis. - Cárthach Ó Nuanáin; Perfecto Herrera; Sergi Jordà (CMMR, 2017)

A Multi-Profile Method for Key Estimation in EDM. - Ángel Faraldo; Sergi Jordà; Perfecto Herrera (Semantic Audio, 2017)

Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation. - Cárthach Ó Nuanáin; Perfecto Herrera; Sergi Jordà (Comput. Music. J., 2017)

Introduction to Intelligent Music Systems and Applications. - Markus Schedl; Yi-Hsuan Yang; Perfecto Herrera-Boyer (ACM Trans. Intell. Syst. Technol., 2017)

Assessing the impact of machine intelligence on human behaviour: an interdisciplinary endeavour. - Emilia Gómez; Carlos Castillo 001; Vicky Charisi; Verónica Dahl; Gustavo Deco; Blagoj Delipetrev; Nicole Dewandre; Miguel Ángel González Ballester; Fabien Gouyon; José Hernández-Orallo; Perfecto Herrera; Anders Jonsson 001; et al. (CoRR, 2018)

Environmental sound recognition using short-time feature aggregation. - Gerard Roma; Perfecto Herrera; Waldo Nogueira (J. Intell. Inf. Syst., 2018)

MIRages: an account of music audio extractors, semantic description and context-awareness, in the three ages of MIR. - Perfecto Herrera-Boyer (2018)

The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. - Juan Sebastián Gómez Cañón; Perfecto Herrera; Emilia Gómez; Estefanía Cano (CoRR, 2019)

Transfer learning from speech to music: towards language-sensitive emotion recognition models. - Juan Sebastián Gómez Cañón; Estefanía Cano; Perfecto Herrera; Emilia Gómez (EUSIPCO, 2020)

Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classification. - Juan Sebastián Gómez Cañón; Estefanía Cano; Perfecto Herrera; Emilia Gómez (ISMIR, 2020)

Language-Sensitive Music Emotion Recognition Models: are We Really There Yet? - Juan Sebastián Gómez Cañón; Estefanía Cano; Ana Gabriela Pandrea; Perfecto Herrera; Emilia Gómez (ICASSP, 2021)

Let's agree to disagree: Consensus Entropy Active Learning for Personalized Music Emotion Recognition. - Juan Sebastián Gómez Cañón; Estefanía Cano; Yi-Hsuan Yang; Perfecto Herrera; Emilia Gómez (ISMIR, 2021)

Personalized musically induced emotions of not-so-popular Colombian music. - Juan Sebastián Gómez Cañón; Perfecto Herrera; Estefanía Cano; Emilia Gómez (CoRR, 2021)

Music Emotion Recognition: Toward new, robust standards in personalized and context-sensitive applications. - Juan Sebastián Gómez Cañón; Estefanía Cano; Tuomas Eerola; Perfecto Herrera; Xiao Hu 001; Yi-Hsuan Yang; Emilia Gómez (IEEE Signal Process. Mag., 2021)

TROMPA-MER: an open dataset for personalized music emotion recognition. - Juan Sebastián Gómez Cañón; Nicolás Felipe Gutiérrez Páez; Lorenzo Porcaro; Alastair Porter; Estefanía Cano; Perfecto Herrera-Boyer; Aggelos Gkiokas; Patricia Santos 001; Davinia Hernández-Leo; Casper Karreman; Emilia Gómez (J. Intell. Inf. Syst., 2023)

Salsa, a Dataset for Beat Estimation in Salsa Music. - Daniel Gómez-Marín; Rafael Ospina-Caicedo; Javier Díaz-Cely; Jesús Paz; Sergi Jordà; Perfecto Herrera (Trans. Int. Soc. Music. Inf. Retr., 2024)

Network representations of drum sequences for classification and generation. - Daniel Gómez-Marín; Sergi Jordà; Perfecto Herrera (Frontiers Comput. Sci., 2025)

Correction: Salsa, a Dataset for Beat Estimation in Salsa Music. - Daniel Gómez-Marín; Rafael Ospina-Caicedo; Javier Díaz-Cely; Jesús Paz; Sergi Jordà; Perfecto Herrera (Trans. Int. Soc. Music. Inf. Retr., 2025)