Models of Continuity between Synthesis and Processing for the Elaboration and Control of Timbre Structures. - Jean-Baptiste Barrière; Yves Potard; Pierre-François Baisnée (ICMC, 1985)

"Les Chants de l'Amour", a Piece for Computer Generated Tape and Mixed Choir. - G. Grisey; Jean-Baptiste Barrière; Pierre-François Baisnée (ICMC, 1985)

Real-time Interaction between Musicians and Computer: Live Performance Utilisations of the 4X Musical Workstation. - Pierre-François Baisnée; Jean-Baptiste Barrière; Olivier Koechlin; Robert Rowe (ICMC, 1986)

Experimenting with Models of Resonance Produced by a New Technique for the Analysis of Impulsive Sounds. - Yves Potard; Pierre-François Baisnée; Jean-Baptiste Barrière (ICMC, 1986)

ESQUISSE: A Compositional Environment. - Pierre-François Baisnée; Jean-Baptiste Barrière; Marc-André Dalbavie; Jacques Duthen; Magnus Lindberg; Yves Potard; Kaija Saariaho (ICMC, 1988)

A Digital Signal Multiprocessor and its Musical Application. - Jean-Baptiste Barrière; Pierre-François Baisnée; Adrian Freed; Marie-Dominique Baudot (ICMC, 1989)

Sequence analysis by additive scales: DNA structure for sequences and repeats of all lengths. - Pierre Baldi; Pierre-François Baisnée (Bioinform., 2000)

Flexibility of the genetic code with respect to DNA structure. - Pierre-François Baisnée; Pierre Baldi; Søren Brunak; Anders Gorm Pedersen (Bioinform., 2001)

Why are complementary DNA strands symmetric? - Pierre-François Baisnée; Steven Hampson; Pierre Baldi (Bioinform., 2002)

ICBS: a database of interactions between protein chains mediated by ?-sheet formation. - Yimeng Dou; Pierre-François Baisnée; Gianluca Pollastri; Yann Pécout; James Nowick; Pierre Baldi (Bioinform., 2004)