The jChing: a Java-Based Algorithmic Composition Tool. - Robert Hamilton 001 (ICMC, 2005)

Bioinformatic Response Data as a Compositional Driver. - Robert Hamilton 001 (ICMC, 2006)

Bioinformatic Feedback: performer bio-data as a driver for real-time composition. - Robert Hamilton 001 (NIME, 2006)

Maps and Legends: Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance. - Robert Hamilton 001 (CMMR, 2007)

Back to the Sea: a Software Realization of Dexter Morrill's Sea Songs. - Robert Hamilton 001 (ICMC, 2007)

Maps and Legends: FPS-Based Interfaces for Composition and Immersive Performance. - Robert Hamilton 001 (ICMC, 2007)

Q3osc or: How I Learned to Stopworrying and Love the Bomb Game. - Robert Hamilton 001 (ICMC, 2008)

For Jean-Claude: [re]Presenting Duet for One Pianist. - Chryssie Nanou; Robert Hamilton 001 (ICMC, 2009)

Stanford Laptop Orchestra (SLOrk). - Ge Wang 002; Nicholas J. Bryan; Jieun Oh; Robert Hamilton 001 (ICMC, 2009)

Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social. - Ge Wang 002; Georg Essl; Jeff Smith; Spencer Salazar; Perry R. Cook; Rob Hamilton 001; Rebecca Fiebrink; Jonathan Berger; David Zhu; Mattias Ljungstrom; Arnaud Berry; Jennifer Wu; et al. (ICMC, 2009)

UDKOSC: An immersive musical environment. - Robert Hamilton 001 (ICMC, 2011)

World Stage: A Crowd-sourcing Paradigm for Interactive Social / Mobile Music. - Ge Wang 002; Jieun Oh; Spencer Salazar; Robert Hamilton 001 (ICMC, 2011)

Multi-modal musical environments for mixed-reality performance. - Robert Hamilton 001; Juan Pablo Cáceres; Chryssie Nanou; Chris Platz (J. Multimodal User Interfaces, 2011)

Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture. - Robert Hamilton 001 (CMMR, 2013)

Sonifying Game-Space Choreographies With UDKOSC. - Robert Hamilton 001 (NIME, 2013)

The Procedural Sounds and Music of ECHO: : Canyon. - Robert Hamilton 001 (ICMC, 2014)

Measuring the Effectiveness of Sonified Crossmodal Attribute Pairings Using Contour Matching, Symmetry and Perceived Similarity. - Robert Hamilton 001 (ICMC, 2015)

Perceptual coherence as an analytic for procedural music and audio mappings in virtual space. - Rob Hamilton 001 (SIVE@VR, 2015)

Gesture-based Collaborative Virtual Reality Performance in Carillon. - Rob Hamilton 001; Chris Platz (ICMC, 2016)

Musical Sonification of Super High Frequency Lighting. - Ö. Cem Çakmak; Rob Hamilton 001 (ICMC, 2017)

madBPM: A Modular Multimodal Environment for Data-Driven Composition And Sonification. - K. Michael Fox; Jeremy Stewart; Rob Hamilton 001 (ICMC, 2017)

Interactive Music and Media at Rensselaer: Studio Report 2017. - Rob Hamilton 001; Curtis Bahn (ICMC, 2017)

Nething: An Educational Open-source Web-based Graphical User Interface for Controlling Ambisonic And Wave Field Speaker Arrays. - Ian Rios; Rob Hamilton 001 (ICMC, 2018)

Mediated Musical Interactions in Virtual Environments. - Rob Hamilton 001 (New Directions in Music and Human-Computer Interaction, 2019)

Coretet: A 21st Century Virtual Reality Musical Instrument for Solo and Networked Ensemble Performance. - Rob Hamilton 001 (VR, 2019)

Coretet: A Dynamic Virtual Musical Instrument for the Twenty-First Century. - Rob Hamilton 001 (VR, 2019)

Collaborative and Competitive Futures for Virtual Reality Music and Sound. - Rob Hamilton 001 (VR, 2019)

Music in Extended Realities. - Luca Turchet; Rob Hamilton 001; Anil Çamci (IEEE Access, 2021)