Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument. - Robert H. Jack; Tony Stockman; Andrew P. McPherson (Audio Mostly Conference, 2016)

Action-Sound Latency: Are Our Tools Fast Enough? - Andrew P. McPherson; Robert H. Jack; Giulio Moro (NIME, 2016)

Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback. - Robert H. Jack; Tony Stockman; Andrew P. McPherson (TEI, 2016)

Rich gesture, reduced control: the influence of constrained mappings on performance technique. - Robert H. Jack; Tony Stockman; Andrew P. McPherson (MOCO, 2017)

Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments. - Robert H. Jack; Tony Stockman; Andrew P. McPherson (TEI, 2017)

When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise. - Jacob Harrison; Robert H. Jack; Fabio Morreale; Andrew P. McPherson (NIME, 2018)

Democratising DMIs: the relationship of expertise and control intimacy. - Robert H. Jack; Jacob Harrison; Fabio Morreale; Andrew P. McPherson (NIME, 2018)

Digital Musical Instruments as Research Products. - Robert H. Jack; Jacob Harrison; Andrew P. McPherson (NIME, 2020)

Sound -> Object -> Gesture: Physical Affordances of Virtual Materials. - Jonathan Pigrem; Andrew P. McPherson; Nick Bryan-Kinns; Robert H. Jack (Audio Mostly Conference, 2022)