Formal Program Verification Using Symbolic Execution. - Roger B. Dannenberg; George W. Ernst (IEEE Trans. Software Eng., 1982)

An Automated Approach to Tuning. - Roger B. Dannenberg; Arthur H. Benade (ICMC, 1983)

An On-Line Algorithm for Real-Time Accompaniment. - Roger B. Dannenberg (ICMC, 1984)

A Functional Approach to Real-Time Control. - Roger B. Dannenberg; Paul McAvinney (ICMC, 1984)

Carnegie-Mellon University Studio Report. - Roger B. Dannenberg; Paul McAvinney; Marilyn T. Thomas (ICMC, 1984)

Arctic: A Functional Language for Real-Time Control. - Roger B. Dannenberg (LISP and Functional Programming, 1984)

Protection for Communication and Sharing in A Personal Computer Network. - Roger B. Dannenberg (ICDCS, 1985)

Real-Time Computer Accompaniment of Keyboard Performances. - Joshua J. Bloch; Roger B. Dannenberg (ICMC, 1985)

A Butler Process for Resource Sharing on Spice Machines. - Roger B. Dannenberg; Peter G. Hibbard (ACM Trans. Inf. Syst., 1985)

The computer as musical accompanist. - William Buxton; Roger B. Dannenberg (CHI, 1986)

A Workstation in Live Performance: Composed Improvisation. - Xavier Chabot; Roger B. Dannenberg; Georges Bloch (ICMC, 1986)

The CMU MIDI Toolkit. - Roger B. Dannenberg (ICMC, 1986)

A Structure for Representing, Displaying, and Editing Music. - Roger B. Dannenberg (ICMC, 1986)

Arctic: A Functional Language for Real-Time Control. - Roger B. Dannenberg; Dean Rubine (IEEE Softw., 1986)

Following an Improvisation in Real Time. - Roger B. Dannenberg; Bernard Mont-Reynaud (ICMC, 1987)

A Real Time Scheduler/Dispatcher. - Roger B. Dannenberg (ICMC, 1988)

New Techniques for Enhanced Quality of Computer Accompaniment. - Roger B. Dannenberg; Hirofumi Mukaino (ICMC, 1988)

The Analysis and Resynthesis of Tones via Spectral Interpolation. - Marie-Hélène Serra; Dean Rubine; Roger B. Dannenberg (ICMC, 1988)

Music Representation Issues: A Position Paper. - Roger B. Dannenberg (ICMC, 1989)

Fugue: Composition and Sound Synthesis with Lazy Evaluation and Behavioral Abstraction. - Roger B. Dannenberg; Christopher Lee Fraley (ICMC, 1989)

A gesture based user interface prototyping system. - Roger B. Dannenberg; D. Amon (UIST, 1989)

Creating graphical interactive application objects by demonstration. - Brad A. Myers; Brad T. Vander Zanden; Roger B. Dannenberg (UIST, 1989)

Tracking Musical Beats in Real Time. - Paul E. Allen; Roger B. Dannenberg (ICMC, 1990)

A Run-time System for Arctic. - Roger B. Dannenberg (ICMC, 1990)

An Expert System for Teaching Piano to Novices. - Roger B. Dannenberg; Marta Sanchez; Annabel Joseph; Peter Capell; Robert Joseph; Ronald Saul (ICMC, 1990)

Garnet: Comprehensive Support for Graphical, Highly Interactive User Interfaces. - Brad A. Myers; Dario A. Giuse; Roger B. Dannenberg; Brad T. Vander Zanden; David S. Kosbie; Edward Pervin; Andrew Mickish; Philippe Marchal (Computer, 1990)

CHI'90 workshop on multimedia and multimodal interface design. - Meera Blattner; Roger B. Dannenberg (ACM SIGCHI Bull., 1990)

A Structure for Efficient Update, Incremental Redisplay and Undo in Graphical Editors. - Roger B. Dannenberg (Softw. Pract. Exp., 1990)

Practical Aspects of a MIDI Conducting System. - Roger B. Dannenberg; Kenneth Bookstein (ICMC, 1991)

The Resource - Instance Model of Music Representation. - Roger B. Dannenberg; Dean Rubine; Thomas P. Neuendorffer (ICMC, 1991)

Fuge: A Functional Language for Sound Synthesis. - Roger B. Dannenberg; Christopher Lee Fraley; Peter Velikonja (Computer, 1991)

Real-Time Software Synthesis on Superscaler Architectures. - Roger B. Dannenberg; Clifford W. Mercer (ICMC, 1992)

Tactus: Toolkit-Level Support for Synchronized Interactive Multimedia. - Roger B. Dannenberg; Thomas P. Neuendorffer; Joseph M. Newcomer; Dean Rubine (NOSSDAV, 1992)

The Implementation of Nyquist, A Sound Synthesis Language. - Roger B. Dannenberg (ICMC, 1993)

Real-time issues in computer music. - Roger B. Dannenberg; David H. Jameson (RTSS, 1993)

Tactus: Toolkit-Level Support for Synchronized Interactive Multimedia. - Roger B. Dannenberg; Thomas P. Neuendorffer; Joseph M. Newcomer; Dean Rubine; David B. Anderson (Multim. Syst., 1993)

Automated Accompaniment of Musical Ensembles. - Lorin Grubb; Roger B. Dannenberg (AAAI, 1994)

Instruction of Computer Music for Computer Engineering Students and Professionals. - Antonio Camurri; Giovanni De Poli; Roger B. Dannenberg; Julius O. Smith III (ICMC, 1994)

Abstract Time Warping of Compound Events and Signals. - Roger B. Dannenberg (ICMC, 1994)

Automating Ensemble Performance. - Lorin Grubb; Roger B. Dannenberg (ICMC, 1994)

Panel I - Computer-Generated Music and Multimedia Computing. - Roger B. Dannenberg; Antonio Camurri (ICMCS, 1994)

Low-Latency Interaction through Choice-Points, Buffering, and Cuts in Tactus. - Dean Rubine; Roger B. Dannenberg; David B. Anderson; Thomas P. Neuendorffer (ICMCS, 1994)

Toward Modular, Portable, Real-Time Software. - Roger B. Dannenberg; Dean Rubine (ICMC, 1995)

Predicting Chords in Jazz. - Belinda Thom; Roger B. Dannenberg (ICMC, 1995)

Optimizing Software Synthesis Performance. - Nicholas Thompson; Roger B. Dannenberg (ICMC, 1995)

A Flexible Real-Time Software Synthesis System. - Roger B. Dannenberg; Eli Brandt (ICMC, 1996)

A Machine Learning Approach to Musical Style Recognition. - Roger B. Dannenberg; Belinda Thom; David Watson (ICMC, 1997)

A Stochastic Method of Tracking a Vocal Performer. - Lorin Grubb; Roger B. Dannenberg (ICMC, 1997)

Low-latency Music Software Using Off-the-shelf Operating Systems. - Eli Brandt; Roger B. Dannenberg (ICMC, 1998)

Interpolation Error in Waveform Table Lookup. - Roger B. Dannenberg (ICMC, 1998)

A Study of Trumpet Envelopes. - Roger B. Dannenberg; Hank Pellerin; Istvan Derenyi (ICMC, 1998)

Synthesizing Trumpet Performances. - Istvan Derenyi; Roger B. Dannenberg (ICMC, 1998)

Enhanced Vocal Performance Tracking Using Multiple Information Sources. - Lorin Grubb; Roger B. Dannenberg (ICMC, 1998)

Time in Distributed Real-Time Systems. - Eli Brandt; Roger B. Dannenberg (ICMC, 1999)

Automatic Capture for Spectrum-Based Instrument Models. - Roger B. Dannenberg; Minoru Matsunaga (ICMC, 1999)

Dynamic Programming for Interactive Music Systems. - Roger B. Dannenberg (Readings in Music and Artificial Intelligence, 2000)

Panel: New directions in Music Information Retrieval. - Roger B. Dannenberg; Jonathan Foote; George Tzanetakis; Christopher Weare (ICMC, 2001)

A System Supporting Flexible Distributed Real-Time Music Processing. - Roger B. Dannenberg; Patrick van de Lageweg (ICMC, 2001)

Music Information Retrieval as Music Understanding. - Roger B. Dannenberg (ISMIR, 2001)

SICIB: An Interactive Music Composition System Using Body Movements. - Roberto Morales-Manzanares; Eduardo F. Morales 001; Roger B. Dannenberg; Jonathan Berger (Comput. Music. J., 2001)

Discovering Musical Structure in Audio Recordings. - Roger B. Dannenberg; Ning Hu (ICMAI, 2002)

Listening to "Naima": An Automated Structural Analysis of Music from Recorded Audio. - Roger B. Dannenberg (ICMC, 2002)

A Language for Interactive Audio Applications. - Roger B. Dannenberg (ICMC, 2002)

A Probabilistic Model of Melodic Similarity. - Ning Hu; Roger B. Dannenberg; Ann L. Lewis (ICMC, 2002)

Pattern Discovery Techniques for Music Audio. - Roger B. Dannenberg; Ning Hu (ISMIR, 2002)

A comparison of melodic database retrieval techniques using sung queries. - Ning Hu; Roger B. Dannenberg (JCDL, 2002)

Letters. - Roger B. Dannenberg (Comput. Music. J., 2002)

A Fast Data Structure for Disk-Based Audio Editing. - Dominic Mazzoni; Roger B. Dannenberg (Comput. Music. J., 2002)

Polyphonic Audio Matching for Score Following and Intelligent Audio Editors. - Roger B. Dannenberg; Ning Hu (ICMC, 2003)

Sound Synthesis from Real-Time Video Images. - Roger B. Dannenberg; Thomas P. Neuendorffer (ICMC, 2003)

Combining Visual and Textual Representations for Flexible Interactive Audio Signal Processing. - Roger B. Dannenberg (ICMC, 2004)

Cancellation of Unwanted Audio to Support Interactive Computer Music. - Jonghyun Lee; Roger B. Dannenberg; Joohwan Chun (ICMC, 2004)

Panel: Standards from the Computer Music Community. - Matthew Wright 002; Roger B. Dannenberg; Stephen Travis Pope; Xavier Rodet; Xavier Serra; David Wessel (ICMC, 2004)

Understanding Search Performance in Query-by-Humming Systems. - Roger B. Dannenberg; Ning Hu (ISMIR, 2004)

Aura II: Making Real-Time Systems Safe for Music. - Roger B. Dannenberg (NIME, 2004)

The MUSART Testbed for Query-by-Humming Evaluation. - Roger B. Dannenberg; William P. Birmingham; George Tzanetakis; Colin Meek; Ning Hu; Bryan Pardo (Comput. Music. J., 2004)

A Virtual Patchbay for robust Distributed Interactive Music Systems. - Roger B. Dannenberg (ICMC, 2005)

Audio signal Driven sound synthesis. - Cornelius Poepel; Roger B. Dannenberg (ICMC, 2005)

Toward Automated Holistic Beat Tracking, Music Analysis and Understanding. - Roger B. Dannenberg (ISMIR, 2005)

A Bootstrap Method for Training an Accurate Audio Segmenter. - Ning Hu; Roger B. Dannenberg (ISMIR, 2005)

McBlare: A Robotic Bagpipe Player. - Roger B. Dannenberg; Ben Brown; Garth Zeglin; Ron Lupish (NIME, 2005)

Interactive Visual Music: A Personal Perspective. - Roger B. Dannenberg (Comput. Music. J., 2005)

The Interpretation of MIDI Velocity. - Roger B. Dannenberg (ICMC, 2006)

Concatenative Synthesis Using Score-Aligned Transcriptions. - Roger B. Dannenberg (ICMC, 2006)

Remixing Stereo Music with Score-Informed Source Separation. - John F. Woodruff; Bryan Pardo; Roger B. Dannenberg (ISMIR, 2006)

David Cope, Computer Models of Musical Creativity, MIT Press (2005). - Roger B. Dannenberg (Artif. Intell., 2006)

Query by humming with the VocalSearch system. - William P. Birmingham; Roger B. Dannenberg; Bryan Pardo (Commun. ACM, 2006)

Music score alignment and computer accompaniment. - Roger B. Dannenberg; Christopher Raphael (Commun. ACM, 2006)

Bootstrap learning for accurate onset detection. - Ning Hu; Roger B. Dannenberg (Mach. Learn., 2006)

Abstract Behaviors for Structured Music Programming. - Roger B. Dannenberg (ICMC, 2007)

An Intelligent Multi-Track audio Editor. - Roger B. Dannenberg (ICMC, 2007)

The Carnegie Mellon Laptop Orchestra. - Roger B. Dannenberg; Sofia Cavaco; Eugene Ang; Igor Avramovic; Barkin Aygun; Jinwook Baek; Eric Barndollar; Daniel Duterte; Jeffrey Grafton; Robert Hunter; Chris Jackson; Umpei Kurokawa; et al. (ICMC, 2007)

Placement of sound Sources in the Stereo Field using measured Room impulse responses. - William D. Haines; Jesse R. Vernon; Roger B. Dannenberg; Peter F. Driessen (ICMC, 2007)

Models and APIs for audio synthesis and Processing a Panel Discussion. - Stephen Travis Pope; Roger B. Dannenberg (ICMC, 2007)

TagATune: A Game for Music and Sound Annotation. - Edith L. M. Law; Luis von Ahn; Roger B. Dannenberg; Mike Crawford (ISMIR, 2007)

Polyphonic Music Note Onset Detection Using Semi-Supervised Learning. - Wei You; Roger B. Dannenberg (ISMIR, 2007)

Learning an Orchestra Conductor's Technique Using a Wearable Sensor Platform. - Dominik Schmidt; Roger B. Dannenberg; Asim Smailagic; Daniel P. Siewiorek; B. Biigge (ISWC, 2007)

New Interfaces for Popular Music Performance. - Roger B. Dannenberg (NIME, 2007)

David Temperley, Music and Probability , MIT Press (2007). - Roger B. Dannenberg (Artif. Intell., 2007)

A comparative evaluation of search techniques for query-by-humming using the MUSART testbed. - Roger B. Dannenberg; William P. Birmingham; Bryan Pardo; Ning Hu; Colin Meek; George Tzanetakis (J. Assoc. Inf. Sci. Technol., 2007)

The Nyquist Composition Environment: Supporting Textual Programming with a Task-Oriented User Interface. - Roger B. Dannenberg (ICMC, 2008)

Is Music Audio Processing Embarrassingly Parallel? - Roger B. Dannenberg (ICMC, 2008)

Reinventing Audio and Music Computation for Many-Core Processors. - David Wessel; Roger B. Dannenberg; Yann Orlarey; Miller S. Puckette; Peter Van Roy; Ge Wang 002 (ICMC, 2008)

Towards Reliable Partial Music Alignments Using Multiple Synchronization Strategies. - Sebastian Ewert; Meinard Müller; Roger B. Dannenberg (Adaptive Multimedia Retrieval, 2009)

Estimating the Error Distribution of a Single Tap Sequence without Ground Truth. - Roger B. Dannenberg; Larry A. Wasserman (ISMIR, 2009)

SMERS: Music Emotion Recognition Using Support Vector Regression. - Byeong-jun Han; Seungmin Rho; Roger B. Dannenberg; Eenjun Hwang (ISMIR, 2009)

Style in Music. - Roger B. Dannenberg (The Structure of Style, 2010)

Critical point, a composition for cello and computer. - Roger B. Dannenberg; Tomas Laurenzo (CHI Extended Abstracts, 2010)

The Intelligent Music Editor: Towards an Automated Platform for Music Analysis and Editing. - Yuxiang Liu; Roger B. Dannenberg; Lianhong Cai (ICIC (2), 2010)

Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And Performance. - Roger B. Dannenberg; Robert Kotcher (ICMC, 2010)

Exploring Meaning And Intention In Music Conducting. - Roger B. Dannenberg; Daniel P. Siewiorek; Noel Zahler (ICMC, 2010)

Understanding Features and Distance Functions for Music Sequence Alignment. - Özgür Izmirli; Roger B. Dannenberg (ISMIR, 2010)

As-If Infinitely Ranged Integer Model. - Roger B. Dannenberg; Will Dormann; David Keaton; Robert C. Seacord; David Svoboda; Alex Volkovitsky; Timothy Wilson; Thomas Plum 003 (ISSRE, 2010)

A Vision of Creative Computation in Music Performance. - Roger B. Dannenberg (ICCC, 2011)

A Virtual Orchestra for Human-Computer Music Performance. - Roger B. Dannenberg (ICMC, 2011)

Characterizing Tempo Change In Musical Performances. - Roger B. Dannenberg; Sukrit Mohan (ICMC, 2011)

Segmentation, Clustering, and Display in a Personal Audio Database for Musicians. - Guangyu Xia; Dawen Liang; Roger B. Dannenberg; Mark Harvilla (ISMIR, 2011)

A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems. - Nicolas E. Gold; Roger B. Dannenberg (NIME, 2011)

A Framework for Coordination and Synchronization of Media. - Dawen Liang; Guangyu Xia; Roger B. Dannenberg (NIME, 2011)

Autonomous robot dancing driven by beats and emotions of music. - Guangyu Xia; Roger B. Dannenberg; Junyun Tay; Manuela M. Veloso (AAMAS, 2012)

Human Computer Music Performance. - Roger B. Dannenberg (Multimodal Music Processing, 2012)

Algorithmic Composition - A Guide to Composing Music with Nyquist. - Mary Simoni; Roger B. Dannenberg (University of Michigan Press, 2013)

Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance. - Jiuqiang Tang; Roger B. Dannenberg (CMMR, 2013)

MidiFind: Similarity Search and Popularity Mining in Large MIDI Databases. - Guangyu Xia; Tongbo Huang; Yifei Ma; Roger B. Dannenberg; Christos Faloutsos (CMMR, 2013)

Formal Semantics for Music Notation control Flow. - Zeyu Jin; Roger B. Dannenberg (ICMC, 2013)

Scaling Up Live Internet Performance with The Global Net Orchestra. - Roger B. Dannenberg; Thomas P. Neuendorffer (ICMC, 2014)

Extending Aura with Csound Opcodes. - Steven Yi; Victor Lazzarini; Roger B. Dannenberg; John ffitch (ICMC, 2014)

Methods and Prospects for Human-Computer Performance of Popular Music. - Roger B. Dannenberg; Nicolas E. Gold; Dawen Liang; Guangyu Xia (Comput. Music. J., 2014)

Active Scores: Representation and Synchronization in Human-Computer Performance of Popular Music. - Roger B. Dannenberg; Nicolas E. Gold; Dawen Liang; Guangyu Xia (Comput. Music. J., 2014)

An Online Interactive Course on Computer Music. - Roger B. Dannenberg; Jesse Stiles; Yuezhang Li; Qiao Zhang (ICMC, 2015)

A Statistical View on the Expressive Timing of Piano Rolled Chords. - Mutian Fu; Guangyu Xia; Roger B. Dannenberg; Larry A. Wasserman (ISMIR, 2015)

Image Quality Estimation for Multi-Score OMR. - Dan Ringwalt; Roger B. Dannenberg (ISMIR, 2015)

Spectral Learning for Expressive Interactive Ensemble Music Performance. - Guangyu Xia; Yun Wang; Roger B. Dannenberg; Geoffrey J. Gordon (ISMIR, 2015)

Arrangements: flexibly adapting music data for live performance. - Roger B. Dannenberg; Andrew Russell (NIME, 2015)

Optical music recognition for interactive score display. - Dan Ringwalt; Roger B. Dannenberg; Andrew Russell (NIME, 2015)

Duet interaction: learning musicianship for automatic accompaniment. - Guangyu Xia; Roger B. Dannenberg (NIME, 2015)

O2: Rethinking Open Sound Control. - Roger B. Dannenberg; Zhang Chi (ICMC, 2016)

Time-Flow Concepts and Architectures For Music and Media Synchronization. - Roger B. Dannenberg (ICMC, 2017)

Improvised duet interaction: learning improvisation techniques for automatic accompaniment. - Guangyu Xia; Roger B. Dannenberg (NIME, 2017)

Be Careful What You Backpropagate: A Case For Linear Output Activations & Gradient Boosting. - Anders Øland; Aayush Bansal; Roger B. Dannenberg; Bhiksha Raj (CoRR, 2017)

UGG: a Unit Generator Generator. - Roger B. Dannenberg (ICMC, 2018)

ShIFT: A Semi-haptic Interface for Flute Tutoring. - Gus Xia; Roger B. Dannenberg (NIME, 2018)

ShIFT: A Semi-haptic Interface for Flute Tutoring. - Gus Xia; Carter Jacobsen; Qianwen Chen; Xingdong Yang; Roger B. Dannenberg (CoRR, 2018)

Languages for Computer Music. - Roger B. Dannenberg (Frontiers Digit. Humanit., 2018)

Software for Interactive and Collaborative Creation in the Classroom and Beyond: An Overview of the Soundcool Software. - Stefano Scarani; Adolfo Muñoz; Jaime Serquera; Jorge Sastre Martínez; Roger B. Dannenberg (Comput. Music. J., 2019)

Review of "The Haskell School of Music: from Signals to Symphonies, " by Paul Hudak and Donya Quick, Cambridge University Press, 2018. - Roger B. Dannenberg (J. Funct. Program., 2019)

Music Interfaces Based on Automatic Music Signal Analysis: New Ways to Create and Listen to Music. - Masataka Goto; Roger B. Dannenberg (IEEE Signal Process. Mag., 2019)

O2: A Network Protocol for Music Systems. - Roger B. Dannenberg (Wirel. Commun. Mob. Comput., 2019)

Artificial Creative Intelligence: Breaking the Imitation Barrier. - Rowland Chen; Roger B. Dannenberg; Bhiksha Raj; Rita Singh (ICCC, 2020)

Automatic Analysis and Influence of Hierarchical Structure on Melody, Rhythm and Harmony in Popular Music. - Shuqi Dai; Huan Zhang; Roger B. Dannenberg (CoRR, 2020)

Controllable deep melody generation via hierarchical music structure representation. - Shuqi Dai; Zeyu Jin; Celso Gomes; Roger B. Dannenberg (ISMIR, 2021)

Canons for Conlon: Composing and Performing Multiple Tempi on the Web. - Roger B. Dannenberg (NIME, 2021)

Personalized Popular Music Generation Using Imitation and Structure. - Shuqi Dai; Xichu Ma; Ye Wang; Roger B. Dannenberg (CoRR, 2021)

Editorial: Music and AI. - Alexandra Bonnici; Roger B. Dannenberg; Steven T. Kemper; Kenneth P. Camilleri (Frontiers Artif. Intell., 2021)

Communication for Real-Time Music Systems: An Overview of O2. - Roger B. Dannenberg (Comput. Music. J., 2021)

What is missing in deep music generation? A study of repetition and structure in popular music. - Shuqi Dai; Huiran Yu; Roger B. Dannenberg (ISMIR, 2022)

Relating Human Perception of Musicality to Prediction in a Predictive Coding Model. - Nikolas McNeal; Jennifer Huang; Aniekan Umoren; Shuqi Dai; Roger B. Dannenberg; Richard Randall; Tai Sing Lee (CoRR, 2022)

Transplayer: Timbre Style Transfer with Flexible Timbre Control. - Yuxuan Wu; Yifan He; Xinlu Liu; Yi Wang 033; Roger B. Dannenberg (ICASSP, 2023)

SingStyle111: A Multilingual Singing Dataset With Style Transfer. - Shuqi Dai; Yuxuan Wu; Siqi Chen; Roy Huang; Roger B. Dannenberg (ISMIR, 2023)

On the Effectiveness of Speech Self-Supervised Learning for Music. - Yinghao Ma; Ruibin Yuan; Yizhi Li; Ge Zhang 009; Chenghua Lin; Xingran Chen; Anton Ragni; Hanzhi Yin; Emmanouil Benetos; Norbert Gyenge; Ruibo Liu; Gus Xia; et al. (ISMIR, 2023)

LyricWhiz: Robust Multilingual Zero-Shot Lyrics Transcription by Whispering to ChatGPT. - Le Zhuo; Ruibin Yuan; Jiahao Pan; Yinghao Ma; Yizhi Li; Ge Zhang 009; Si Liu; Roger B. Dannenberg; Jie Fu 001; Chenghua Lin; Emmanouil Benetos; Wenhu Chen; et al. (ISMIR, 2023)

MARBLE: Music Audio Representation Benchmark for Universal Evaluation. - Ruibin Yuan; Yinghao Ma; Yizhi Li; Ge Zhang 009; Xingran Chen; Hanzhi Yin; Le Zhuo; Yiqi Liu; Jiawen Huang; Zeyue Tian; Binyue Deng; Ningzhi Wang; et al. (NeurIPS, 2023)

MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Training. - Yizhi Li; Ruibin Yuan; Ge Zhang 009; Yinghao Ma; Xingran Chen; Hanzhi Yin; Chenghua Lin; Anton Ragni; Emmanouil Benetos; Norbert Gyenge; Roger B. Dannenberg; Ruibo Liu; et al. (CoRR, 2023)

Motif-Centric Representation Learning for Symbolic Music. - Yuxuan Wu; Roger B. Dannenberg; Gus Xia (CoRR, 2023)

Mobile Devices and Sensors for an Educational Multimedia Opera Project. - Roger B. Dannenberg; Jorge Sastre Martínez; Stefano Scarani; Nuria Lloret Romero; Elizabeth Carrascosa (Sensors, 2023)

ChatMusician: Understanding and Generating Music Intrinsically with LLM. - Ruibin Yuan; Hanfeng Lin; Yi Wang 033; Zeyue Tian; Shangda Wu; Tianhao Shen; Ge Zhang 009; Yuhang Wu; Cong Liu; Ziya Zhou; Liumeng Xue; Ziyang Ma 001; et al. (ACL (Findings), 2024)

MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Training. - Yizhi Li; Ruibin Yuan; Ge Zhang 009; Yinghao Ma; Xingran Chen; Hanzhi Yin; Chenghao Xiao; Chenghua Lin; Anton Ragni; Emmanouil Benetos; Norbert Gyenge; Roger B. Dannenberg; et al. (ICLR, 2024)

ChatMusician: Understanding and Generating Music Intrinsically with LLM. - Ruibin Yuan; Hanfeng Lin; Yi Wang 033; Zeyue Tian; Shangda Wu; Tianhao Shen; Ge Zhang 009; Yuhang Wu; Cong Liu; Ziya Zhou; Ziyang Ma 001; Liumeng Xue; et al. (CoRR, 2024)

Modeling Analog Dynamic Range Compressors using Deep Learning and State-space Models. - Hanzhi Yin; Gang Cheng; Christian J. Steinmetz; Ruibin Yuan; Richard M. Stern; Roger B. Dannenberg (CoRR, 2024)

Foundation Models for Music: A Survey. - Yinghao Ma; Anders Øland; Anton Ragni; Bleiz Macsen Del Sette; Charalampos Saitis; Chris Donahue; Chenghua Lin; Christos Plachouras; Emmanouil Benetos; Elio Quinton; Elona Shatri; Fabio Morreale; et al. (CoRR, 2024)

The Beauty of Repetition: An Algorithmic Composition Model With Motif-Level Repetition Generator and Outline-to-Music Generator in Symbolic Music Generation. - Zhejing Hu; Xiao Ma 023; Yan Liu 004; Gong Chen 006; Yongxu Liu 003; Roger B. Dannenberg (IEEE Trans. Multim., 2024)

Everyone-Can-Sing: Zero-Shot Singing Voice Synthesis and Conversion with Speech Reference. - Shuqi Dai; Yunyun Wang; Roger B. Dannenberg; Zeyu Jin (ICASSP, 2025)

YuE: Scaling Open Foundation Models for Long-Form Music Generation. - Ruibin Yuan; Hanfeng Lin; Shuyue Guo; Ge Zhang 009; Jiahao Pan; Yongyi Zang; Haohe Liu; Yiming Liang; Wenye Ma; Xingjian Du; Xinrun Du; Zhen Ye; et al. (CoRR, 2025)

Automatic Melody Reduction via Shortest Path Finding. - Ziyu Wang 008; Yuxuan Wu; Roger B. Dannenberg; Gus Xia (CoRR, 2025)