Mind Your Body. - Roger Dean 001; Greg White 004; David Worrall (ICAD, 2004)

Psychoacoustic manipulation of the sound induced Illusory Flash. - Sonia Wilkie; Catherine J. Stevens; Roger Dean 001 (ICMC, 2007)

When Is Noise Speech? A Survey in Sonic Ambiguity. - Freya Bailes; Roger T. Dean (Comput. Music. J., 2009)

The Perceived Affective Expression of Computer-Manipulated Sung Sounds. - Freya Bailes; Roger T. Dean (Comput. Music. J., 2011)

Synchronising movements with the sounds of a virtual partner enhances partner likeability. - Jacques Launay; Roger T. Dean; Freya Bailes (Cogn. Process., 2014)

XronoMorph: Algorithmic Generation of Perfectly Balanced and Well-Formed Rhythms. - Andrew J. Milne; Steffen A. Herff; David W. Bulger; William A. Sethares; Roger T. Dean (NIME, 2016)

Computational Creation and Morphing of Multilevel Rhythms by Control of Evenness. - Andrew J. Milne; Roger T. Dean (Comput. Music. J., 2016)

The Character Thinks Ahead: creative writing with deep learning nets and its stylistic assessment. - Roger T. Dean; Hazel Smith (CoRR, 2017)

Musical Algorithms as Tools, Languages and Partners: A Perspective. - Alex McLean; Roger T. Dean (The Oxford Handbook of Algorithmic Music, 2018)

Algorithmic Trajectories. - Alex McLean; Roger T. Dean (The Oxford Handbook of Algorithmic Music, 2018)

Distributional Analysis of n-Dimensional Feature Space for 7-Note Scales in 22-TET. - Gareth M. Hearne; Andrew J. Milne; Roger T. Dean (MCM, 2019)

Computer Assisted Composition in Continuous Time. - Chamin Hewa Koneputugodage; Rhys Healy; Sean Lamont; Ian Mallett 002; Matt Brown; Matt Walters; Ushini Attanayake; Libo Zhang; Roger T. Dean; Alexander Hunter; Charles Gretton; Christian Walder (CoRR, 2019)

Towards a Deep Improviser: a prototype deep learning post-tonal free music generator. - Roger T. Dean; Jamie Forth (Neural Comput. Appl., 2020)