Automatic Music Transcription and Audio Source Separation. - Mark D. Plumbley; Samer A. Abdallah; Juan Pablo Bello; Mike E. Davies 001; Giuliano Monti; Mark B. Sandler (Cybern. Syst., 2002)

Application of Geometric Dependency Analysis to the Separation of Convolved Mixtures. - Samer A. Abdallah; Mark D. Plumbley (ICA, 2004)

Theory and Evaluation of a Bayesian Music Structure Extractor. - Samer A. Abdallah; Katy C. Noland; Mark B. Sandler; Michael A. Casey; Christophe Rhodes (ISMIR, 2005)

Symbolic Representation of Musical Chords: A Proposed Syntax for Text Annotations. - Christopher Harte; Mark B. Sandler; Samer A. Abdallah; Emilia Gómez (ISMIR, 2005)

A Tutorial on Onset Detection in Music Signals. - Juan Pablo Bello; Laurent Daudet; Samer A. Abdallah; Chris Duxbury; Mike E. Davies 001; Mark B. Sandler (IEEE Trans. Speech Audio Process., 2005)

Sparse Coding for Convolutive Blind Audio Source Separation. - Maria G. Jafari; Samer A. Abdallah; Mark D. Plumbley; Mike E. Davies 001 (ICA, 2006)

A Markov-Chain Monte-Carlo Approach to Musical Audio Segmentation. - Christophe Rhodes; Michael A. Casey; Samer A. Abdallah; Mark B. Sandler (ICASSP (5), 2006)

A Scalable Framework for Multimedia Knowledge Management. - Yves Raimond; Samer A. Abdallah; Mark B. Sandler; Mounia Lalmas (SAMT, 2006)

Using duration models to reduce fragmentation in audio segmentation. - Samer A. Abdallah; Mark B. Sandler; Christophe Rhodes; Michael A. Casey (Mach. Learn., 2006)

Sparse representations of polyphonic music. - Mark D. Plumbley; Samer A. Abdallah; Thomas Blumensath; Michael E. Davies 001 (Signal Process., 2006)

Unsupervised analysis of polyphonic music by sparse coding. - Samer A. Abdallah; Mark D. Plumbley (IEEE Trans. Neural Networks, 2006)

Blind Source Separation using Space-Time Independent Component Analysis. - Mike E. Davies 001; Maria G. Jafari; Samer A. Abdallah; Emmanuel Vincent 001; Mark D. Plumbley (Blind Speech Separation, 2007)

Flag Manifolds for Subspace ICA Problems. - Yasunori Nishimori; Shotaro Akaho; Samer A. Abdallah; Mark D. Plumbley (ICASSP (4), 2007)

The Music Ontology. - Yves Raimond; Samer A. Abdallah; Mark B. Sandler; Frederick Giasson (ISMIR, 2007)

Real Time Gesture Learning and Recognition: Towards Automatic Categorization. - Jean-Baptiste Thiebaut; Samer A. Abdallah; Andrew Robertson; Nick Bryan-Kinns; Mark D. Plumbley (NIME, 2008)

An adaptive stereo basis method for convolutive blind audio source separation. - Maria G. Jafari; Emmanuel Vincent 001; Samer A. Abdallah; Mark D. Plumbley; Mike E. Davies 001 (Neurocomputing, 2008)

A measure of statistical complexity based on predictive information - Samer A. Abdallah; Mark D. Plumbley (CoRR, 2010)

The Melody Triangle: Exploring Pattern and Predictability in Music. - Henrik Ekeus 001; Samer A. Abdallah; Mark D. Plumbley; Peter W. McOwan (MUME@AIIDE, 2012)

Cognitive music modelling: An information dynamics approach. - Samer A. Abdallah; Henrik Ekeus 001; Peter Foster; Andrew Robertson; Mark D. Plumbley (CIP, 2012)

Predictive Information in Gaussian Processes with Application to Music Analysis. - Samer A. Abdallah; Mark D. Plumbley (GSI, 2013)

Comparing models of symbolic music using probabilistic grammars and probabilistic programming. - Samer A. Abdallah; Nicolas E. Gold (ICMC, 2014)

Big Data for Musicology. - Tillman Weyde; Stephen Cottrell; Jason Dykes; Emmanouil Benetos; Daniel Wolff; Dan Tidhar; Alexander Kachkaev; Mark D. Plumbley; Simon Dixon; Mathieu Barthet; Nicolas Gold; Samer A. Abdallah; et al. (DLfM@JCDL, 2014)

Analysing Symbolic Music with Probabilistic Grammars. - Samer A. Abdallah; Nicolas E. Gold; Alan Marsden (Computational Music Analysis, 2016)

Digital music lab: A framework for analysing big music data. - Samer A. Abdallah; Emmanouil Benetos; Nicolas E. Gold; Steven Hargreaves; Tillman Weyde; Daniel Wolff (EUSIPCO, 2016)

The Digital Music Lab: A Big Data Infrastructure for Digital Musicology. - Samer A. Abdallah; Emmanouil Benetos; Nicolas Gold; Steven Hargreaves; Tillman Weyde; Daniel Wolff (ACM Journal on Computing and Cultural Heritage, 2017)