The Implementation of a First-Order Logic AGM Belief Revision System. - Simon Dixon; Wayne Wobcke (ICTAI, 1993)

Connections Between the ATMS and AGM Belief Revision. - Simon Dixon; Norman Y. Foo (IJCAI, 1993)

Cocktails and brainwaves-experiments with complex and subliminal auditory stimuli. - David M. W. Powers; Simon E. Dixon; C. Richard Clark; Darren L. Weber (ANZIIS, 1996)

A Dynamic Modelling Approach to Music Recognition. - Simon Dixon (ICMC, 1996)

Beat Induction and Rhythm Recognition. - Simon Dixon (Australian Joint Conference on Artificial Intelligence, 1997)

Beat Tracking with Musical Knowledge. - Simon Dixon; Emilios Cambouropoulos (ECAI, 2000)

A Lightweight Multi-agent Musical Beat Tracking System. - Simon Dixon (PRICAI, 2000)

An Interactive Beat Tracking and Visualisation System. - Simon Dixon (ICMC, 2001)

Real Time Tracking and Visualisation of Musical Expression. - Simon Dixon; Werner Goebl; Gerhard Widmer (ICMAI, 2002)

The Performance Worm: Real Time Visualisation of Expression based on Langner's Tempo-Loudness Animation. - Simon Dixon; Werner Goebl; Gerhard Widmer (ICMC, 2002)

Classification of dance music by periodicity patterns. - Simon Dixon; Elias Pampalk; Gerhard Widmer (ISMIR, 2003)

Analysis of musical expression in audio signals. - Simon Dixon (Storage and Retrieval for Media Databases, 2003)

In Search of the Horowitz Factor. - Gerhard Widmer; Simon Dixon; Werner Goebl; Elias Pampalk; Asmir Tobudic (AI Mag., 2003)

Towards Characterisation of Music via Rhythmic Patterns. - Simon Dixon; Fabien Gouyon; Gerhard Widmer (ISMIR, 2004)

Dance music classification: A tempo-based approach. - Fabien Gouyon; Simon Dixon (ISMIR, 2004)

Exploring Music Collections by Browsing Different Views. - Elias Pampalk; Simon Dixon; Gerhard Widmer (Comput. Music. J., 2004)

Audio Analysis Applications for Music. - Simon Dixon (Encyclopedia of Information Science and Technology (I), 2005)

The "Air Worm": an Interface for Real-Time manipulation of Expressive Music Performance. - Simon Dixon; Werner Goebl; Gerhard Widmer (ICMC, 2005)

The Machine Learning and Intelligent Music Processing Group at the Austrian Research Institute for Artificial Intelligence (öFAI), Vienna. - Gerhard Widmer; Simon Dixon; Arthur Flexer; Werner Goebl; Peter Knees; Søren Tjagvad Madsen; Elias Pampalk; Tim Pohle; Markus Schedl; Asmir Tobudic (ICMC, 2005)

An On-Line Time Warping Algorithm for Tracking Musical Performances. - Simon Dixon (IJCAI, 2005)

MATCH: A Music Alignment Tool Chest. - Simon Dixon; Gerhard Widmer (ISMIR, 2005)

A Review of Automatic Rhythm Description Systems. - Fabien Gouyon; Simon Dixon (Comput. Music. J., 2005)

Probabilistic Combination of Features for Music Classification. - Arthur Flexer; Fabien Gouyon; Simon Dixon; Gerhard Widmer (ISMIR, 2006)

An experimental comparison of audio tempo induction algorithms. - Fabien Gouyon; Anssi Klapuri; Simon Dixon; M. Alonso; George Tzanetakis; C. Uhle; Pedro Cano (IEEE Trans. Speech Audio Process., 2006)

Evaluating Low-Level Features for Beat Classification and Tracking. - Fabien Gouyon; Simon Dixon; Gerhard Widmer (ICASSP (4), 2007)

Discovering Chord Idioms Through Beatles and Real Book Songs. - Matthias Mauch; Simon Dixon; Christopher Harte; Michael A. Casey; Benjamin Fields (ISMIR, 2007)

Automatic Page Turning for Musicians via Real-Time Machine Listening. - Andreas Arzt; Gerhard Widmer; Simon Dixon (ECAI, 2008)

Characterisation of Harmony With Inductive Logic Programming. - Amelie Anglade; Simon Dixon (ISMIR, 2008)

A Discrete Mixture Model for Chord Labelling. - Matthias Mauch; Simon Dixon (ISMIR, 2008)

From Toy to Tutor: Note-Scroller is a Game to Teach Music. - Robert Macrae; Simon Dixon (NIME, 2008)

Genre Classification Using Harmony Rules Induced from Automatic Chord Transcriptions. - Amelie Anglade; Rafael Ramírez 001; Simon Dixon (ISMIR, 2009)

Using Musical Structure to Enhance Automatic Chord Transcription. - Matthias Mauch; Katy C. Noland; Simon Dixon (ISMIR, 2009)

Probabilistic and Logic-Based Modelling of Harmony. - Simon Dixon; Matthias Mauch; Amelie Anglade (CMMR, 2010)

High precision frequency estimation for harpsichord tuning classification. - Dan Tidhar; Matthias Mauch; Simon Dixon (ICASSP, 2010)

A guitar tablature score follower. - Robert Macrae; Simon Dixon (ICME, 2010)

Multiple-F0 estimation of piano sounds exploiting spectral structure and temporal evolution. - Emmanouil Benetos; Simon Dixon (SAPA@INTERSPEECH, 2010)

Accurate Real-time Windowed Time Warping. - Robert Macrae; Simon Dixon (ISMIR, 2010)

Approximate Note Transcription for the Improved Identification of Difficult Chords. - Matthias Mauch; Simon Dixon (ISMIR, 2010)

Simultaneous Estimation of Chords and Musical Context From Audio. - Matthias Mauch; Simon Dixon (IEEE Trans. Speech Audio Process., 2010)

Polyphonic music transcription using note onset and offset detection. - Emmanouil Benetos; Simon Dixon (ICASSP, 2011)

Real-time synchronisation of multimedia streams in a mobile device. - Robert Macrae; Joachim Neumann; Xavier Anguera; Nuria Oliver; Simon Dixon (ICME, 2011)

Ethnographic Observations of Musicologists at the British Library: Implications for Music Information Retrieval. - Mathieu Barthet; Simon Dixon (ISMIR, 2011)

The Temperament Police: The Truth, the Ground Truth, and Nothing but the Truth. - Simon Dixon; Dan Tidhar; Emmanouil Benetos (ISMIR, 2011)

Guitar Tab Mining, Analysis and Ranking. - Robert Macrae; Simon Dixon (ISMIR, 2011)

MIR in School? Lessons from Ethnographic Observation of Secondary School Music Classes. - Dan Stowell; Simon Dixon (ISMIR, 2011)

A temporally-constrained convolutive probabilistic model for pitch detection. - Emmanouil Benetos; Simon Dixon (WASPAA, 2011)

Multimodal Music Processing (Dagstuhl Seminar 11041). - Meinard Müller; Masataka Goto; Simon Dixon (Dagstuhl Reports, 2011)

Joint Multi-Pitch Detection Using Harmonic Envelope Estimation for Polyphonic Music Transcription. - Emmanouil Benetos; Simon Dixon (IEEE J. Sel. Top. Signal Process., 2011)

Adaptive distance normalization for real-time music tracking. - Andreas Arzt; Gerhard Widmer; Simon Dixon (EUSIPCO, 2012)

Score-informed transcription for automatic piano tutoring. - Emmanouil Benetos; Anssi Klapuri; Simon Dixon (EUSIPCO, 2012)

A method for identifying repetition structure in musical audio based on time series prediction. - Peter Foster; Anssi Klapuri; Simon Dixon (EUSIPCO, 2012)

Temporally-Constrained Convolutive Probabilistic Latent Component Analysis for Multi-pitch Detection. - Emmanouil Benetos; Simon Dixon (LVA/ICA, 2012)

Shift-variant non-negative matrix deconvolution for music transcription. - Holger Kirchhoff; Simon Dixon; Anssi Klapuri (ICASSP, 2012)

Automatic Music Transcription: Breaking the Glass Ceiling. - Emmanouil Benetos; Simon Dixon; Dimitrios Giannoulis; Holger Kirchhoff; Anssi Klapuri (ISMIR, 2012)

Multi-Template Shift-Variant Non-Negative Matrix Deconvolution for Semi-Automatic Music Transcription. - Holger Kirchhoff; Simon Dixon; Anssi Klapuri (ISMIR, 2012)

Ranking Lyrics for Online Search. - Robert Macrae; Simon Dixon (ISMIR, 2012)

A Corpus-based Study of Rhythm Patterns. - Matthias Mauch; Simon Dixon (ISMIR, 2012)

Evaluation of Musical Features for Emotion Classification. - Yading Song; Simon Dixon; Marcus T. Pearce (ISMIR, 2012)

Listening Level Changes Music Similarity. - Michael Terrell; György Fazekas; Andrew Simpson 003; Jordan B. L. Smith; Simon Dixon (ISMIR, 2012)

A Shift-Invariant Latent Variable Model for Automatic Music Transcription. - Emmanouil Benetos; Simon Dixon (Comput. Music. J., 2012)

Facilitating Music Information Research with Shared Open Vocabularies. - Alo Allik; György Fazekas; Simon Dixon; Mark B. Sandler (ESWC (Satellite Events), 2013)

A Shared Vocabulary for Audio Features. - Alo Allik; György Fazekas; Simon Dixon; Mark B. Sandler (ESWC (Satellite Events), 2013)

Identification of cover songs using information theoretic measures of similarity. - Peter Foster; Simon Dixon; Anssi Klapuri (ICASSP, 2013)

Missing template estimation for user-assisted music transcription. - Holger Kirchhoff; Simon Dixon; Anssi Klapuri (ICASSP, 2013)

A Deterministic Annealing EM Algorithm for Automatic Music Transcription. - Tian Cheng 001; Simon Dixon; Matthias Mauch (ISMIR, 2013)

Do Online Social Tags Predict Perceived or Induced Emotional Responses to Music? - Yading Song; Simon Dixon; Marcus T. Pearce; Andrea R. Halpern (ISMIR, 2013)

Automatic music transcription: challenges and future directions. - Emmanouil Benetos; Simon Dixon; Dimitrios Giannoulis; Holger Kirchhoff; Anssi Klapuri (J. Intell. Inf. Syst., 2013)

Recognising Cello Performers Using Timbre Models. - Magdalena Chudy; Simon Dixon (Algorithms from and for Nature and Life, 2013)

A Comparison of Extended Source-Filter Models for Musical Signal Reconstruction. - Tian Cheng 001; Simon Dixon; Matthias Mauch (DAFx, 2014)

Towards complex matrix decomposition of spectrograms based on the relative phase offsets of harmonic sounds. - Holger Kirchhoff; Roland Badeau; Simon Dixon (ICASSP, 2014)

PYIN: A fundamental frequency estimator using probabilistic threshold distributions. - Matthias Mauch; Simon Dixon (ICASSP, 2014)

Improved music feature learning with deep neural networks. - Siddharth Sigtia; Simon Dixon (ICASSP, 2014)

A Four Strategy Model of Creative Parameter Space Interaction. - Robert Tubb; Simon Dixon (ICCC, 2014)

Timbre-invariant Audio Features for Style Analysis of Classical Music. - Christof Weiß; Matthias Mauch; Simon Dixon (ICMC, 2014)

An RNN-based Music Language Model for Improving Automatic Music Transcription. - Siddharth Sigtia; Emmanouil Benetos; Srikanth Cherla; Tillman Weyde; Artur S. d'Avila Garcez; Simon Dixon (ISMIR, 2014)

Drum Transcription via Classification of Bar-Level Rhythmic Patterns. - Lucas Thompson; Simon Dixon; Matthias Mauch (ISMIR, 2014)

Robust Joint Alignment of Multiple Versions of a Piece of Music. - Siying Wang 001; Sebastian Ewert; Simon Dixon (ISMIR, 2014)

Big Data for Musicology. - Tillman Weyde; Stephen Cottrell; Jason Dykes; Emmanouil Benetos; Daniel Wolff; Dan Tidhar; Alexander Kachkaev; Mark D. Plumbley; Simon Dixon; Mathieu Barthet; Nicolas Gold; Samer A. Abdallah; et al. (DLfM@JCDL, 2014)

The Divergent Interface: Supporting Creative Exploration of Parameter Spaces. - Robert Tubb; Simon Dixon (NIME, 2014)

A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves. - Robert Tubb; Simon Dixon (Comput. Music. J., 2014)

Sequential complexity as a descriptor for musical similarity. - Peter Foster; Matthias Mauch; Simon Dixon (IEEE ACM Trans. Audio Speech Lang. Process., 2014)

An Evaluation of Multidimensional Controllers for Sound Design Tasks. - Robert Tubb; Simon Dixon (CHI, 2015)

Improving piano note tracking by HMM smoothing. - Tian Cheng 001; Simon Dixon; Matthias Mauch (EUSIPCO, 2015)

Modelling the decay of piano sounds. - Tian Cheng 001; Simon Dixon; Matthias Mauch (ICASSP, 2015)

A hybrid recurrent neural network for music transcription. - Siddharth Sigtia; Emmanouil Benetos; Nicolas Boulanger-Lewandowski; Tillman Weyde; Artur S. d'Avila Garcez; Simon Dixon (ICASSP, 2015)

Compensating for asynchronies between musical voices in score-performance alignment. - Siying Wang 001; Sebastian Ewert; Simon Dixon (ICASSP, 2015)

Analysis of Intonation Trajectories in Solo Singing. - Jiajie Dai; Matthias Mauch; Simon Dixon (ISMIR, 2015)

Combining Features for Cover Song Identification. - Julien Osmalskyj; Peter Foster; Simon Dixon; Jean-Jacques Embrechts (ISMIR, 2015)

Audio Chord Recognition with a Hybrid Recurrent Neural Network. - Siddharth Sigtia; Nicolas Boulanger-Lewandowski; Simon Dixon (ISMIR, 2015)

Automating Annotation of Media with Linked Data Workflows. - Thomas Wilmering; Kevin R. Page; György Fazekas; Simon Dixon; Sean Bechhofer (WWW (Companion Volume), 2015)

An End-to-End Neural Network for Polyphonic Music Transcription. - Siddharth Sigtia; Emmanouil Benetos; Simon Dixon (CoRR, 2015)

Identifying Cover Songs Using Information-Theoretic Measures of Similarity. - Peter Foster; Simon Dixon; Anssi Klapuri (IEEE ACM Trans. Audio Speech Lang. Process., 2015)

Estimation of the reliability of multiple rhythm features extraction from a single descriptor. - Elio Quinton; Mark B. Sandler; Simon Dixon (ICASSP, 2016)

An Attack/Decay Model for Piano Transcription. - Tian Cheng 001; Matthias Mauch; Emmanouil Benetos; Simon Dixon (ISMIR, 2016)

Analysis of Vocal Imitations of Pitch Trajectories. - Jiajie Dai; Simon Dixon (ISMIR, 2016)

Learning a Feature Space for Similarity in World Music. - Maria Panteli; Emmanouil Benetos; Simon Dixon (ISMIR, 2016)

On the Evaluation of Rhythmic and Melodic Descriptors for Music Similarity. - Maria Panteli; Simon Dixon (ISMIR, 2016)

Analysis and Classification of Phonation Modes In Singing. - Daniel Stoller; Simon Dixon (ISMIR, 2016)

An End-to-End Neural Network for Polyphonic Piano Music Transcription. - Siddharth Sigtia; Emmanouil Benetos; Simon Dixon (IEEE ACM Trans. Audio Speech Lang. Process., 2016)

Robust and Efficient Joint Alignment of Multiple Musical Performances. - Siying Wang 001; Sebastian Ewert; Simon Dixon (IEEE ACM Trans. Audio Speech Lang. Process., 2016)

Pickup position and plucking point estimation on an electric guitar. - Zulfadhli Mohamad; Simon Dixon; Christopher Harte (ICASSP, 2017)

Towards the characterization of singing styles in world music. - Maria Panteli; Rachel M. Bittner; Juan Pablo Bello; Simon Dixon (ICASSP, 2017)

Tracking metrical structure changes with sparse-NMF. - Elio Quinton; Ken O'Hanlon; Simon Dixon; Mark B. Sandler (ICASSP, 2017)

Analysis of Interactive Intonation in Unaccompanied SATB Ensembles. - Jiajie Dai; Simon Dixon (ISMIR, 2017)

Geographical Origin Prediction of Folk Music Recordings from the United Kingdom. - Vytaute Kedyte; Maria Panteli; Tillman Weyde; Simon Dixon (ISMIR, 2017)

Clustering Expressive Timing with Regressed Polynomial Coefficients Demonstrated by a Model Selection Test. - Shengchen Li; Simon Dixon; Mark D. Plumbley (ISMIR, 2017)

Local Interpretable Model-Agnostic Explanations for Music Content Analysis. - Saumitra Mishra; Bob L. Sturm; Simon Dixon (ISMIR, 2017)

Note Value Recognition for Rhythm Transcription Using a Markov Random Field Model for Musical Scores and Performances of Piano Music. - Eita Nakamura; Kazuyoshi Yoshii; Simon Dixon (CoRR, 2017)

A Data-Driven Model of Tonal Chord Sequence Complexity. - Bruno Di Giorgi; Simon Dixon; Massimiliano Zanoni; Augusto Sarti (IEEE ACM Trans. Audio Speech Lang. Process., 2017)

Note Value Recognition for Piano Transcription Using Markov Random Fields. - Eita Nakamura; Kazuyoshi Yoshii; Simon Dixon (IEEE ACM Trans. Audio Speech Lang. Process., 2017)

Identifying Missing and Extra Notes in Piano Recordings Using Score-Informed Dictionary Learning. - Siying Wang 001; Sebastian Ewert; Simon Dixon (IEEE ACM Trans. Audio Speech Lang. Process., 2017)

Probabilistic Sequential Patterns for Singing Transcription. - Eita Nakamura; Ryo Nishikimi; Simon Dixon; Kazuyoshi Yoshii (APSIPA, 2018)

"What are You Listening to?" Explaining Predictions of Deep Machine Listening Systems. - Saumitra Mishra; Bob L. Sturm; Simon Dixon (EUSIPCO, 2018)

Jointly Detecting and Separating Singing Voice: A Multi-Task Approach. - Daniel Stoller; Sebastian Ewert; Simon Dixon (LVA/ICA, 2018)

Similarity Measures for Vocal-Based Drum Sample Retrieval Using Deep Convolutional Auto-Encoders. - Adib Mehrabi; Keunwoo Choi; Simon Dixon; Mark B. Sandler (ICASSP, 2018)

Towards Complete Polyphonic Music Transcription: Integrating Multi-Pitch Detection and Rhythm Quantization. - Eita Nakamura; Emmanouil Benetos; Kazuyoshi Yoshii; Simon Dixon (ICASSP, 2018)

Adversarial Semi-Supervised Audio Source Separation Applied to Singing Voice Extraction. - Daniel Stoller; Sebastian Ewert; Simon Dixon (ICASSP, 2018)

Two Web Applications for Exploring Melodic Patterns in Jazz Solos. - Klaus Frieler; Frank Höger; Martin Pfleiderer; Simon Dixon (ISMIR, 2018)

Understanding a Deep Machine Listening Model Through Feature Inversion. - Saumitra Mishra; Bob L. Sturm; Simon Dixon (ISMIR, 2018)

Wave-U-Net: A Multi-Scale Neural Network for End-to-End Audio Source Separation. - Daniel Stoller; Sebastian Ewert; Simon Dixon (ISMIR, 2018)

Detection of Cut-Points for Automatic Music Rearrangement. - Daniel Stoller; Vincent Akkermans; Simon Dixon (MLSP, 2018)

Editorial: Introducing the Transactions of the International Society for Music Information Retrieval. - Simon Dixon; Emilia Gómez; Anja Volk (Trans. Int. Soc. Music. Inf. Retr., 2018)

Don't hide in the frames: Note- and pattern-based evaluation of automated melody extraction algorithms. - Klaus Frieler; Dogac Basaran; Frank Höger; Hélène Camille Crayencour; Geoffroy Peeters; Simon Dixon (DLfM, 2019)

Understanding Intonation Trajectories and Patterns of Vocal Notes. - Jiajie Dai; Simon Dixon (MMM (2), 2019)

Investigating Kernel Shapes and Skip Connections for Deep Learning-Based Harmonic-Percussive Separation. - Carlos Lordelo; Emmanouil Benetos; Simon Dixon; Sven Ahlbäck (WASPAA, 2019)

GAN-based Generation and Automatic Selection of Explanations for Neural Networks. - Saumitra Mishra; Daniel Stoller; Emmanouil Benetos; Bob L. Sturm; Simon Dixon (CoRR, 2019)

Automatic Music Transcription: An Overview. - Emmanouil Benetos; Simon Dixon; Zhiyao Duan; Sebastian Ewert (IEEE Signal Process. Mag., 2019)

Characterising Confounding Effects in Music Classification Experiments through Interventions. - Francisco Rodríguez-Algarra; Bob L. Sturm; Simon Dixon (Trans. Int. Soc. Music. Inf. Retr., 2019)

Learning Frame Similarity using Siamese networks for Audio-to-Score Alignment. - Ruchit Agrawal; Simon Dixon (EUSIPCO, 2020)

Training Generative Adversarial Networks from Incomplete Observations using Factorised Discriminators. - Daniel Stoller; Sebastian Ewert; Simon Dixon (ICLR, 2020)

Seq-U-Net: A One-Dimensional Causal U-Net for Efficient Sequence Modelling. - Daniel Stoller; Mi Tian 001; Sebastian Ewert; Simon Dixon (IJCAI, 2020)

Automatic Lyrics Transcription using Dilated Convolutional Neural Networks with Self-Attention. - Emir Demirel; Sven Ahlbäck; Simon Dixon (IJCNN, 2020)

Reliable Local Explanations for Machine Listening. - Saumitra Mishra; Emmanouil Benetos; Bob L. Sturm; Simon Dixon (IJCNN, 2020)

A Hybrid Approach to Audio-to-Score Alignment. - Ruchit Agrawal; Simon Dixon (CoRR, 2020)

Tap & Fiddle: a Dataset with Scandinavian Fiddle Tunes with Accompanying Foot-Tapping. - Carlos Lordelo; Sven Ahlbäck; Emmanouil Benetos; Simon Dixon; Patrik Ohlsson (Zenodo, 2020)

Computational Pronunciation Analysis in Sung Utterances. - Emir Demirel; Sven Ahlbäck; Simon Dixon (EUSIPCO, 2021)

Structure-Aware Audio-to-Score Alignment Using Progressively Dilated Convolutional Neural Networks. - Ruchit Agrawal; Daniel Wolff; Simon Dixon (ICASSP, 2021)

Low Resource Audio-To-Lyrics Alignment from Polyphonic Music Recordings. - Emir Demirel; Sven Ahlbäck; Simon Dixon (ICASSP, 2021)

MSTRE-Net: Multistreaming Acoustic Modeling for Automatic Lyrics Transcription. - Emir Demirel; Sven Ahlbäck; Simon Dixon (ISMIR, 2021)

Filosax: A Dataset of Annotated Jazz Saxophone Recordings. - Dave Foster; Simon Dixon (ISMIR, 2021)

Pitch-Informed Instrument Assignment using a Deep Convolutional Network with Multiple Kernel Shapes. - Carlos Lordelo; Emmanouil Benetos; Simon Dixon; Sven Ahlbäck (ISMIR, 2021)

Detecting Cover Songs with Pitch Class Key-Invariant Networks. - Ken O'Hanlon; Emmanouil Benetos; Simon Dixon (MLSP, 2021)

COSMIC: A Conversational Interface for Human-AI Music Co-Creation. - Yixiao Zhang 002; Gus Xia; Mark Levy; Simon Dixon (NIME, 2021)

An Exploratory Study on Perceptual Spaces of the Singing Voice. - Brendan D. O'Connor; Simon Dixon; George Fazekas (CoRR, 2021)

Zero-shot Singing Technique Conversion. - Brendan D. O'Connor; Simon Dixon; George Fazekas (CoRR, 2021)

Adversarial Unsupervised Domain Adaptation for Harmonic-Percussive Source Separation. - Carlos Lordelo; Emmanouil Benetos; Simon Dixon; Sven Ahlbäck; Patrik Ohlsson (IEEE Signal Process. Lett., 2021)

Towards Robust Unsupervised Disentanglement of Sequential Data - A Case Study Using Music Audio. - Yin-Jyun Luo; Sebastian Ewert; Simon Dixon (IJCAI, 2022)

Interpreting Song Lyrics with an Audio-Informed Pre-trained Language Model. - Yixiao Zhang 002; Junyan Jiang; Gus Xia; Simon Dixon (ISMIR, 2022)

ATEPP: A Dataset of Automatically Transcribed Expressive Piano Performance. - Huan Zhang; Jingjing Tang; Syed Rm Rafee; Simon Dixon; George Fazekas; Geraint A. Wiggins (ISMIR, 2022)

A Convolutional-Attentional Neural Framework for Structure-Aware Performance-Score Synchronization. - Ruchit Agrawal; Daniel Wolff; Simon Dixon (IEEE Signal Process. Lett., 2022)

The Jazz Ontology: A semantic model and large-scale RDF repositories for jazz. - Polina Proutskova; Daniel Wolff; György Fazekas; Klaus Frieler; Frank Höger; Olga Velichkina; Gabriel Solis; Tillman Weyde; Martin Pfleiderer; Hélène Camille Crayencour; Geoffroy Peeters; Simon Dixon (J. Web Semant., 2022)

Disentangling the Horowitz Factor: Learning Content and Style From Expressive Piano Performance. - Huan Zhang; Simon Dixon (ICASSP, 2023)

Modeling Harmonic Similarity for Jazz Using Co-occurrence Vectors and the Membrane Area. - Carey Bunks; Tillman Weyde; Simon Dixon; Bruno Di Giorgi (ISMIR, 2023)

FiloBass: A Dataset and Corpus Based Study of Jazz Basslines. - Xavier Riley; Simon Dixon (ISMIR, 2023)

Symbolic Music Representations for Classification Tasks: A Systematic Evaluation. - Huan Zhang; Emmanouil Karystinaios; Simon Dixon; Gerhard Widmer; Carlos Eduardo Cancino Chacón (ISMIR, 2023)

Annotating Jazz Recordings Using Lead Sheet Alignment with Deep Chroma Features. - Ivan Shanin; Simon Dixon (WASPAA, 2023)

A Comparative Analysis Of Latent Regressor Losses For Singing Voice Conversion. - Brendan O'Connor 002; Simon Dixon (CoRR, 2023)

Loop Copilot: Conducting AI Ensembles for Music Generation and Iterative Editing. - Yixiao Zhang 002; Akira Maezawa; Gus Xia; Kazuhiko Yamamoto; Simon Dixon (CoRR, 2023)

CREPE Notes: A new method for segmenting pitch contours into discrete notes. - Xavier Riley; Simon Dixon (CoRR, 2023)

PiJAMA: Piano Jazz with Automatic MIDI Annotations. - Drew Edwards; Simon Dixon; Emmanouil Benetos (Trans. Int. Soc. Music. Inf. Retr., 2023)

Slakh2100-16k for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

MusicNet-16k + EM for YourMT3. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

PiJAMA: Piano Jazz with Automatic MIDI Annotations. - Drew Edwards; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

YourMT3 dataset (Part 1). - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (Zenodo, 2023)

Studio MAESTRO (16kHz mono mix). - Drew Edwards; Akira Maezawa; Simon Dixon (Zenodo, 2023)

FiloBass: A Dataset and Corpus Based Study of Jazz Basslines. - Xavier Riley; Simon Dixon (Zenodo, 2023)

Posterior Variance-Parameterised Gaussian Dropout: Improving Disentangled Sequential Autoencoders for Zero-Shot Voice Conversion. - Yin-Jyun Luo; Simon Dixon (ICASSP, 2024)

Unsupervised Pitch-Timbre Disentanglement of Musical Instruments Using a Jacobian Disentangled Sequential Autoencoder. - Yin-Jyun Luo; Sebastian Ewert; Simon Dixon (ICASSP, 2024)

High Resolution Guitar Transcription Via Domain Adaptation. - Xavier Riley; Drew Edwards; Simon Dixon (ICASSP, 2024)

MusicMagus: Zero-Shot Text-to-Music Editing via Diffusion Models. - Yixiao Zhang 002; Yukara Ikemiya; Gus Xia; Naoki Murata; Marco A. Martínez Ramírez; Wei-Hsiang Liao 001; Yuki Mitsufuji; Simon Dixon (IJCAI, 2024)

MIDI-to-Tab: Guitar Tablature Inference via Masked Language Modeling. - Andrew C. Edwards; Xavier Riley; Pedro Sarmento; Simon Dixon (ISMIR, 2024)

GAPS: A Large and Diverse Classical Guitar Dataset and Benchmark Transcription Model. - Xavier Riley; Zixun Guo; Andrew C. Edwards; Simon Dixon (ISMIR, 2024)

From Audio Encoders to Piano Judges: Benchmarking Performance Understanding for Solo Piano. - Huan Zhang; Jinhua Liang; Simon Dixon (ISMIR, 2024)

YourMT3+: Multi-Instrument Music Transcription with Enhanced Transformer Architectures and Cross-Dataset STEM Augmentation. - Sungkyun Chang; Emmanouil Benetos; Holger Kirchhoff; Simon Dixon (MLSP, 2024)

Pitch-aware generative pretraining improves multi-pitch estimation with scarce data. - Mary Pilataki; Matthias Mauch; Simon Dixon (MMAsia, 2024)

Reconstructing the Charlie Parker Omnibook using an audio-to-score automatic transcription pipeline. - Xavier Riley; Simon Dixon (CoRR, 2024)

Instruct-MusicGen: Unlocking Text-to-Music Editing for Music Language Models via Instruction Tuning. - Yixiao Zhang 002; Yukara Ikemiya; Woosung Choi; Naoki Murata; Marco A. Martínez Ramírez; Liwei Lin; Gus Xia; Wei-Hsiang Liao 001; Yuki Mitsufuji; Simon Dixon (CoRR, 2024)

MIDI-to-Tab: Guitar Tablature Inference via Masked Language Modeling. - Drew Edwards; Xavier Riley; Pedro Sarmento; Simon Dixon (CoRR, 2024)

GAPS: A Large and Diverse Classical Guitar Dataset and Benchmark Transcription Model. - Xavier Riley; Zixun Guo; Drew Edwards; Simon Dixon (CoRR, 2024)

DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulation. - Yin-Jyun Luo; Kin Wai Cheuk; Woosung Choi; Toshimitsu Uesaka; Keisuke Toyama 002; Koichi Saito; Chieh-Hsin Lai; Yuhta Takida; Wei-Hsiang Liao 001; Simon Dixon; Yuki Mitsufuji (CoRR, 2024)

Foundation Models for Music: A Survey. - Yinghao Ma; Anders Øland; Anton Ragni; Bleiz Macsen Del Sette; Charalampos Saitis; Chris Donahue; Chenghua Lin; Christos Plachouras; Emmanouil Benetos; Elio Quinton; Elona Shatri; Fabio Morreale; et al. (CoRR, 2024)

How does the teacher rate? Observations from the NeuroPiano dataset. - Huan Zhang; Vincent K. M. Cheung; Hayato Nishioka; Simon Dixon; Shinichi Furuya (CoRR, 2024)

A Data-Driven Analysis of Robust Automatic Piano Transcription. - Drew Edwards; Simon Dixon; Emmanouil Benetos; Akira Maezawa; Yuta Kusaka (IEEE Signal Process. Lett., 2024)

Introducing the TISMIR Education Track: What, Why, How? - Meinard Müller; Simon Dixon; Anja Volk; Bob L. T. Sturm; Preeti Rao; Mark Gotham (Trans. Int. Soc. Music. Inf. Retr., 2024)

The François Leduc Dataset. - Drew Edwards; Xavier Riley; Simon Dixon (Zenodo, 2024)

Charlie Parker Aligned Digital Omnibook. - Xavier Riley; Simon Dixon (Zenodo, 2024)

GAPS (Guitar-Aligned Performance Scores) Dataset. - Xavier Riley; Zixun Guo; Drew Edwards; Simon Dixon (Zenodo, 2024)

LLaQo: Towards a Query-Based Coach in Expressive Music Performance Assessment. - Huan Zhang; Vincent K. M. Cheung; Hayato Nishioka; Simon Dixon; Shinichi Furuya (ICASSP, 2025)

RenderBox: Expressive Performance Rendering with Text Control. - Huan Zhang; Akira Maezawa; Simon Dixon (CoRR, 2025)

Moonbeam: A MIDI Foundation Model Using Both Absolute and Relative Music Attributes. - Zixun Guo; Simon Dixon (CoRR, 2025)

RUMAA: Repeat-Aware Unified Music Audio Analysis for Score-Performance Alignment, Transcription, and Mistake Detection. - Sungkyun Chang; Simon Dixon; Emmanouil Benetos (CoRR, 2025)