Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters. - Andrew J. Milne; David W. Bulger; Steffen A. Herff; William A. Sethares (MCM, 2015)

XronoMorph: Algorithmic Generation of Perfectly Balanced and Well-Formed Rhythms. - Andrew J. Milne; Steffen A. Herff; David W. Bulger; William A. Sethares; Roger T. Dean (NIME, 2016)

Degradation effects of water immersion on earbud audio quality. - Scott Beveridge; Steffen A. Herff; Estefanía Cano (CoRR, 2020)

Musical syntactic structure improves memory for melody: evidence from the processing of ambiguous melodies. - Gabriele Cecchetti; Steffen A. Herff; Martin A. Rohrmeier (CogSci, 2021)

Hierarchical syntactic structure predicts listeners' sequence completion in music. - Steffen A. Herff; Daniel Harasim; Gabriele Cecchetti; Christoph Finkensiep; Martin A. Rohrmeier (CogSci, 2021)

Three Metrics for Musical Chord Label Evaluation. - Andrew McLeod; Xavier Suermondt; Yannis Rammos; Steffen A. Herff; Martin A. Rohrmeier (FIRE, 2022)

Musical Garden Paths: Evidence for Syntactic Revision Beyond the Linguistic Domain. - Gabriele Cecchetti; Steffen A. Herff; Martin A. Rohrmeier (Cogn. Sci., 2022)

Music Cognition between Theory and Experiment. - Gabriele Cecchetti; Christoph Finkensiep; Xinyi Guan; Steffen A. Herff; Anna Fiveash; Claire Pelofi; John E. Drury; Martin A. Rohrmeier (CogSci, 2023)

Interpreting Rhythm as Parsing: Syntactic-Processing Operations Predict the Migration of Visual Flashes as Perceived During Listening to Musical Rhythms. - Gabriele Cecchetti; Cédric A. Tomasini; Steffen A. Herff; Martin A. Rohrmeier (Cogn. Sci., 2023)