The analysis and visualization of metamorphosis through 3D scene regeneration. - Peter Presti; Stephen Sinclair; Amit Gupta (SIGGRAPH Abstracts and Applications, 1998)

Lilypond for pyScore: Approaching a universal translator for music notation. - Stephen Sinclair; Michael Droettboom; Ichiro Fujinaga (ISMIR, 2006)

A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments. - Joseph W. Malloch; Stephen Sinclair; Marcelo M. Wanderley (CMMR, 2007)

From controller to sound: Tools for Collaborative Development of Digital Musical Instruments. - Joseph W. Malloch; Stephen Sinclair; Marcelo M. Wanderley (ICMC, 2007)

Defining a Control Standard for Easily Integrating Haptic Virtual Environments with Existing Audio / Visual Systems. - Stephen Sinclair; Marcelo M. Wanderley (NIME, 2007)

The CIRMMT/McGill Digital Orchestra Project. - Xenia Pestova; Erika Donald; Heather Hindman; Joseph W. Malloch; Mark T. Marshall; Fernando Rocha; Stephen Sinclair; D. Andrew Stewart; Marcelo M. Wanderley; Sean Ferguson (ICMC, 2009)

Audio-Haptic Interaction with the Digital Waveguide Bowed String. - Stephen Sinclair; Gary P. Scavone; Marcelo M. Wanderley (ICMC, 2009)

Haptic Feedback for Different Strokes Using DIMPLE. - Mark Zadel; Stephen Sinclair; Marcelo M. Wanderley (ICMC, 2009)

The Modular Audio Recognition Framework (MARF) and its Applications: Scientific and Software Engineering Notes - Serguei A. Mokhov; Stephen Sinclair; Ian Clément; Dimitrios Nicolacopoulos (CoRR, 2009)

A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. - Stephen Sinclair; Marcelo M. Wanderley (Interact. Comput., 2009)

Noise-free haptic interaction with a bowed-string acoustic model. - Stephen Sinclair; Marcelo M. Wanderley; Vincent Hayward; Gary P. Scavone (World Haptics, 2011)

Bowing a vibration-enhanced force feedback device. - Marcello Giordano; Stephen Sinclair; Marcelo M. Wanderley (NIME, 2012)

Exploring audio and tactile qualities of instrumentality with bowed string simulations. - Olivier Tache; Stephen Sinclair; Jean-Loup Florens; Marcelo M. Wanderley (NIME, 2012)

Libmapper: (a library for connecting things). - Joseph W. Malloch; Stephen Sinclair; Marcelo M. Wanderley (CHI Extended Abstracts, 2013)

Velocity Estimation Algorithms for Audio-Haptic Simulations Involving Stick-Slip. - Stephen Sinclair; Marcelo M. Wanderley; Vincent Hayward (IEEE Trans. Haptics, 2014)

Looking for physical invariants in the mechanical response of a tactually scanned Braille dot. - Séréna Bochereau; Stephen Sinclair; Vincent Hayward (World Haptics, 2015)

Distributed tools for interactive design of heterogeneous signal networks. - Joseph W. Malloch; Stephen Sinclair; Marcelo M. Wanderley (Multim. Tools Appl., 2015)

Interactive Visualizations for Testing Physics Engines in Robotics. - Johan Fabry; Stephen Sinclair (VISSOFT, 2016)

Wearable Haptic Systems for the Fingertip and the Hand: Taxonomy, Review, and Perspectives. - Claudio Pacchierotti; Stephen Sinclair; Massimiliano Solazzi; Antonio Frisoli; Vincent Hayward; Domenico Prattichizzo (IEEE Trans. Haptics, 2017)

The Digital Orchestra Toolbox for Max. - Joseph W. Malloch; Marlon Schumacher; Stephen Sinclair; Marcelo M. Wanderley (NIME, 2018)

Sounderfeit: Cloning a Physical Model with Conditional Adversarial Autoencoders. - Stephen Sinclair (CoRR, 2018)

Sounderfeit: Cloning a Physical Model using a Conditional Adversarial Autoencoder. - Stephen Sinclair (CoRR, 2018)

Generalized Multi-Instance Control Mapping for Interactive Media Systems. - Joseph W. Malloch; Stephen Sinclair; Marcelo M. Wanderley (IEEE Multim., 2018)

Perceptual Constancy in the Reproduction of Virtual Tactile Textures With Surface Displays. - Séréna Bochereau; Stephen Sinclair; Vincent Hayward (ACM Trans. Appl. Percept., 2018)

Ultrasound Rendering of Tactile Interaction with Fluids. - Héctor Barreiro; Stephen Sinclair; Miguel A. Otaduy (WHC, 2019)

Path Routing Optimization for STM Ultrasound Rendering. - Héctor Barreiro; Stephen Sinclair; Miguel A. Otaduy (IEEE Trans. Haptics, 2020)