Study no. 1 for PAM and MADI. - Troy Rogers; Steven T. Kemper; Scott Barton (NIME, 2009)

Shadows no. 4: belly dance and interactive electroacoustic musical performance. - Aurie Y. Hsu; Steven T. Kemper (CHI Extended Abstracts, 2010)

Movable Party: A bicycle-powered system for interactive musical performance. - Steven T. Kemper; Wendy F. Hsu; Carey Sargent; Josef Taylor; Linda Wei (ICMC, 2014)

Kinesonic Composition as Choreographed Sound: Composing Gesture in Sensor-Based Music. - Aurie Y. Hsu; Steven T. Kemper (ICMC, 2015)

Kinesonic approaches to mapping movement and music with the remote electroacoustic kinesthetic sensing (RAKS) system. - Aurie Y. Hsu; Steven T. Kemper (MOCO, 2015)

Marie: monochord-aerophone robotic instrument ensemble. - Troy Rogers; Steven T. Kemper; Scott Barton (NIME, 2015)

Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments . - Steven T. Kemper; Scott Barton (NIME, 2018)

The Hybrid Body and Sonic-Cyborg Performance in Why Should Our Bodies End at the Skin? - Aurie Y. Hsu; Steven T. Kemper (TEI, 2019)

Tremolo-Harp: A Vibration-Motor Actuated Robotic String Instrument. - Steven T. Kemper (NIME, 2020)

Locating Creativity in Differing Approaches to Musical Robotics. - Steven T. Kemper (Frontiers Robotics AI, 2021)

Editorial: Music and AI. - Alexandra Bonnici; Roger B. Dannenberg; Steven T. Kemper; Kenneth P. Camilleri (Frontiers Artif. Intell., 2021)

Manus Tremens. - Steven T. Kemper (MOCO, 2022)