Flexibility, Subtlety and Spontaneity in New Instrument Design: the feedback Joypad. - Tom Mudd (ICMC, 2012)

Feeling for Sound: Mapping Sonic Data to Haptic Perceptions. - Tom Mudd (NIME, 2013)

Dynamical Interactions with Electronic Instruments. - Tom Mudd; Simon Holland; Paul Mulholland; Nick Sheep Dalton (NIME, 2014)

Music and HCI. - Simon Holland; Andrew P. McPherson; Wendy E. Mackay; Marcelo M. Wanderley; Michael D. Gurevich; Tom W. Mudd; Sile O'Modhrain; Katie L. Wilkie; Joseph W. Malloch; Jérémie Garcia; Andrew Johnston (CHI Extended Abstracts, 2016)

Understanding Music Interaction, and Why It Matters. - Simon Holland; Tom Mudd; Katie Wilkie-McKenna; Andrew P. McPherson; Marcelo M. Wanderley (New Directions in Music and Human-Computer Interaction, 2019)

Material-Oriented Musical Interactions. - Tom Mudd (New Directions in Music and Human-Computer Interaction, 2019)

Making as Research: An Interview with Kristina Andersen. - Tom Mudd; Kristina Andersen (New Directions in Music and Human-Computer Interaction, 2019)

The Role of Nonlinear Dynamics in Musicians' Interactions with Digital and Acoustic Musical Instruments. - Tom Mudd; Simon Holland; Paul Mulholland (Comput. Music. J., 2019)

Nonlinear dynamical processes in musical interactions: Investigating the role of nonlinear dynamics in supporting surprise and exploration in interactions with digital musical instruments. - Tom Mudd; Simon Holland; Paul Mulholland (Int. J. Hum. Comput. Stud., 2019)

Large-Scale Physical Modeling Synthesis, Parallel Computing, and Musical Experimentation: The NESS Project in Practice. - Stefan Bilbao; James Perry; Paul Graham; Alan Gray; Kostas Kavoussanakis; Gordon Delap; Tom Mudd; Gadi Sassoon; Trevor Wishart; Samson Young (Comput. Music. J., 2020)

Playing with Feedback: Unpredictability, Immediacy, and Entangled Agency in the No-input Mixing Desk. - Tom Mudd (CHI, 2023)

Musical pathways through the no-input mixer. - Tom Mudd; Akira Brown (NIME, 2023)