Simulating the Cues of Spatial Hearing in Natural Environments. - Gary S. Kendall; William L. Martens (ICMC, 1984)

Palette: An Environment for Developing an Individualized Set of Psychophysically Scaled Trimbres. - William L. Martens (ICMC, 1985)

Deriving Psychophysical Relations for Timbre. - Daniel J. Freed; William L. Martens (ICMC, 1986)

Spatial Processing Software at Northwestern Computer Music. - Gary S. Kendall; William L. Martens; Daniel J. Freed; M. Derek Ludwig; Richard W. Karstens (ICMC, 1986)

Externalization Mediates Changes in the Perceived Roughness of Sound Signals with Jittered Fundamental Frequency. - Martin D. Wilde; William L. Martens; James M. Hillenbrand; Douglas R. Jones (ICMC, 1986)

Principal Components Analysis and Resynthesis of Spectral Cues to Perceived Direction. - William L. Martens (ICMC, 1987)

Prototyping and Interpolation of Multiple Musical Timbres Using Principle Component-Based Synthesis. - Gregory J. Sandell; William L. Martens (ICMC, 1992)

Sounding off on audio: the future of Internet sound (panel). - Paul Godwin; Eythor Arnolds; William L. Martens; Timothy W. Cole; James Grunke (SIGGRAPH, 1997)

Multimedia Processor Architecture. - Tsuneo Ikedo; William L. Martens (ICMCS, 1998)

Panel 2: Eartop Computing and Cyberspatial Audio Technology. - Nobuo Koizumi; William L. Martens; Jens Herder (VR, 2001)

Beyond Flat Panning and Zooming: Dolly-Enhanced SQTVR. - Noor Alamshah Bolhassan; William L. Martens; Michael Cohen 002 (CW, 2002)

Robotic Spatial Sound Localization and Its 3-D Sound Human Interface. - Jie Huang 012; Katsunori Kume; Akira Saji; Masahiro Nishihashi; Teppei Watanabe; William L. Martens (CW, 2002)

The influence of identification training on identification and production of the american English mid and low vowels by native speakers of Japanese. - Stephen G. Lambacher; William L. Martens; Kazuhiko Kakehi (INTERSPEECH, 2002)

Design of a tone mapping operator for high-dynamic range images based upon psychophysical evaluation and preference mapping. - Frédéric Drago; William L. Martens; Karol Myszkowski; Norishige Chiba (Human Vision and Electronic Imaging, 2003)

Simulation of sparkling and depth effect in paints. - Roman Durikovic; William L. Martens (SCCG, 2003)

Perceptual evaluation of tone mapping operators. - Frédéric Drago; William L. Martens; Karol Myszkowski; Hans-Peter Seidel (SIGGRAPH, 2003)

Quantitative subjective analysis of color tone perception and description by native speakers of Japanese. - Nadia Bianchi-Berthouze; William L. Martens; Charith N. W. Giragama; Dishna R. Wanasinghe (Human Vision and Electronic Imaging, 2004)

Decoupled Loudness and Range Control for a Source Located Within a Small Virtual Acoustic Environment. - William L. Martens (ICAD, 2004)

Perceived Synchrony ina Bimodal Display: Optimal Intermodal Delay for Coordinated Auditory and haptic Reproduction. - William L. Martens; Wieslaw Woszczyk (ICAD, 2004)

Subspace projection of multichannel audio data for automatic control of motion-platform-based multimedia display systems. - William L. Martens; Wieslaw Woszczyk (ICASSP (4), 2004)

Perception of Audio-Generated and Custom Motion Programs in Multimedia Display of Action-Oriented DVD Films. - Kent Walker; William L. Martens (HAID, 2006)

Zero-Discount Partially Observable Markov Decision Processes For Computational Improvising Agents. - Aengus Martin; Craig T. Jin; André van Schaik; William L. Martens (ICMC, 2010)

Confirming the perception of virtual source elevation effects created using 5.1 channel surround sound playback. - Hyun Jo; William L. Martens; Youngjin Park; Sunmin Kim (VRCAI, 2010)

A similarity algorithm for interactive style imitation. - Aengus Martin; Craig T. Jin; Alistair Lee McEwan; William L. Martens (ICMC, 2011)

Distance perception of a virtual sound source synthesized near the listener position. - Dong-Soo Kang; Jung-Woo Choi; William L. Martens (Multim. Tools Appl., 2016)