Luc Ardaillon

According to our database1, Luc Ardaillon authored at least 14 papers between 2015 and 2022.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of five.

Timeline

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PhD thesis 
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Links

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Bibliography

2022
Voicing decision based on phonemes classification and spectral moments for whisper-to-speech conversion.
Proceedings of the Interspeech 2022, 2022

2020
ANGUS: Real-time manipulation of vocal roughness for emotional speech transformations.
CoRR, 2020

GCI Detection from Raw Speech Using a Fully-Convolutional Network.
Proceedings of the 2020 IEEE International Conference on Acoustics, 2020

Semi-supervised learning of glottal pulse positions in a neural analysis-synthesis framework.
Proceedings of the 28th European Signal Processing Conference, 2020

2019
Fully-Convolutional Network for Pitch Estimation of Speech Signals.
Proceedings of the Interspeech 2019, 2019

2018
Composing Vocal Distortion: A Tool for Real-Time Generation of Roughness.
Comput. Music. J., 2018

Vocal Distortion and Real-Time Processing of Roughness.
Proceedings of the 2018 International Computer Music Conference, 2018

2017
Synthesis and expressive transformation of singing voice. (Synthèse et transformation expressive de la voix chantée).
PhD thesis, 2017

A Mouth Opening Effect Based on Pole Modification for Expressive Singing Voice Transformation.
Proceedings of the Interspeech 2017, 2017

2016
Multi-Frame Amplitude Envelope Estimation for Modification of Singing Voice.
IEEE ACM Trans. Audio Speech Lang. Process., 2016

Evaluation of Singing Synthesis: Methodology and Case Study with Concatenative and Performative Systems.
Proceedings of the Interspeech 2016, 2016

Expressive Control of Singing Voice Synthesis Using Musical Contexts and a Parametric F0 Model.
Proceedings of the Interspeech 2016, 2016

Simple multi frame analysis methods for estimation of amplitude spectral envelope estimation in singing voice.
Proceedings of the 2016 IEEE International Conference on Acoustics, 2016

2015
A multi-layer F0 model for singing voice synthesis using a b-spline representation with intuitive controls.
Proceedings of the INTERSPEECH 2015, 2015


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