Thomas Wilmering

According to our database, Thomas Wilmering authored at least 15 papers between 2010 and 2020.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of four.

2020

The Challenge: From MPEG Intellectual Property Rights Ontologies to Smart Contracts and Blockchains [Standards in a Nutshell].

Panos Kudumakis, Thomas Wilmering, Mark B. Sandler, Víctor Rodríguez-Doncel, Laurent Boch, Jaime Delgado

IEEE Signal Process. Mag., 2020

A Method for Analysis of Shared Structure in Large Music Collections using Techniques from Genetic Sequencing and Graph Theory.

Florian Thalmann, Kazuyoshi Yoshii, Thomas Wilmering, Geraint A. Wiggins, Mark B. Sandler

Proceedings of the 21th International Society for Music Information Retrieval Conference, 2020

2019

MPEG Intellectual Property Rights Ontologies for Media Trading and Personalization.

Panos Kudumakis, Thomas Wilmering, Mark B. Sandler, Jeremy D. Foss

Proceedings of the 1st International Workshop on Data-Driven Personalisation of Television co-located with the ACM International Conference on Interactive Experiences for Television and Online Video, 2019

2018

Technology Enhanced Learning: The Role of Ontologies for Feedback in Music Performance.

Matthew John Yee-King, Thomas Wilmering, Maria Teresa Llano Rodriguez, Maria Krivenski, Mark d'Inverno

Frontiers Digit. Humanit., 2018

Exploration of Grateful Dead Concerts and Memorabilia on the Semantic Web.

Thomas Wilmering, Florian Thalmann, Mark B. Sandler

Proceedings of the ISWC 2018 Posters & Demonstrations, Industry and Blue Sky Ideas Tracks co-located with 17th International Semantic Web Conference (ISWC 2018), Monterey, USA, October 8th - to, 2018

Cultural Heritage Documentation and Exploration of Live Music Events with Linked Data.

Florian Thalmann, Thomas Wilmering, Mark B. Sandler

Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music, 2018

2017

Linked Data Publication of Live Music Archives and Analyses.

Sean Bechhofer, Kevin R. Page, David M. Weigl, György Fazekas, Thomas Wilmering

Proceedings of the Semantic Web - ISWC 2017, 2017

Realising a Layered Digital Library: Exploration and Analysis of the Live Music Archive through Linked Data.

Kevin R. Page, Sean Bechhofer, György Fazekas, David M. Weigl, Thomas Wilmering

Proceedings of the 2017 ACM/IEEE Joint Conference on Digital Libraries, 2017

2016

Interdisciplinary Classification of Audio Effects in the Audio Effect Ontology.

Thomas Wilmering, Mark B. Sandler

Proceedings of the ISWC 2016 Posters & Demonstrations Track co-located with 15th International Semantic Web Conference (ISWC 2016), 2016

AUFX-O: Novel Methods for the Representation of Audio Processing Workflows.

Thomas Wilmering, György Fazekas, Mark B. Sandler

Proceedings of the Semantic Web - ISWC 2016, 2016

Semantic Description of Timbral Transformations in Music Production.

Ryan Stables, Brecht De Man, Sean Enderby, Joshua D. Reiss, György Fazekas, Thomas Wilmering

Proceedings of the 2016 ACM Conference on Multimedia Conference, 2016

2015

Automating Annotation of Media with Linked Data Workflows.

Thomas Wilmering, Kevin R. Page, György Fazekas, Simon Dixon, Sean Bechhofer

Proceedings of the 24th International Conference on World Wide Web Companion, 2015

2013

The Audio Effects Ontology.

Thomas Wilmering, György Fazekas, Mark B. Sandler

Proceedings of the 14th International Society for Music Information Retrieval Conference, 2013

2011

A Knowledge Representation Framework for Context-Dependent Audio Processing.

György Fazekas, Thomas Wilmering, Mark B. Sandler

Proceedings of the AES International Conference Semantic Audio 2011, 2011

2010

RDFx: Audio Effects Utilising Musical Metadata.

Thomas Wilmering, Mark B. Sandler

Proceedings of the 4th IEEE International Conference on Semantic Computing (ICSC 2010), 2010